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Monday
Dec052016

Oscar Chart Updates ~ What's Happening to Jackie? 

As promised we're updating the Oscar charts more often. With the first avalanche of awardage the ground is shifting, if not quite seismically. It's been a very good week for three things in particular: Moonlight, Manchester by the Sea, and Isabelle Huppert ... and even a good week for, um, Hacksaw Ridge. And you'll see a new lock or two on a few of the charts.

Awards season giveth and awards season taketh away...

Click to read more ...

Monday
Dec052016

The Furniture: Design Inspires Van Gogh in Lust for Life

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

Kirk Douglas nearly drove himself over the edge while filming Lust for Life, inhabiting the character of Vincent van Gogh with a tenacity akin to the Method. The result was an Oscar nomination, likely the closest he ever came to a win. His emotionally volatile performance lends real weight to the oft-sensationalized biography of history’s most famously mad artist.

But the success of Lust for Life isn’t owed entirely to Douglas. Director Vincente Minnelli was a perfect match for the material, which necessitates a balance between the beauty that Van Gogh saw in the world and the feverish passion that drove him away from it. The Oscar-nominated production design team, led by frequent Minnelli collaborator Cedric Gibbons, offer a rich vision of the French countryside that serves as an essential counterpoint to Douglas’s madness.

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Sunday
Dec042016

Interview: Kim Jee-woon on South Korean Oscar Submission 'The Age of Shadows'

By Jose Solís.


Kim Jee-woon is certainly no stranger to genre extravaganzas, but in The Age of Shadows (which Tim reviewed here) he takes it to the most sumptuous level yet. The spy thriller set during the Japanese occupation of South Korea centers on the dilemma a double agent (Song Kang-ho) faces when he realizes the resistance fighters he’s trying to capture, might actually be more patriotic than the people he’s working for. With stunningly choreographed action sequences, exquisite period detail and powerhouse performances, the film is the rare historical film that actually feels urgent and exciting. Since it’s South Korea’s Oscar submission I spoke to director Kim Jee-woon about what he discovered about the resistance, working with some of his best known collaborators, and what the Oscar nomination would mean to him.

Special thanks to interpreter: Areum Jeong

Read the interview after the jump.

Click to read more ...

Sunday
Dec042016

"Arrival" Holds Strong While "Jackie" Tip Toes Into Theaters

What did you see this weekend? I caught up with Hacksaw Ridge and Krisha (which keeps winning "new generation" style awards) and went to a Pedro Almodóvar talk all of which we'll try to discuss very soon. Until the box office charts and, behind the scenes at the moment, podcast editing and Oscar chart revamping...

Not much changed at the box office this weekend with very few films opening but it's worth noting that Arrivalis proving to have very shapely legs. i.e. it's not dipping like you're supposed to dip each week and moved UP the chart this weekend indicating very good word of mouth...  

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Sunday
Dec042016

The 42nd Annual LAFCA Winners !

The Los Angeles Film Critics Association stretches back to 1975, a very great year in cinema history with one of Oscar's all time best Best Picture lineups (Dog Day Afternoon, One Flew Over the Cuckoo's Nest, Nashville, Barry Lyndon, and Jaws). They gave four of those pictures awards in their first year, ignoring only Jaws. Though we normally despair that all film critics awards seem to be viewed through the prism of Oscar influence or prediction (critics groups should have their own identity / agenda or else what good are they?) in the LAFCA's case it's difficult to avoid. Los Angeles is an industry town and these are their local critics. So go crazy when you're looking at this list and want to think of it in terms of Oscar; It's easy to argue that its the single critics list that Oscar voters take most seriously since the bulk of the membership lives there.  You can especially see this influence lately in LAFCA's choices for "career achievement" which are not so infrequently named as Honorary Oscar winners the following year or three thereafter as happened recently with Anne V Coates, Gena Rowlands, and Frederick Wiseman!

For a refresher last year's big LAFCA winners were Spotlight and Mad Max Fury Road which were of course very popular with Oscar, too. They sometimes get creative in the Best Actress category but their Best Picture winner tends to go to an obvious and highly competitive future Best Picture nominee or winner with rare exceptions like WALL•E (2008), American Splendor (2003), or Do The Right Thing (1989).

This year's prizes were bathed in Moonlight though La La Land put up a fight.

LAFCA WINNERS (AND TRIVIA) 

Click to read more ...