"Kimberly Akimbo" and "Fat Ham" win the 1st Annual Dorian Theater Awards

By Nathaniel R

As we previously shared GALECA: The Society of LGBTQ Entertainment Critics recently launched a theater wing comprised of 34 members (including myself) which will be honoring the best in Broadway and Off Broadway theater each season. Our wing co-chair Sam Eckmann (Gold Derby) says:

"I’m thrilled to commence Pride Month with the first ever crop of Dorian Theater Award winners. From the gentleness of Kimberly Akimbo and Into the Woods, to boundary-pushing works such as Fat Ham and Prima Facie to the shot of serotonin that is Titaníque, our cohort of passionate journalists has uplifted the spectacular artistry that thrives in the New York theater scene."

For the inaugural our group chose one winner and two or three finalists (if there was a tie in voting) in 13 categories. They were...

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Holiday Box Office goes 'Under the Sea'

By Nathaniel R

Apologies for the radio silence. I've been struggling with my newish day job (had to finally admit last year that movies weren't keeping a roof over the head *sniffle* and go back to corporate America) but I have hope that I a personal rhythm / balance will soon be found again. For the holiday weekend I saw no movies but visited friends who have a home on Fire Island.  I'd already seen the weekend's big draw, Disney's live action remake of their own fable The Little Mermaid...

Weekend Box Office (actuals) May 26th-29th 🔺 = new or expanding /  ★ = Recommended
WIDE (Over 800 Screens)	LIMITED / PLATFORM
THE LITTLE MERMAID	MASTER GARDENER
1 🔺 THE LITTLE MERMAID $118.8 *NEW* 4320 screens	1 🔺 THE WRATH OF BECKY $168k *NEW* 274 screens

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Cannes Review: Palme d'Or winner "Anatomy of a Fall"

Elisa Giuidici reporting from Cannes...

I can name a very short list of actresses who can portray a silver screen character with the level of charisma and ego as Cate Blanchett in the already iconic role of Lydia Tár. That short list has now grown by one. The amazingly talented Sandra Hüller, best known for Toni Erdmann, does not lack for “big dick energy”. After seeing her from a strange distance in The Zone of Interest by Jonathan Glazer, we can fully grasp her icy, domineering attitude in the wonderful Anatomy of a Fall. It's a legal thriller by French director Justine Triet (who also co-wrote the screenplay with her partner Arthur Harari).

The movie is another take on the classic procedural dilemma: did a person die by accident or were they killed by their partner?

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Cannes Winners for the 76th Edition

by Nathaniel R

Jane Fonda handed the Palme to Justine Triet "Anatomy of a Fall". Photo © Andreas Rentz / Getty Images

The 76th edition of Cannes has wrapped. The closing ceremony brought an end to a week plus of speculation about prizes. French auteur Justine Triet, of Sybiil fame, took the coveted Palme d'Or for her fourth narrative feature,  Anatomy of a Fall. She's only the third female director to win the prize (after Jane Campion for The Piano and Julia Ducornau for Titane) though the fifth woman (Actresses Léa Seydoux and Adele Exarchopolous shared the Palme with their director in a non-traditional jury decision the year of Blue is the Warmest Colour).

A whole slew of awards (and, thus, titles to look out for at future festivals) are after the jump...

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Doc Corner: 'Victim/Suspect' on Netflix

By Glenn Charlie Dunks

Nancy Schwartzman’s latest documentary wades forcefully into sensitive territory. As she had done with (the superior) Roll Red Roll in 2018, she charts stories of sexual assault and rape in places where police, the justice system, and society at large too often find ambiguity and uncertainty. An audience watching Victim/Suspect is probably not among those who do, although I suppose launching on such a platform as Netflix may help capture some viewers whose attitudes towards people like those in Schwartzman’s doc are ingrained enough to need rewiring and allow them the empathy required to understand their circumstance.

As the title implies, Victim/Suspect is about women who have reported the crime of rape and have instead become the one arrested. Whether it be due to apathy or investigative sloppiness on behalf of the police or just plain old misogyny and bias, they end up handcuffed and sent to prison. Charged with the crime of falsely reporting a rape—which, to some of the police featured within the film via videotape, appears to be more offensive than the sexual crime itself. As one officer observes, they need to be taught a lesson for the police time that they suggest has been wasted. All because they can’t find (or don’t care to find) the sufficient evidence needed to believe them.

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