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Wednesday
Jul052017

Bening to Lead Venice Film Festival Jury

Chris here. It may not make up for missing out on an Oscar nomination for some of her best work in 20th Century Women, but Annette Bening is getting a global cinema honor of a different sort. The legendary actress will be president of this year's Venice Film Festival competition slate.

Bening will be the first woman to serve over the Venice jury in over a decade, the last being Catherine Deneuve's jury awarded Jia Zhangke's Still Life in 2006. What's heartening is that it was a conscious choice from festival director Alberto Barbera to represent female voices in film, one that rival festivals have struggled to achieve. He states:

It was time to break with a long list of male presidents and invite a brilliant talented and inspiring woman to chair our International competition jury. I am extremely happy that Annette Bening has accepted this role, which she will carry out by virtue of her stature, her intellect and the talents she has manifested over the course of her career, in Hollywood, Europe and on the stage. Hers is a career marked by always interesting, often daring choices. A sophisticated and instinctive actress, able to portray complex shadings of character, Annette Bening brings to her roles an understating, a warmth and a natural elegance that makes watching her films a wonderful and ever enriching experience. I welcome her to Venice.

Here here on Annette's gifts, but we'll see if that pro-diversity sentiment carries over into their selected films, however. Which means we can start speculating on what film's Venice will be serving Annette (and which she'll give a "yes and no"). This certainly puts her upcoming adaptations of The Seagull and Film Stars Don't Die in Liverpool out of the running, but we will hopefully hear word of an opener in short time.

Wednesday
Jul052017

Hidden Streaming Gem: "Miami Rhapsody" 

Hello! Robert here. The other night as I was enjoying my long Fourth of July weekend I was in the mood for a movie; something I hadn't seen, something light and funny, something for a summer night on the couch with a bottle of rosé. After clicking around on HBONow for a few minutes boy did I ever find what I was looking for: a gem of a '90s pseudo-intellectual rom-com called Miami Rhapsody. Won't you take a journey back in time with me and explore this strange little film?

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Wednesday
Jul052017

Soundtracking: "A Mighty Wind"

HEY WHA HAPPENED?! It's Chris Feil's weekly soundtrack series!

Christopher Guest’s A Mighty Wind begins with the death of a music producer, so it makes sense that the film ruminates on a supposedly dead musical genre. Folk music is a fit for Guest’s idiosyncratic eye, with the nuances in musicality or artistic personalities making easy fodder for his world of self-serious oddballs. Wind explores the breadth of the folk genre in three distinct groups: the narrative-based acoustics of The Folksmen, the chearfully disposed harmonies of The New Main Street Singers, and the placid romanticism of duo Mitch and Mickey. Though the film plays these characters with typical Guest behavioral farce, it does take their music seriously...

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Tuesday
Jul042017

Review: The Big Sick

by Lynn Lee

Judging from its early reception, The Big Sick has all the markings of a sleeper hit.  Directed by Michael Showalter (My Name is Doris, Wet Hot American Summer: First Day of Camp) and written by comedian Kumail Nanjiani (best known to TV audiences as Dinesh on Silicon Valley) and his wife Emily Gordon, the movie’s loosely based on the stranger-than-fiction true story of how the couple overcame the dual barriers posed by his traditionalist Pakistani Muslim family and her medically induced coma.  That’s a story you couldn’t make up, or imagine mining for laughs rather than melodrama.  And yet here it is: a crowd-pleasing romantic comedy (though it’s really more of a dramedy) about a girl in a coma that’s equal parts funny and poignant without feeling the least bit exploitative.

Nanjiani plays himself, a tricky job he handles deftly, with a beguiling Zoe Kazan as the on-screen Emily, 

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Tuesday
Jul042017

Beauty Break: Steve Carell

The internet has been blowing up over the last week about something that plenty of us had already noticed: That Steve Carell is now very handsome.

This author does not need to point out that beauty standards are as exacting and skewered as they've always been, but I'm sure we can all come to some bipartisan agreement that nerds becoming gorgeous before our very eyes is a good thing.

More visual evidence after the jump.

During the release of "Foxcatcher" in 2014.

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