Soundtracking: "The Adventures of Priscilla, Queen of the Desert"

It's Pride month, so this week's installment of Chris Feil's column on music in the movies celebrates a gay classic...

I’m guessing that there’s a good amount of crossover between your Pride playlist and the soundtrack for The Adventures of Priscilla, Queen of the Desert. If not, get out. The song choices are veritable staples of the gay experience, a disco-inflected factory of delight.

Priscilla is one of the quintessential disco soundtracks. While younger generations may draw from more recent pop icons, disco has been an expression of queer pleasure that has lingered for decades as an integral part of gay pop culture...

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On This Day: The Bling Ring, Bambi, Prizzi's Honor...

Okay, let's get back on track with a robust daily blogging schedule here at TFE. Happy Wednesday y'all. Here are your 5 assignments for the day.

5 Ways to Honor This Day (June 14th) in History

2013 The Bling Ring opens in movie theaters. By and large people fail to recognize its brilliance immediately. This is the same thing that happens to almost every Sofia Coppola movie.

In its honor: Take all early reactions to The Beguiled, good bad or indifferent, with a huge grain of salt. It opens very soon but first impressions are not likely to last. Her movies are sticky.

1985 John Huston's penultimate movie Prizzi's Honor starring Jack Nicholson, Katheen Turner, and eventual Oscar winner Anjelica Huston, opens in theaters. It's not even the earliest release for a Best Picture nominee that year! Get this statistic...

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So Link We All

EW reunites the cast of Battlestar Galactica for a panel
Variety Ava DuVernay to deliver the UCLA Commencement address
Awards Daily Jazz interviews RuPaul about the phenomenon of Drag Race 
Towleroad Colton Haynes dishes about his management team in Hollywood who tried to keep him in the closet 

Film School Rejects this needed to be written -- an article on the terrible but now familiar and horrifically disingenuous Hollywood excuse "we didn't make it for the critics but the fans!"
Criterion Closet Barry Levinson (Wizards of Lies, Rain Man) picks some classics from those famous shelves including Jules et Jim and Spartacus and also fantasizes about Orson Welles
MNPP sound advice for Tom Hardy on that Jafar in Aladdin rumor - DON'T DO IT. 
i09 the costumes for Black Panther could be a godsend for the black cosplay community
Variety releases a list of 10 comics to watch including John Early (yay), Bollywood star Vir Das, and The Daily Show's Hasan Minhaj 
Coming Soon Michelle Monaghan reprising her character for the sixth installment of Mission: Impossible 

Finally...
TFE remember when we shared our "best 25 list" because of that random NYT best of new century list. Everyone is doing it including...
The New Yorker with Richard Brody's list. I like Brody so much and the list is quite eclectic but I will never ever understand the mass fascination with Scorsese's Wolf of Wall Street. It's such an obnoxious self indulgent movie. Scorsese has made much better films... even within this new century! 

Emmy FYC: Aubrey Plaza's multiplicity in "Legion"

We're sharing our dream Emmy nominations as balloting is in progress. Here's Ben Miller...

TV creator Noah Hawley broke onto the scene quickly with the first season of Fargo.  After delivering a stellar superior second season, he was given the freedom to develop whatever he wanted at FX.  Born from that freedom was Legion.  Borrowing from its X-Men source material, Legion crafted its own little niche in prestige television.  No other series, save The Leftovers, was weirder and more divisive in its execution. 

Legion follows David (Dan Stevens), a mutant with telepathic abilities stuck in an insane asylum who finds love and conspiracy as he discovers he might (or might not) be insane.  His best friend in the asylum is Lenny, played by Aubrey Plaza.  Following a series of mind-bending events, Lenny is killed.  This isn’t much of a spoiler as it happens in the first episode.

After Lenny dies, Plaza comes to life...

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Interview: Emmanuelle Devos on Playing a Grieving Woman in 'Moka' and Looking Back at Two Decades of Work

By Jose Solís.

 

Emmanuelle Devos puts her sunglasses on. We are sitting in a room surrounded by marble busts and large windows, and she finds the light too bright. There surrounded by art pieces and posters of her new film Moka, she has never looked more like a movie star. And yet, her effortless grace and warm smile make her equally earthy. She speaks in a soft voice, laughs a lot, and has bright answers to all my questions. She was in New York to celebrate the opening of Frédéric Mermoud’s Moka, in which she plays Diane, a woman trying to avenge the death of her child at the hands of a merciless driver. She comes to believe she found the culprit and it turns out to be Marlène, played by Nathalie Baye. What follows is a psychological game in which we see Diane become both appalled and attracted by this woman.

Besides the opening of Moka, Devos is the center of a retrospective at FIAF’s CinéSalon, which over the course of the summer will screen eight of her best known works including Read My Lips, Violette and My Sex Life...or How I Got Into an Argument. I noticed Devos was using a Manhattan Theatre Club plastic cup as a repurposed mug for her herbal tea (you gotta love that unlike most patrons who trash those immediately after consuming their beverages, Devos wanted to extend its life) and upon finding out she had attended a performance of The Little Foxes I asked her what she thought about the play...

Read the interview after the jump. 

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