Box Office: "Wakanda Forever" Domination

By Ben Miller

To the surprise of absolutely no one, Black Panther: Wakanda Forever ruled the weekend box office with a $181 million opening.  Believe it or not, that's second-best on the year to Doctor Strange in the Multiverse of Madness.  Marvel knows how to make money.  The second Black Panther entry arrived to good reviews (84% on Rotten Tomatoes) and zero counterprogramming.  It also added another $150 million internationally.  The film is expected to be the number two grossing film of the year in a few weeks (behind Top Gun: Maverick).

Weekend Box Office (actuals) November 11th-13th 🔺 = new or expanding /  ★ = Recommended links if we've written about it
WIDE (OVER 800 SCREENS)	LIMITED / PLATFORM
BLACK PANTHER: WAKANDA FOREVER	TRIANGLE OF SADNESS
1  🔺 BLACK PANTHER: WAKANDA FOREVER $181.3 *NEW*	1 ★ TRIANGLE OF SADNESS (sweden/uk) $250k (cum. $3.5) 184 screens

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"Joyland" banned in Pakistan. Can it still compete at the Oscars?

by Nathaniel R

Saim Sadiq (via Instagram, left) and a memorable shot from his feature debut "Joyland" (right)

Censorship has been part of the history of art forever. The ways in which we think of censorship in Hollywood cinema usually involve ratings boards or production codes... self-censorship from the industry to prevent outside censorship from the government. It's less a case of banning art than an attempt to keep storytellers in line with accepted norms, however conservative those norms might be in their time. When the story of censorship visibly collides with the Oscar race, though, it's usually across the border and in the Best International Feature Film category. Now we have another of those stories via Pakistan's Oscar submission Joyland. 

The movie, a brilliant feature debut from 31 year old filmmaker Saim Sadiq, is a drama about a young husband in Lahore who falls for a trans performer after being hired by a local dance theater. It first came to international attention when it premiered at Cannes (the first Pakistani movie to do so) and won both Un Certain Regard and the Queer Palm. Just a week before its premiere in Pakistan its release was denied, endangering its Oscar run.  Questions naturally crop out like "Why would a country submit a film and then ban it?" and "Can it still compete?" so let's answer those...

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Veronica Lake Centennial "Flesh Feast"

for Veronica Lake's centennial we're revisiting a few of her films...

by Jason Adams

Veronica Lake’s final words on film are “Heil Hitler.” 

Nothing in the first sixty-five minutes of first-time director Brad F. Grinter’s schlocky 1970 mad scientist flick Flesh Feast will really prepare you for the final five minutes when a plot twist makes that line of dialogue possible, so I don’t feel particularly guilty spoiling the film’s ending up front – its ending is all it really has going for it...

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Is Margot Robbie about to shake up the Best Actress race?

by Nathaniel R

While it would be foolish to consider any Oscar race locked up before any mainstream precursor nominations have been announced, Best Actress sure feels like it's solidifying as a race between Cate Blanchett, Michelle Yeoh, Danielle Deadwyler, and Michelle Williams. Any of them (except Cate of course) could be a surprise snub if precursor season throw us curveballs. If it's true that the race has narrowed down to these four (again that's only the assumption) than the fifth slot is where the drama is at the moment. Former Oscar winners Olivia Colman and Viola Davis remain distinct possibilities (when Oscar loves you, they love you) and people will start seeing Margot Robbie's performance in Babylon this week. If her star turn is as juicy and fun and focus-seizing as the trailer suggests, it's hard to picture her not being in the hunt for that third nomination. Perhaps she'll emerge from the first reviews as a genuine threat for a win if the first audience raves as much as her co-star Eric Roberts is raving about her. We know that the internet likes to "solve" categories long before the first mainstream precursor announces but it's important to keep an open mind before films are screened. If she seizes the imagination of the audience with her drug-addled wild-child movie star, the sky might be the limit. For now, on the updated chart, we'll place her fifth.

What does your hunch say about who the nominees will be and who might have a true shot at the win? 

“Causeway” focuses on a (muted) road to recovery

by Eurocheese

Jennifer Lawrence has returned to the screen in Causeway, now streaming on Apple TV+. Lawrence plays a veteran recovering from an attack overseas. The film opens as she's working with a specialist (Tony winner Jayne Houdyshell, doing great work in a small role) to recover basic capabilities so she can return to “regular life.”  Once Lynsey (Lawrence) returns to her New Orleans home she has one clear goal in mind – return to active duty. Her mother (Tony nominee Linda Emond) spends her nights out drinking and forgets to pick Lynsey up when she arrives. There’s clearly a troubled history between them, but most of it is left unsaid – an ongoing tactic of the movie. Not wanting to be stuck at home, she gets a job cleaning pools. 

When Lynsey's truck has problems we meet the film's most interesting character, a shop owner named James (Brian Tyree Henry)...

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