Smackdown '85: Anjelica, Amy, Meg, Margaret and Oprah

Presenting the Supporting Actresses of '85. It was all scandal all the time at this colorful party. There were three much gossiped about women (a mafia princess, a drunk promiscuous entertainer, and a delusional pregnant nun) and two stubborn women who were just NOT having either the gossip or the abusive and cheating men around them. It was the about appreciating the color purple (Oprah & Margaret), seeing red (Amy & Meg), and embracing jet black comedy (Anjelica).

THE NOMINEES 

from left to right: Avery, Huston, Madigan, Tilly, and Winfrey

Oscar celebrated newcomers in 1985 with a shortlist composed entirely of first timers. All five actresses were relatively inexperienced (as Oscar lists go) having made less than ten films each so no overdue conversations were to be had. One of them (Oprah Winfrey) was even making her film debut though the eventual winner (Anjelica Huston) was already Hollywood royalty, being the daughter of the film titan directing her and the girlfriend of the superstar headlining her Best Picture nominated vehicle.

Notable women who Oscar didn't nominate were Globe nominees Kelly McGillis (Witness) and Sonia Braga (Kiss of the Spider Woman), BAFTA nominees Judi Dench (Wetherby) and Tracey Ullman (Plenty), and BAFTA winner Rosanna Arquette (Desperately Seeking Susan)... who was very much a leading lady but you know how awards season is! Other key supporting players that attracted critical attention and/or movie fans in 1985 were Molly Ringwald and Ally Sheedy (The Breakfast Club), Demi Moore and Mare Winningham (St Elmo's Fire), Isabella Rossellini and Helen Mirren (White Nights), Madonna (Desperately Seeking Susan), Lea Thompson (Back to the Future), Laura Dern (Mask), Ann Wedgeworth (Sweet Dreams), and Mieko Harada (Ran).

THIS MONTH'S PANELISTS

from left to right: Zehetner, Virtel, Nathaniel R, Nazemian, Morgan

Here to talk about these five nominated turns, in reverse alphabetical order: Actress Nora Zehetner (Creative Control, Brick), comedian/writer Louis Virtel  (Billy on the Street, Throwing Shade), your host Nathaniel R (The Film Experience), novelist/producer Abdi Nazemian ("The Authentics" and Call Me By Your Name), and writer/director Michelle Morgan (It Happened in LA). And now it's time for the main event... 

1985
SUPPORTING ACTRESS SMACKDOWN  

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Transparent S4 E1-3: Off to Israel

by Chris Feil

The opening theme music to Transparent by Dustin O’Halloran always chokes me up. Something about its evolving images and sound carry the weight of the shared histories - LGBTQ, Judaism, and family - speaks to both the known and still secreted past that makes the Pfefferman clan all too relatable. Like the rest of us, they’ve been somewhere and it hasn’t been easy. But from the opening emotive thrum, the theme now incorporating pilgrimage images and a traditional Jewish instrumentation, this season announces that it’s going somewhere too.

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Difficult People S3 E7-8: Sitcoms, Sleepovers, & "Yes And"

In Episode Seven, “Fuzz Buddies”, Julie lies her way into a Nick Jr. writer’s room, Billy gets a decades late response to fanmail from Monkee Micky Dolenz, and Marilyn finally celebrates her Bat Mitzvah.

CHRIS: So the theme of this episode was delayed adolescence. Billy got a childhood fan letter to Micky Dolenz returned and ends up getting roped into helping him with a one-person show.

SPENCER: What does it say about me that I don’t know who this person is?

C: I can’t imagine you’re the only viewer thinking that. Even by Difficult People standards, this guest appearance is specific and completely bizarrely random. But fitting for the theme to have an old school teen idol.

S: Teen idol? I’m listening (while also googling Micky Dolenz)...

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Four Better Ways to Spend Avatar's Billion Dollar Budget

By Ilich Mejia

Avatar 2 just began production after it was announced that the saga's four upcoming sequels (filming back-to-back) will have an alleged combined budget of $1 billion. For those of you too pretty to be bothered by mental math, that's an estimated $250 million per sequel. Very good news for the realtor finalizing the purchase of Sigourney Weaver's next vacation home; less good for our over-stuffed "sequels no one needs" file.

To be fair, $250 million doesn't come close to matching the fourth installment no one wanted of the Pirates of the Caribbean series' ($370 million budget), but it is still two handfuls of zeroes (if—for whatever reason—you are missing a pinky) for movies that will come out in the next eight years. 

In an effort that could willingly be misinterpreted as a cry against the threat of capitalism, we have come up with four more pressing ways to spend someone else's money. Come disagree!

01. $250 MILLION for the Crazy Rich Asians press tour + sequels

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PSA: Kim Cattrall was famous before "Sex and the City," okay?

by Nathaniel R

Just when you think the world can't get any more sexist, there's always a reminder that it can. One such reminder is the famed existence of Sex and the City, a target in perpetuity. It often brings out the very worst in journalists, critics, famous people, and the public alike (both male and female in all four cases) as people fall over themselves with new ways to hate on, be offended by, or attempt to take down that particularly glitzy femme pleasure.

The brand has beenquiet for some time now until the Daily Mail posted a gross story about Kim Cattrall supposedly stopping production of Sex and the City 3 in its tracks with "outrageous demands". I didn't personally believe this was true, even before the stars started giving quote about it. The more quotes there are the more it's clear that everyone will have a different perception of what happened and that's fine. What was shocking was not the misleading story (my best guess is that the truth is somewhere inbetween all the quotes from the cast and executives because many many people with big egos and lots of millions are involved) but how unbelievably petty and sexist the "sources" were in their quotes about Cattrall...

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