Demented Beauty in "A Cure for Wellness"

By Spencer Coile 

We have successfully reached that lull in the film year, where many of us are playing catch-up with the films we weren't able to see earlier in the year. It is both daunting and exciting. There is so much to see, but sometimes, a film will come along and take our breath away -- in scope, in storytelling, in its sheer visual spectacle. Perhaps it is a mix of everything. 

Gore Verbinski's A Cure for Wellness is not a perfect movie. Its characters are paper-thin, the twists and turns oftentimes feel haphazard, and the writing leaves much to be desired in the suspense department. However, as I caught up with the critically divided feature, I couldn't help but be swept up into this world that Verbinski created. In many ways, it is so different from anything I have seen this year that it was easy to forgive and forget some of the film's flaws, because it is so beautiful. And rather than dive into a critique about the movie and nitpick everything it does wrong, it might be more beneficial to share with you some of the film's most elegantly shot moments -- to demonstrate the sheer artistry taking place. 

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Review: "Spider-Man: Homecoming"

by Chris Feil

It’s another go around the spider’s web again. With Spider-Man: Homecoming, the second reboot in under a decade, Peter Parker cashes in some MCU cache in attempt to regain audience enthusiasm after a string of disappointments. The good news is that director Jon Watts (Cop Car) and team have delivered a distinct revamp that may be far off from the cinematic heights of Sam Raimi’s first films, but is still one of the most entertaining. As we last saw him in Captain America: Civil War this is our youngest Spider-Man yet, and he may not be ready for his crime-fighting responsibilities yet.

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Review: Alison Maclean Returns with 'The Rehearsal'

By Glenn Dunks

Alison Maclean is not a prolific filmmaker. While her resume is littered with TV (Sex and the City, The Tudors), music videos (Natalie Imbruglia’s “Torn”) and short films (the superb domestic horror Kitchen Sink, and a segment in Subway Tales), films are few and far between. Her third feature is The Rehearsal and if its release feels awfully quiet then you can probably thank the near 20-year gap between feature projects and her return to her native New Zealand with a thorny film about tricky subject matter and written with a sense of ambiguous mystery.

My knowledge of New Zealand cinema is by far not as thorough as Australian film, but Maclean’s Crush is perhaps my favourite from there that isn’t Heavenly Creatures or The Piano. It is a film rife for rediscovery, not least of all for the delicious performance by Marcia Gay Harden at its centre (it also competed for the 1992 Palme d’Or). I was less enamoured by Jesus’ Son, a film that I assume stuck too closely to the often chaotic and episodic short story structure of its source novel to find its own groove, although Maclean’s experiences in the vast expanses of New Zealand and Canada gives her a unique advantage in framing the emptiness of the American mid-west and finding idiosyncrasies for her characters.

The Rehearsal is a much different style of film. It’s smaller in scope in terms of its core narrative, less tied to and reliant on its location and a sprawling need for its characters to escape whatever it is that nevertheless confines them to their place in life.

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Annette Bening as Gloria Grahame

by Murtada

We just got the news that Annette Bening will be presiding over the Venice Film festival jury. Now we get two new photos of her as Gloria Grahame in the anticipated biopic Film Stars Don’t Die in Liverpool. And that's not all. The film has a UK release date of November 17. A US distribution and release date news must be imminent. Unfortunately Bening presiding over the Venice jury not only rules the film out of that festival, but also out of Telluride which takes place at the same time, and the first and more important week of buzz building at TIFF. Unless they unspool the film without its star which seems unlikely. And we'd like her to get that festival buzz that is important for awards later on.

Till then enjoy the Bening and Jamie Bell as Grahame and Peter Turner, an actor she befriended late in her life while appearing in a production of The Glass Menagerie in London. The film is based on Turner’s memoir about the time Grahame spent recuperating at his family home in Liverpool when diagnosed with cancer. Directed by Paul McGuigan (Victor Frankenstein), it also stars Julie Walters and Kenneth Cranham as Turner’s parents.

Will Bening follow Blanchett and win an Oscar for playing an Oscar winner? 

Happy Birthday, Robin Weigert!

How will you celebrate the birth of one of our most underrated supporting actresses of the stage and screen today? Will you:

• hang out in a diorama and monologue about pain, as she did in Angels in America?
• drink and cuss up a storm, like her Emmy nominated Calamity Jane from Deadwood?
• break from procedure to help someone in need, like her Big Little Lies therapist?
• bump your head and get kinky, a la Concussion?
• have three distinct personas, like each different woman she played on Law and Order?

When did you fall in love with this scene stealer?