The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Game of Thrones returns this Sunday. We are ready for it and can’t wait to see what happens, now that Cersei Lannister rules the iron throne. She has always been my favorite character because she brings the drama. Always. Yes she’s evil. Of course she makes stupid mistakes. And eww she sleeps with her twin brother. But she’s also complex and sort of a feminist. Her biggest motivation is the limitation that her gender imposes on her potential. She knows that she’s better than most of the men in her orbit, yet they have more power than her. That pisses her off big time...
Chris here. Remember a few short years ago when Gary Oldman, after decades of brilliance, was finally an Oscar nominee for Tinker Tailer Soldier Spy? Well, it looks like he could be prepping another go of awards season, but this time it might be for a performance that finds the actor on the unrecognizable side of his chameleonic abilities. The last time he had this level of makeup on we got his delicious and underrated Dracula, but now Oldman is donning some impressive prosthetics to play Winston Churchill in Joe Wright's period piece Darkest Hour.
Though Joe Wright's previous period work like Atonement and Anna Karenina have sparked with some inventive presentation, for the trailer this looks like a little bit more of the familiar. No matter, considering Oldman is firing on all cylinders for some juicy dramatics as the Prime Minister - the actor is definitely the show here. Also a good sign considering some of the not-so-beloved recent performances we've had from great actors take on playing Churchill.
The film also features a strong ensemble around Oldman, including Kristen Scott Thomas, Ben Mendelsohn, Lily James, and Stephen Dillane. Expect to see this pop up on the fall festival circuit before it opens at Thanksgiving.
Now that we have had a little bit of time for the Emmy nominations to sink in, the afterglow of our favorite nominees has faded enough to reflect on what missed out. This year had quite a few stings for what we expected to be a more open playing field. Recurrent outsiders like The Leftovers and Crazy Ex-Girlfriend have long been on our lips here at The Film Experience as criminally ignored by awards bodies, and this year was no different! Here's what missed out this morning that has us lamenting:
JORGE - Rita Moreno is destined to win an EGOT twice and they just delayed it. Truly upset about her snub for One Day at a Time.
DENNY - It's clear the voting body watched Black Mirror: San Junipero. So why wasn't Bryce Dallas Howard nominated for her tremendous, go-for-broke performance in Nosedive? The arc the episode traces for her character (desperately trying to boost her favorability rating to attend a wedding) is hilarious, terrifying, and all too relatable, and Howard's mad commitment is key to the episode working as well as it does. For my money, she probably should have WON the trophy.
Since the Emmy nominations announced today, some celebration is in order! We polled our lively Team Experience for their thoughts on today's results, starting with their favorite nominees across any of Emmy's umpteen categories. Before we bemoan what got left out, let's pop a cork and spend some time on the many exciting nominees that made the cut:
What nomination made you the happiest?
JASON - LAURA DERN, OBVIOUSLY. I mean what am I, an animal?
LYNN - B.D. Wong as Guest Actor in a Drama Series (Mr. Robot). While Emmy voters cooled on Mr. Robot this year - a shame, since I maintain the second season was actually stronger than the first - I'm happy to see they did recognize one of its standout turns: B.D. Wong as the enigmatic White Rose. Whether appearing as the female leader of the Dark Army or the male Chinese Minister of State Security, he was always absolutely mesmerizing to watch, offering glimmers of insight but never full access to the character's agenda and putting a slyly subversive spin on the old trope of the "inscrutable Oriental."