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Thursday
Jul092015

Rhythm Hunger Nation

4...3...

2...1...

Click to read more ...

Thursday
Jul092015

Halfway Finale: Eye Candy Highlights

½way mark - part 9 or 9
We conclude our celebration of the Best of 2015 (thus far) with a truly random list of visual highlights. Please to enjoy and do share which of these goodies you were sweetest on. Or propose alternate candy for us to suck on. Ready? Let's unwrap those candies before the next movie begins.

BEST LOOKING SPY
Jude Law in Spy. Prettier than James Bond. And Bond Girls. 

PRETTIEST NIGHTMARE
Mad Max Fury Road's scorched orange earth, colored smoke fares, white faced war boys, smokey eyes foreheads, and more. A visual feast. Just don't expect water with your meal.

AWESOMEST PROPS

Can we give a special Oscar to the props department on Mad Max Fury Road? Chastity belts w/ bolt cutters, detachable custom steering wheels, blood bags and iron masks, flame throwing guitars? Overachievement, thy name is Fury Road

BEST BLUE
Cinderella

BEST RED
Magic Mike XXL 

14 more honors after the jump...

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Thursday
Jul092015

Women's Pictures - Kathryn Bigelow's Point Break

I have a confession to make: people have been telling me for years to watch Point Break, and I always blew them off. "Sure it's a great genre film," I thought, "but the genre is action and the film is about bank robbing surfers." Oh, Anne Marie. You did not give bank robbing surfers (who also skydive, by the way) enough credit. After having watched it (twice in a row), I confess that Point Break is quite possibly the perfect early 90s action flick: that brief bridge between the buffed up ridiculousness of 80s action movies, and the self-serious grittiness of later 90s action films.

It's a space and genre that Kathryn Bigelow and James Cameron (who were married in 1989 and divorced in 1991, the same year Point Break came out) occupied gleefully. Point Break was a collaboration between the two writer/directors (though because of Writer's Guild rules, neither's name appears in the writing credits). Together, they created a spectacle-driven, tightly-plotted action movie that manages to both poke fun at, and take advantage of, the hyper-macho tropes of the genre. Action was, after all, the genre of Stallone and Schwarzenegger's muscles, as well as Willis and Gibson's swagger. A lot has been written about movie masculinity and homoeroticism in action films, but I believe that what makes Point Break so good, beyond the adrenaline-high sports scenes and the tense action, is the way director Kathryn Bigelow examines (with a thankfully very thorough lens) the men in her film.

Point Break is a film that improbably can have its beef-cake and eat it too.

Click to read more ...

Thursday
Jul092015

Oscar Trivia Detour: Albert Finney as Lawrence of Arabia?

In an alternate universe this could have happened...

Jigsaw Lounge posted that image to twitter last night in response to a thread started by Deux Ex Cinema, one I hadn't seen. It blew my mind to learn that the great actor screen-tested for Peter O'Toole's signature part and was, according to some, David Lean's first choice. The question posed: 

Did this five time nominee ever come close to actually winning an Oscar?

I'd argue that he never did though some will disagree. He was way too young for Oscar when he headlined a Best Picture Winner (Tom Jones, 1963) as he was only 27. That would have made him the youngest winner of all time in that category, a record that would have still held since Adrien Brody is the current record holder at 29. At the time I believe Finney was the sixth youngest man ever nominated for lead, but he's since been pushed out of the top ten in the last decade or so by 26 and 27 year olds who were a smidge younger in their years like Ryan Gosling, Heath Ledger, and Jesse Eisenberg. By the time Erin Brockovich (2000), his last nomination, rolled around he was up against a juggernaut contender in Benicio Del Toro (Traffic) who was so popular that he won the SAG as Leading actor before winning the supporting Oscar for the same role.

Albert Finney's last screen appearance was in Skyfall (2012) but he's still alive at 79. Will some filmmaker give him one last great role or should Oscar give him an Honorary?  

Here's a list to ponder...

Living Men with the Most (Acting) Nominations Who've Never Won

  1. Albert Finney (5)
  2. [Tie] Warren Beatty*, Ed Harris, and Leonardo DiCaprio (4 each) 
  3. [Tie] Brad Pitt*, Joaquin Phoenix, Tom Cruise, Johnny Depp, Bradley Cooper, Nick Nolte, and Kirk Douglas* (3 each)

* they have Oscars for something else but not a competitive acting Oscar

Thursday
Jul092015

Aunt May and Link and the Dying World

Marisa Tomei earlier this year in LA. She is 50 years oldOnce the Rumor Spreads
I will not be linking to anything Marisa Tomei as "Aunt May" in Spider-Man related until it is "official" -- and with the internet nowadays that line is always blurred since people report "in talks" as official when in talks only means a role is being discussed and contracts might be signed. Until this is not official, though, I'll be over here weeping in the corner as this possible tragedy befalls one of my favorite actresses who should NOT be rushing her "last fuckable day" to play a famous part that has for 50 years in pop culture, or as long as Marisa Tomei has been alive, signalled grandmotherly love and worry. Marisa Tomei is as sexy as ever. When people say that anyone is aging well they might as well be saying "they look pretty good for their age. Not as good as Maria Tomei does at 50 but then who looks that good?!?" 

Links
429 terrific juicy interview with Jonathan Groff on Looking, celebrity, coming out, dating other actors, and more
Grantland Mark Harris on Jake Gyllenhaal's incredible artistic growth of late, really upping of his game as an actor
The Dissolve not sure why I didn't see this piece earlier but this a very heartfelt defense of Me and Earl and the Dying Girl, a film I did NOT respond well to, that is helping me see it a different light... though it sounds like the changes they made from the novel were unwisely reductive in terms of the film's reductive/protagonist's view
Matt Zoller Seitz says goodbye to The Dissolve. I love MZS
THR in terrible news Paramount and AMC collaborating on making theatrical window even shorter. It's like they want to kill moviegoing altogether 
i09 Elektra is official for Daredevil S2. The Greek assassin, easily the best of Daredevil related characters, will be played by Elodie Young who is of French & Cambodian descent 


Elodie Young is on twitter and while I type this she has 5,766 followers (or like 1,000 more than me to show you how unfamously few). By the time you read this her numbers have probably skyrocketed to god knows what.
Movie City News David Poland reacts with a partial history of the changes in the theatrical distribution model over the years
Matt McGorry wants to #FreetheNipple
PressPlay video essay on Shakespeare on the silver screen
Pajiba looks at Adrien Brody's strange filmography of late. Bet you you've only heard of like one or two of them!
NYT talks to Stephen Sondheim about Lin-Manuel Miranda's new Broadway musical Hamilton
Comics Alliance awesome 15" sculpture of Michelle Pfeiffer's Catwoman available for preorder -- sadly it's $270

Off Cinema
Slate fascinating disagreements out there on whether cats are domestic or wild animals

Finally...
I highly recommend checking out this tumblr "Every Single Word" which takes movies and reduces them only to lines of dialogue spoken by actors of color. I really hope they make more of these videos. Here are two examples: American Hustle and Enough Said... though I suppose Enough Said is more impactful if you've watched all of them.