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Saturday
Sep092017

TIFF: Iannucci Goes to Russia for "The Death of Stalin"

by Chris Feil

Armando Iannucci has another high farce with The Death of Stalin, an almost operatic comedy of power struggles and masculine posturing. Based on the comic books by Fabien Nury and Thierry Robin, the film is a gleefully anachronistic satire that will feel all too uncomfortably close to our current reality. This makes for a more charged tone than Iannucci’s previous contemporary political skewering. But fear not: his comic mind has stayed unpretentious. As ever, it’s his subjects that take themselves all too seriously.

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Saturday
Sep092017

Official Foreign Film Submissions Thus Far

All the foreign submission charts have been updated to reflect the speedy announcements of new titles. We're now up to 84 (last year's tally was an all time record of 85). Somehow I neglected to include Ireland on the submission charts. They've selected an "audacious" biopic about the singer Joe Heany called Song of Granite. The film uses both documentary footage and narrative sequences. It's in black and white and looks gorgeous in still photos

Submissions we've reviewed thus far here at TFE...

Submissions we've seen but haven't yet reviewed...

  • Czech Republic's Ice Mother
  • Egypt's Sheikh Jackson
  • Finland's Tom of Finland
  • France's 120 Beats per Minute
  • Polan's Spoor

Submissions we're scheduled to see soon...

  • Sweden's The Square
  • Switzerland's The Divine Order

The rest of the list (thus far). We'll look out for opportunities to see them...

  • Afghanistan A Letter to the President
  • Albania's Daybreak
  • Algeria's Road to Instanbul
  • Armenia's Yeva
  • Azerbaijan's Pomegranate Orchard
  • Bangladesh's Khacha
  • Bolivia's Dark Skull
  • Bosnia & Herzegovina's Men Don't Cry
  • Brazil's Bingo: King of the Mountain
  • Bulgaria's Glory
  • Cambodia's First They Killed My Father
  • Canada's Hochelaga, Land of Souls
  • Chile's A Fantastic Woman
  • Colombia's Guilty Men
  • Croatia's Quit Staring at My Plate
  • Denmark's You Disappear
  • Dominican Republic's Woodpeckers
  • Ecuador's Alba
  • Georgia's Scary Mother
  • Germany's In the Fade
  • Greece's Amerika Square
  • Hong Kong's Mad World
  • Iceland's Under the Tree
  • India's Newton
  • Indonesia's The Leftovers
  • Iran's Breath
  • Iraq's The Dark Wind
  • Ireland's Song of Granite
  • Israel's Foxtrot
  • Italy's A Ciambra
  • Japan's Her Love Boils Bathwater
  • Kazakhstan's Road to Mother
  • Kenya's Kati Kati
  • Kosovo's Unwanted
  • Kyrgyzstan's Centaur
  • Laos's Dearest Sister
  • Latvia's Chronicles of Melanie
  • Lebanon's The Insult
  • Lithuania's Frost
  • Luxembourg's Barrage
  • Mexico's Tempestad
  • Morocco's Razzia
  • Mozambique's The Train of Salt and Sugar
  • Nepal's White Sun
  • Netherland's Layla M
  • New Zealand's One Thousand Ropes
  • Pakistan's Saawan
  • Palestine's Wajib
  • Panama's Beyond Brotherhood
  • Paraguay's Los Buscadores
  • Peru's Rosa Chumber
  • Philippines's Birdshot
  • Portugal's Saint George
  • Romania's The Fixer
  • Russia's Loveless
  • Serbia's Requiem for Mrs J
  • Singapore's Pop Aye
  • Slovakia's The Line
  • Slovenia's The Miner
  • South Africa's The Wound
  • South Korea's A Taxi Driver
  • Spain's Summer 1993
  • Taiwan's Small Talk
  • Thailand's By the Time It Gets Dark
  • Tunisia's The Last of Us
  • Turkey's Ayla: The Daughter of War
  • Ukraine's Black Level
  • United Kingdom's My Pure Land
  • Uruguay's Another Story of the World
  • Venezuela's El Inca
  • Vietnam's Father and Son

Current predictions

Saturday
Sep092017

"I'm Armie"

our ongoing adventures at TIFF 2017

Timothee Chalamet, Armie Hammer, and Luca Guadagnino at the after party for CALL ME BY YOUR NAME

Armie Hammer is very tall (6'5" according to IMDb) but less intimidating than that heighth and his big screen beauty would suggest in real life. Let's set the scene.

It's the after party for the TIFF premiere of Call Me By Your Name  at a swank Toronto steakhouse called STK. I arrive slightly underdressed -- you can always spot the writers by their more casual attire than the stars/industry/scenesters -- and quickly down my "director's cut."...

Click to read more ...

Saturday
Sep092017

Top 5 Films Without Repeating a Language or Country

by Sebastian Nebel

Name your Top 5 films without repeating a language or country of origin.

That was the challenge I posed on Twitter last month. It's tricky enough to limit your favorites to a specific number, and I was interested in seeing what kind of responses this added degree of difficulty would garner.

Turns out Twitter loves making lists! I got a ton of replies – way too many to collect all of them here, unfortunately. But I've rounded up a handful of them after the jump including lists by The Film Experience contributors, film critics and film makers...

The Good, the Bad and the Ugly (Il buono, il brutto, il cattivo)
2001: A Space Odyssey
Police Story (警察故事)
Delicatessen
Santa Sangre (Holy Blood)

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Friday
Sep082017

Looking back at 1985: The Black Cauldron

Tim here. This month at the Film Experience, we're celebrating the year 1985 in movies, and in the chronicles of animation history, that can mean only one thing.  I refer to the evergreen tale of how Walt Disney Pictures nearly extinguished itself during the hideously protracted, agonized production of the animated feature The Black Cauldron.

This was near the end of almost two straight decades, following Walt Disney's death in 1966, during which time the company with his name on it couldn't put a single foot right. The days of Marvel, Star Wars, and billion-dollar cartoons weren't so much as a glimmer at this time; Disney barely existed as a film studio at all, but was internationally known almost exclusively for its theme parks. Still, live-action films trickled out every so often, and about once every four years, the animation studio would try its hand at a new cartoon. The most ambitious and expensive of these by far was an attempt at adapting the five books of Lloyd Alexander's 1960s series The Chronicles of Prydain into a high fantasy epic like the world of animation had never seen.

There were two main problems with this scheme...

 

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