Going Crazy and Coping With 2016 Films

Year in Review. Every afternoon, a new wrap-up. Today Chris on films that represented the tumultuous year...

It's a comfort to know that even in no-good-horrible-very-bad years such as this that the movies will always be there to sustain us. However this year the movies seemed to reflect our troubled times right back at us - from racial divides in Zootopia to global communication breakdowns in Arrival. But these very films that embodied the awful also provided us with ways to cope with the ceaseless catastrophe that was 2016.

It should come as no surprise to have more than one horror film on such a list, but let's look at some examples...

The Witch
The Crazy: Look what nightmares can be wrought from living in a bubble, even a self-induced one. Is this even our reality or just perception?
How to Cope: Go join that coven! You go. You got this, girl!

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Box Office Christmas: Star Wars, Hidden Figures, and More...

Star Wars is just going to be a thing every Christmas as ubiquitous as Santa one supposes. Rogue One continued to dominate the box office though if you ask your editor here it's kind of... dull (*dodges tomatoes*) and people wouldn't care much about it if it wasn't "a Star Wars". At the very least it's a bummer that it turned out to be just an exact prequel to the original Star Wars -- it really ought to have had an Episode III½ header -- and not a stand-alone adventure with some fresh ideas about that galaxy far far away.

Box office charts with a few points of discussion after the jump. What did you see this weekend? 

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The Furniture: Fame Flattens Your Dreamgirls, Boys

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

 This probably goes without saying, but movie musicals tend not to take place in the real world. Gene Kelly doesn’t just serenade French children in An American in Paris, he leads the cast through a dream ballet of wild abstraction. The oddness of public singing is often just the door to an even more fantastical world. Even those about actual musicians, who need no special excuse to croon, often break free from realism.

In this context, Dreamgirls is a bit of an odd duck. Director Bill Condon tries to split the difference. Some of the songs are entirely within the context of a real performance, while others incorporate non-musician characters and non-realistic settings. The back and forth can be a bit confounding...

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Female Performance Heaven Across Mediums

Our Year in Review is doubling up now, two "best of" lists a daily to wrap up. This afternoon Matthew Eng exercizes his actressexuality.

Here are 25 scenes, songs, shots, reactions, line-readings, gestures, and whatnot that have stuck with me the longest from some — but not all — of my favorite female performances across film, television, music, and theater this year. Remember these? They are... in alphabetical order:

01 Kate Beckinsale and Chloë Sevigny’s bravura comic badinage is the main engine driving Love & Friendship, which only ever threatens to turn softhearted when these two catty soulmates are finally forced to part. Beckinsale and Sevigny carefully modulate their straight-faced hauteur during this fond farewell, but refuse to let even an ounce of sentimentality disrupt their regal self-possession. It’s one final, triumphant occasion for game to recognize game.

02 “Value,” the sixth episode of Donald Glover’s extraordinary first season of Atlanta, opens with an extended showcase scene of friendly rivalry between the luminous Zazie Beetz (as long-suffering public school teacher Van) and one-episode wonder Aubin Wise (as her childhood pal, now an “Instagram escort”). Both actresses tear into the scene with a comical trenchancy that scores its necessary laughs but also establishes a layered and fleetingly poignant background of affectionately-waged one-upmanship.

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George Michael (RIP)

As a general rule of thumb, we love list-making and recapping of the year's significant moments and events but the exception is the work of the grim reaper. Death has claimed so many icons recently, particularly from the music world, that 2016 is starting to feel like a parody of its apocalyptic self as we reach its conclusion.

On Christmas day, of all days considering that one of his most enduring hits is "Last Christmas," George Michael was taken from us. Georgios Kyriacos Panayiotou (better known as George Michael) was born in East Finchley London in 1963. By the age of 19 he'd charted his first hit with his friend Andrew Ridgeley (the other half of Wham!) called "Young Guns (Go for It!)". Two years later he was world famous by way of the global smash "Wake Me Up Before You Go-Go." Which is when little Nathaniel first fell in love. But that initial fame wasn't the half of it. In fact the early hits I loved so much only hinted at the artist he'd become. He proved himself one of the great pop singers and composers over and over again. "Listen Without Prejudice Vol. I," released in 1990 is surely his masterpiece (and one of the greatest pop albums ever recorded) but he continued to be brilliant even when record contract troubles and personal problems overshadowed his talent with the public. His career had been quiet for some time but it's worth noting that he made one last significant contribution to pop culture that people don't regularly attribute to him -- he was the first star to sing with James Corden whilst driving around in a car back in 2011 which eventually became the ubiquitous "Carpool Karaoke" series of the here and now. 

Given his death this weekend, the lyrics and defiance of one of his very last records "White Light" (recorded in 2012 and inspired by his near death in 2011) are suddenly so much sadder.

There is no white light
and I'm not through
I'm alive I'm alive
and I've got so much more that I want to do.

Was it music or science that saved me? 

After the jump 16 favorite songs from his career...

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