Christmas Classics: How the Grinch Stole Christmas! (1966)

A few members of Team Experience will be sharing posts on their favorite Christmas movies. Here's Tim...

Today we celebrate the 50th anniversary of a great classic: it was on December 18, 1966, that the world got its first look at the animated How the Grinch Stole Christmas, adapted from the 1957 book by Dr. Seuss and directed by cartoon legend Chuck Jones. There are too many ways we could quantity the importance of this television special: as the last of Jones's masterpieces before he settled into Elder Statesman status, as the progenitor of a line of generally strong Seuss adaptations that didn't stop until the beginning of the 1980s, as the third in a line of deathless cartoon Christmas specials that premiered one per year from 1964 to 1966 (Rudolph the Red-Nose Reindeer and A Charlie Brown Christmas are the others).

But since it's the holiday season, let's start with how this is one of the loveliest and most heartfelt stories of the True Meaning of Christmas ever filmed. That is, in no small part, because neither Seuss nor Jones were overt sentimentalists: the author had a slightly arch, caustic tone to his highly precise rhyming that's too self-aware to be saccharine, and Jones built his career on anarchic cartoon comedies, making no fewer than three films on the theme "how many ways can we shoot Daffy in the face?" And with that kind of attitude underpinning the proceedings, How the Grinch Stole Christmas ends up being a little bit saltier than most of the other canonical Christmas classics. Obviously, it gets to the expected place where we all learn important lessons and feel better and embrace tradition, but it works a little bit harder than usual to make sure that it's earned.

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Interview: Jessica Chastain on playing "Miss Sloane"

If you haven't yet seen Miss Sloane about a formidable political mastermind and the sure-to-lose case against the gun lobby that she takes on to the surprise of DC, you'll want to catch it soon. It's rather a classic star vehicle in that the glamorous leading lady is front and center and steering all the juicy twisty drama. That leading lady is, of course, the tireless Jessica Chastain. Chastain shot to stardom with seven films in 2011 (including The Tree of Life and her Oscar nominated role in The Help) and she seemingly hasn't left movie theaters. She's starred in everything from moody business thrillers (A Most Violent Year), gothic horror (Crimson Peak), fiery military dramas (Zero Dark Thirty), and more.

I sat down to talk with her in NYC a month or so ago about how far she's come since that explosive debut year, how she recharges between movies, and how she approached her Golden Globe nominated role as the amoral steely Miss Sloane.

NATHANIEL: One of the things that stuck with me from the first time we talked years ago was how many questions you write into each script about your character. With this character in particular, she is really a complicated woman

JESSICA: So complicated.

NATHANIEL: So was your script just buried in notes? 

JESSICA: Oh my gosh, it was insane...

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What will you see this weekend?

It's the perfect weekend to catch up on movies! Will you...

... catch up w/ Globe nominees (Elle? Hacksaw Ridge? Miss Sloane?) that are losing theaters?
... join the teeming masses for Rogue One (just reviewed) in that galaxy far far away?
... rubberneck the Razzie contender Collateral Beauty? 
... hit Oscar player Fences or Pablo Larraín's terrific Neruda in NYC or LA?
... check out Manchester by the Sea (just podcasted) now that it's gone wide?
... or maybe you're seeing Jackie or Lion or La La Land? 

Share your plans in the comments. There's just so much to see out there! 

Tweetweek: Nick in New Zealand, Amy in OscarLand and More...

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— Nick Davis (@NicksFlickPicks) December 15, 2016

Before you click ahead to see this week's collection of tweeted amusements, take a moment to appreciate the perfection of this visual postcard from our podcast mate Nick Davis. He's on vacation in New Zealand doing Holly doing The Piano on THE beach where it happened. His all time favorite film so I mean. It couldn't be more perfect, except that he neglected to contact Janet Patterson about a hoop skirt. After the jump Babs, Florence Foster Jenkins, Passengers, Jackie, Natalie Portman and more...

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Review: "Rogue One - A Star Wars Story"

by Chris Feil

For even the Star Wars agnostic, you have to admit there is a certain appeal to Rogue One. Dubbed with the "A Star Wars Story" moniker, here is the most significant divergence from the main series yet: not only does it step away from the Skywalker family tree, but the pulsing trailers have promised a look and mood mostly its own. The final film is maybe less of a sidestep than we'd been promised but is still at its best when it sets itself aside from the saga.

Detailing the stealth mission to steal the Death Star blueprints before the events of A New Hope, the film has a host of new characters to go with its different vibe... 

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