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Saturday
Apr122014

TCM's Opening Night Red Carpet: Jones, O'Hara, Novak, O'Brien

Diana reporting from TCM Film Festival's Opening Night Red Carpet. The classic stars came out and Anne Marie and I talked to them.

Oscar winner Shirley Jones with her husband and the Oklahoma! premiere. [Photo: David Buchan/Getty Images]

4 P.M. Hollywood Blvd.
The red carpet is rolled out in front of Grauman’s, but crewmembers are still finagling with the Oklahoma! stop-and-turns as the press begins to descend on the barricades. Within a few moments, we chosen not-so-few (journalists, cameramen, bloggers) swarm to our allocated spaces along the carpet, with The Film Experience smack dab in front of the Grauman’s entrance. Tip sheet in hand and audio recorder on standby, we stand and wait.

5 P.M. The Red Carpet Opens
We are told that Shirley Jones has arrived. In the distance and with some squinting, you can see the Oklahoma! songbird looking bubbly yet elegant in a dark pantsuit with Marty Ingels, her husband of 37 years (a fact highlighted by him carrying a placard reading “37 YEARS”), by her side. As Jones makes her way down the press line, we press are prepping and mentally repeating our opening lines (mine involved her splendid performance in the 2005 revival of 42nd Street and her recent one-woman show at a Maryland Boscov’s), but alas she is called to take photos with Robert Osborne and then bypasses our section.

Leonard Maltin stops by. Being a fledgling critic myself, I jump to ask his advice to young critics and film journalists. Maltin says simply, almost pointedly, that aspiring critics just need to write, and read, but mainly write. He elaborated that he began writing criticism as a by-product of his passion for film history and that if he could have, he would have stayed solely a film historian. In regards to the festival itself, Maltin is there in an official capacity, moderating multiple talks (including Friday’s Club TCM talk with Quincy Jones) and hosting the Hubley Animation tribute, but is also looking forward to seeing as many of the screenings as he can, including Zulu.

Hitchcock ladies Kim Novak (Vertigo) and Diane Baker (Marnie) hit the opening night

Tiffany Vasquez, the TCM Ultimate Fan winner, is brimming with excitement at not only being on the red carpet but being there as a guest programmer, she will be introducing the 1948 noir The Naked City. Like most TCM fans would be, she was very nervous and intimidated by working with Robert Osborne in her onscreen introduction, but Osborne was so welcoming and gracious that he immediately eased her nerves [insert warm, fuzzy feelings]. Funnily enough, the New York City native originally wanted to submit Sunset Boulevard as her TCM Ultimate Fan entry, but decided to utilize her location, with The Naked City springing to mind, and shot the whole thing on the border of Queens and Brooklyn.

6 P.M. The Clock is Ticking
With only a half hour until the show begins, two Hitchcock blondes whizz by with protective publicists/companions in tow -- Kim Novak and Tippi Hedren (both breathtaking and in pantsuits, the former’s dark and the latter’s light blue-and-green floral).

"Meet Me In St Louis"'s Margaret O'Brien who won the Juvenile Oscar of 1944 at the after party [Photo by Stefanie Keenan/WireImage]

Margaret O’Brien, in a stunning royal blue full-length gown and with tinted blue hair to match, says hello. As tiny and peppy as Tootie, even 70 years later, she said that Meet Me in St. Louis was her favorite filming experience, her most challenging performance was in Little Women but because she adored the role of Beth so much from the book and wanted to do it justice more than anything else. Lining up nicely with the festival theme of “Family: The Ties That Bind,” she also credited her mother as her biggest support throughout her career.

Trying to lob at least one question at the legendary and still fiery Maureen O’Hara, I asked how her evening was going (sometimes small talk can work wonders in easing to a star’s red carpet schedule). “I won’t know until the evening’s over,” the quick wit threw back.

Alec Baldwin with the legendary Maureen O'Hara who turns 94 this summer

6:30 PM Closing Time
Everyone is getting settled in for Oklahoma! and here’s Anne Marie’s write-up on the screening itself. More on the festival to come!

 

Saturday
Apr122014

Ten Reasons to Remember Tom Jones, a Foundling

Andrew here to celebrate an anniversary. Fifty years ago tomorrow, Tony Richardson’s Tom Jones won the 1963 Best Picture Oscar at the 36th Academy Awards. Up until a few weeks ago it was one of my most glaring cinematic blindspots from that era.

A cursory glance over the Best Picture winners of the 60s (ha, who am I kidding? I know the list by heart) reveals that by my faulty empirical research Tom Jones is easily the least discussed Picture winner from that decade today. Even Oliver, arguably the decade's least respected winner, seems more oft considered and it’s a curious thing because even ignoring the actual quality of Tom Jones it’s not business as usual as far as Oscar winners go. And, usually, we like to talk about when AMPAS throws us a curveball with its winners, for better or for worse.

Certainly, from an outsider's perspective it doesn't seem to be much of a curveball. What's the fuss about another period-piece turned Oscar winner? Although period films are lucky with awards they don't tend to be well remembered, or loved, on the internet. I could imagine what Tom Jones seems to represent to someone on the outisde looking in, another stuffy British drama Oscar bait film. (Something's that plagued Merchant Ivory films two decades after their heyday, but that's another story.) But, Tom Jones in all its unusualness has much to savour and enjoy, fifty years after its release.  

Here are ten reasons to give it another or your first look...

Click to read more ...

Saturday
Apr122014

Beauty Break: George Hamilton

The perma-tanned actor, playboy and unreal beauty back in the day turns 75 this summer. More photos and a few notes after the jump...

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Friday
Apr112014

Posterized: His Majesty Colin Firth Makes a LOT of Movies

The King speaks. Often in motion pictures, in point of fact. Colin Firth has been a mainstay in British and Hollywood cinema since his terrific debut opposite Rupert Everett in the boy's school classic Another Country (1984). But it's not all stiff homoerotic upper-class Brit movies (though there's a fair share of that). He seems to have no ego whatsoever working in large ensembles, occasionally headlining, and (we assume) gets along with everyone given how often he returns to the same co-stars and directors (multiple films with Kidman and Everett and Egoyan and more). This year US audiences are getting not one not two but SIX Colin Firth films: Gambit (released a couple of years ago in the UK), Atom Egoyan's Devils Knot, Woody Allen's Magic in the Moonlight, and three (!!!) with Nicole Kidman: Paddington (he's the voice of the bear), the thriller Before I Sleep and the post-war drama The Railway Man which is in theaters now after a quiet festival bow last year.

 In the new film he plays a troubled WWII vet suffering from PTSD before there was a name for it. Jeremy Irvine plays Firth as a young man in his POW days and Nicole Kidman provides tough-love wifely support. Still, this is Firth's show through and through. He's quite good in it though I'll admit that the movie was a little tentative and basic for my tastes.

A temporary projection glitch in the screening at TIFF I attended (strangely the only film I didn't write about that I saw there) stopped the image just as Nicole Kidman entered in one of her only forceful scenes. A flock of gentlemen turned around to look at her and were then paralyzed for several minutes gawking at her. Which is exactly what happens to me whenever Nicole Kidman enters a movie. I haven't seen it acted out so literally since Ewan MacGregor and the patrons of the Moulin Rouge went slack-jawed in unison when she descended from the ceiling singing "Diamonds". 

But I digress.

We're here to talk Colin Firth. So anticlimactic now, right? Apologies to Mr Firth! How many of his movies have you seen? (Please tell me you've seen Another Country)

Click to read more ...

Friday
Apr112014

Yes, No, Maybe So: "Decoding Annie Parker"

Counter-programming in the summer. Love it! Decoding Annie Parker, a movie about early strides in Breast Cancer Research arrives on May 2nd. Samantha Morton plays the title character, a young mother who is diagnosed with breast cancer. She seeks answers as her husband (Aaron Paul, who sure is working a lot) struggles to understand/deal. A pioneering doctor (Helen Hunt) is also on the case in this true story.

We'll break down the trailer after the jump.

Click to read more ...