Curio: Cinema Notes

Alexa here. Since Nathaniel showed off his Ruby Sparks swag and Glenn showed off his Ruby Sparks notes, I felt the need to weigh in on my recent search for the perfect movie journal. My absolute favorites were produced by Smythson of Bond Street.  I find them ideal for my reviewing purposes: leather bound, with a simple title ("Film Notes"), with all the relevant fill-in-the-blanks on the movie's production and your viewing on one page (which I normally completed before the film) and ample space for scribbles during the viewing on the facing page.  I bought as many as I could find once I found out Smythson was no longer making them, grrr.

One of my Smythsons, with some notes made during a viewing of I've Loved You So Long.As I fill up my remaining volumes I've been on a search for a replacement model, with no luck.  The closest I've some are these that Moleskine is offering as a part of its "Passions" series, but alas they have too many bells and whistles for my liking, and not enough scribble space.

I'm still on the lookout. In the meantime I've found some fun examples that give me inspiration to perhaps decorate my own moleskine next. Click for some fun handmade notebooks inspired by John Waters, Grease, Black Swan, and The Princess Bride...

Click to read more ...

Posterized: Tony Scott (1944-2012)

As you've undoubtedly heard, director Tony Scott, youngest brother of Ridley, died Sunday after throwing himself off a bridge at the age of 68 just two years after his latest huge hit (Unstoppable). The internet was awash with morbid rumors about why (an inoperable brain cancer diagnosis chief among them) but when it comes to private struggles of the soul, you never can expect to know so we stick to the facts. Facts: A lot of people saw and liked his movies; His feature career as a director spanned from 1971's Loving Memory (not the type of movie you'd associate with his filmmaking persona) through 2010's Unstoppable (exactly the type of you'd associate with his filmmaking persona).

Tony Scott with his preferred leading man Denzel Washington. They made five films together.

Somewhere along the line I decided I wasn't interested in him as a filmmaker but not every filmmaker is for ever moviegoer (nor should they be). My disinterest was partially spurred on by a me-imposed sibling rivalry with his older brother Ridley Scott -- rather silly since Ridley and Tony worked together often and no love was ever lost. But Ridley already had two indisputable classics under his belt (Alien and Blade Runner) by the time Tony Scott was making his Hollywood debut so the die was cast. If Tony had continued making movies like The Hunger chances are I would never have tuned him out but his bread and butter... in fact his entire diet... was the kinetic multiplex-ready A list male-driven shoot em up. Not enough actresses! But looking back through his filmography brought back more memories than I expected.

How many Tony Scott pictures have you seen?

Loving Memory (1971) | The Hunger (1983) | Top Gun (1986)

The Hunger is the Scott films I've seen the most often, a favorite of my best friend's and thus in regular rotation on VHS for the first decade of its life. Bonus Points: Deneuve & Sarandon making sexploitative vampire love long before True Blood repopularized vampires as sex gods....er, devils. It was also impossible to live through the 1980s without absorbing Top Gun into your very pores (my oldest brother loved it).

more posters and memories after the jump

Click to read more ...

because the night belongs to linkers ♩

Serious Film "Masterpiece Down"! Twelve masterpieces that didn't even get a single vote in Sight & Sound's polling of nearly 1,000 critics including (gulp) Network!  
Observations on Film Art takes a long strong look at the praise, criticisms and "innovations" of Christopher Nolan.
Tit for Tat the finalists for Oscar submission from The Philippines. They've yet to be nominated
i09 has a hilarious rundown of this weekend's penultimate True Blood season 5 episode. Yes, I stopped writing about that show immediately after hating the first few episodes... but I haven't quite been able to stop watching it yet. This is why TV is bad for you. 

Movie City News David Poland crunches some numbers on Hollywood's commercially successful directors and what it takes to justify a $200 million budget
Encore's World is doing some sort of bracketed tournament of essential 90s performances. I'm horrified that Elisabeth Shue (Leaving Las Vegas) lost to Leonardo DiCaprio (What's Eating Gilbert Grape) without a fight. This will not stand! (Actually maybe that's a sophie's choice, both of them being brilliant.) But stand it must. Note to all people, not just Andrew, running polls: leave them open longer! 
Take Out All The Words  has an illuminating piece about approaching tragedies (like The Dark Knight Rises shooting) within a normally "funny" milieu like editorial cartooning
MNPP Jake Gyllenhaal's new role involves gambling like crazy. Gambling addict! Gambling is what actors who aren't boring / predictable do every time they sign on for a movie role, so Jake G probably didn't have to do much research.

Randomness
AV Club Sutton Foster interviewed on her transition from stage to small screen on the delightful Bunheads.
Towleroad Rosie O'Donnell had a heart attack! Get well soon, Rosie.
YouTube The Game of Thrones theme performed by a cat 

Live Music Send-Off
Russell Crowe ♥ Patti Smith. In Iceland no less (on a break from filming Noah perhaps? or burning the candle at both ends?)

To Our San Francisco Readers

I lost my ship."

See it Tuesday night (tomorrow) and report back!

♥ the Castro Theatre.

Review: "Sparkle"

This review was originally published in my column at Towleroad.

Leaving for the theater to see Sparkle, the boyfriend wrinkled up his nose. "Is that that Dreamgirls remake?" he asked rhetorically. He doesn't care about movies (...I know!) so I just said "yes" rather than getting into it. Sparkle, like Dreamgirls before it, does pair an "American Idol" alum in her big screen debut (Jordin Sparks / Jennifer Hudson) with a genuine legend (Whitney / Beyoncé) to tell the story of a troubled female pop trio in 1960s Detroit attempting to make it big as Motown explodes. But the similarities are cosmetic. (Which is not, unfortunately, to Sparkle's benefit. If you're going to load up your screenplay with familiar clichés, rob from superior work!)

The immediate jarring difference between the two films is first noticeable in the Jennifer/Jordin continuum. In both films the biggest talent of the trio has to play second fiddle to "the hot one" but only in the earlier property does the Major Talent bristle mesmerizingly against her runner-up status; Jordin's "Sparkle" is a willing wallflower, happy to let her sister (the crazy gorgeous Carmen Ejogo) sing all of her songs whilst shimmering in the warmth of the spotlight. Sparkle's sister's name is "Sister" and their group is called "Sister and Her Sisters" and the men competing dramatically for their hands (that's a euphemism for vaginas) are named "Stix" (Derek Luke) and "Satin" (Mike Epps). So any moviegoer with a sybilant "S" should avoid all discussions of the movie. 

Click to read more ...