The Furniture: Decorating for a Lost Generation in "Frantz"

"The Furniture" is our weekly series on Production Design. You can click on the images to see them in magnified detail. Here's Daniel Walber on Frantz, newly available on DVD and Blu-Ray.

Sometimes gimmicks work. François Ozon’s Frantz is built up from single stylistic convention, flipped on its head. It’s a black and white drama of Europe in the wake of World War One, but its flashbacks are in color. It’s quite striking, a remarkable collaboration between cinematographer Pascal Marti, production designer Michel Barthélemy and art director Susanne Abel. Even the soggy trenches are more vibrant than the sober landscape of the Armistice.

Frantz begins in 1919, in the small German town of Quedlinburg. Anna (Paula Beer) mourns her fiancé, Frantz, taken from her by the war. She lives with his parents, Hans (Ernst Stötzner) and Magda Hoffmeister (Marie Gruber). Their gloomy lives are shaken by the arrival of a Frenchman, the hesitant Adrien Rivoire (Pierre Niney).

Anna and Magda assume that he must be a friend of Frantz’s from before the war, and invite him into their home...

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"Frozen" Gets a Cast for the Stage

Full casting for Broadway hopeful Frozen has been announced. The names have been trickling out for months but now it's all official. The out of town tryouts begin in August in Denver (so if you live there, do report back!). It's quite a high profile gig for all of the cast members none of whom have been Tony nominated and many of whom are in early stages of their careers.

This image, headshots for the two leads Caissie Levy and Patti Murin, is going around and though accidental I couldn't help but giggle a little. Do they share a hairdresser and colorist? Hopefully the differences in the stage sisters will be easy to read via acting and costuming. It's going to be weird to have it on Broadway where Wicked, which Frozen rips off so liberally from, is a Broadway mainstay. We'll see. One assumes Disney will add songs by already EGOTed team Kristen Anderson-Lopez and Robert Lopez to the second half or that's going to be one lopsided stage musical with all the songs sung before intermission! [More on the cast after the jump.]

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Dead Men Share No Links

Top o the monday morning to you.

• NPR there's a new Marlene Dietrich exhibit at the National Portrait Gallery in DC so check it out if you're passing through or live there. They say it's "dazzling"
• /Film John G Avildsen (RIP). The director of cultural phenomenons Rocky and the Karate Kid has passed away at 81. He'll always be remembered for those two pictures but we have to also thank him for trash cult fav A Night in Heaven as well as launching the career of Susan Sarandon in Joe (1970)
• THR Comedy Actress roundtable with Emmy Rossum, America Ferrera, Minnie Driver, Kathryn Hahn, Issa Rae, and Pamela Adlon

More after the jump including controversy in Oscar's animation branch, Patti Lupone, Captain Underpants, Lambda Awards, etcetera...

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"Rough Night" and the State of Comedy

by Eric Blume

My assignment for TFE was a review of the movie Rough Night. But since I was not raised in a barn, nor raised by wolves, my mother once told me if you can’t find something nice to say, don’t say anything at all. So we’ll keep it short on Rough Night itself.  It’s actually depressing how bad this movie is, a twist on a rather good mainstream movie called Very Bad Things, back in the Cameron Diaz days of 1998.  That Peter Berg film had a bit of an edge as it followed several guy friends on a bachelor party who find themselves in a dead hooker situation.  Rough Night is the distaff version of this tale, but the inept script, bad performances, and bland direction make it a tough sit.  The film’s five actresses (Scarlett Johansson, Kate McKinnon, Zoe Kravitz, Jillian Bell, and Ilana Glazer) are winning, talented ladies and deserved a far better vehicle.

Sitting through Rough Night your mind may wander, as did mine, to the state of mainstream comedy in the cinema these days...

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Box Office: Cars 3 road blocks Wonder Woman 1... temporarily.

By Nathaniel R

Rule #1 of Hollywood: If it's making money, keep sequelizing it. Yes, even if it's as much of a lemon as Pixar's Cars franchise, basically the sole significant weight dragging down their otherwise blissful quality to quantity ratio (Sigh). But the world keeps buying so they'll keep selling. Cars won't have much time at the top of the charts, though, since another long-in-the-tooth franchise that's a blight on the cinemascape (Transformers) arrives Wednesday with its 5th installment. With so many lackluster sequels out this summer it's no wonder that people have been so thirsty for Wonder Woman, which at least has the benefit of being a "first" in multiple ways. Charts are after the jump...

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