The Furniture: The Salesman Crafts His Own Stage

"The Furniture" is our weekly series on Production Design. You can click on the images to see them in magnified detail. Here's Daniel Walber...

Asghar Farhadi's Oscar winning The Salesman begins with a set. The opening credits appear over the quiet stage of a small Tehran theater, nearly ready to debut a new production of Arthur Miller’s Death of a Salesman. We see the bed before the actors who will lie in it, neon lights illuminated for an empty house. It is a quite literal setting of the stage before the drama begins.

It’s not a play adaptation, but it often feels like one. There are few locations and the cast is small. And, as in many play adaptations, the production design does a lot of heavy lifting...

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Q&A: Pretty Boys and the best of Tomei / Collette

It's part two of this week's Reader Questions. If you missed the first installment in which we covered topics like Cynthia Erivo's film future and Star Wars favorites, click here.

Six more reader questions? YES PLEASE. Let's go... 

BHURAY: What are your 5 favorite Toni Collette performances?

I love her so much I have to do a top ten. Hers is surely the star career with the single biggest disparity between how much talent she provides versus how often and well deployed she is by Hollywood. My favorite performances are hard to rank as I think she's the same amount of wonderful consistently but it might go something like this...

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Beauty vs Beast: The Charm About You

Jason from MNPP here with this week's "Beauty vs Beast" - this Wednesday marks 118 years since the birth of the dancing legend Fred Astaire, light as air, and so let's tackle (with as much grace as we can muster) his greatest film opposite his greatest co-star, 1935's Top Hat with Ginger Rogers. The story, as much as is there one is a case of mistaken identities - Jerry (Astaire) tap dances his way into the heart of Dale (Rogers) while she thinks he's somebody else, yadda yadda, they bicker and they dance and they make eternal movie magic.

PREVIOUSLY The monkey won! Last week's King Kong competition ping-ponged between the ape and the blonde but in the end twas the Beast that finally killed the Beauty this go-round with 55% of your vote. Said Edward L:

"I call this a tie. Kong is the mightiest film character...but all he wants is Ann, so she's got to have something too."

Stand under Tom's umbrella, ella, ella, eh, eh, eh 🎵

Tom Holland might've already given the performance of the summer and Spider-Man: Homecoming isn't even out yet! He attacked Rihanna's "Umbrella" in goth drag for Lip Synch Battle yesterday, bringing all his Billy Elliott & Peter Parker dance/athleticism with him to the stage. You can watch it after the jump until they take the video down of course... 

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Today's 5: Tilda's miraculous Julia, Drew's dangerous Lolita, and more

It's a brand new week. Ready to get this one started with some pizazz? 

Five showbiz anniversaries for May 8th as mood boosters

2009 Julia opens in limited release in the US. It's arguably Tilda Swinton's greatest performance and also as against-type as it comes for the actress who was surprised Erick Zonca thought of her for the motor-mouthed titular sociopath. If you haven't seen it, what in the universe are you waiting for?

In its honor today: Do something totally atypical today, surprise yourself!

1992 Poison Ivy opens in theaters, serving as Drew Barrymore's buzzy "comeback"... yet she was only 17 years old. Child stars grow up fast, y'all...

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