Open Thread... Comment-a-Palooza

I know a few of you had had problems with commenting but the problem should be resolved now. So please sound off. What's on your cinematic mind? Do I dare see Cabin in the Woods this weekend? You know how squeamish I am about horror.

P.S. If you've ever seen one of Travis Mathews short films (worth seeking out) you'll want to read Craig's interview -- how do you feel about explicit scenes in real films? sound off on that post. And if you've ever seen Snow White (duh, you have!) we've totally been talking about her so join in. Let's make her ears as red as her lips. If you don't comment on animated films how will I know you want more posts about them?

Have you ever made this face?

P.P.S. April Showers is returning soon after this week's hiccup.

P.P.P.S. Titanic Centennial and finalized Oscar Predictions this weekend (who am I forgetting in Best Actress?). Stick around.

Fringe! Interview: Travis Mathews "I Want Your Love"

Craig here, with a preview of Travis Mathews’ debut feature I Want Your Love and an interview about the film with the director.

Jesse Metzger stars in the explicit drama about a performance artist leaving San Francisco

This week sees the return of the Fringe! Gay Film Festival to East London. From the 12th to the 15th of April a wide range of films (new features, experimental shorts, premieres) are showing alongside a host of parties, shows and events. This year’s opening film was I Want Your Love, Travis Mathews’ (In Their Bedroom – Berlin) poignantly affecting and intimately explicit debut feature. It stars Jesse Metzger as Jesse, a love-lost San Francisco performance artist about to leave his life and career frets behind for a fresh start in Ohio. We see him hang out with friends, and follow how their lives reflect, and differ from, Jesse’s as they prepare to throw him a leaving party.

Jesse Metzger and Ben Jasper in a flashback to their relationship

There’s an easy charm to the story of this group of amiable guys. Mathews films in a close, intimate way that allows revealing insights into their easy-going personalities. The characters feel real, unaffected by some of the over-familiar clichés that more mainstream gay cinema offers up. The performances – especially Metzger, as Jesse, and Brontez Purnell, as one of his witty friends – are pitched perfectly and entirely natural. The real sex peppered throughout the film acts more as culminations of built-up feeling than a way to shoehorn overt sexuality into the story.

Mathews emphasizes atmosphere throughout. Some segueing shots are delicately composed to establish an evocative sense of place and time of day: the harbour at dawn, hazy afternoons chatting in shops, empty streets at dusk. You get a feeling for a rich, charming San Francisco that chimes with the film’s plot arc: why does Jesse need to leave when what he has here is so close-knit? What is it that he needs to change in his life? I Want Your Love offers up these questions, and plenty more, for its audience to mull over while depicting 21st century gay relationships in an honest, open way. In a small way, I Want Your Love is an affectionate retelling of Maupin’s Tales of the City in microcosm for the now.

 I spoke to Travis last week about I Want Your Love, the Fringe! and his feelings about his work...

Writer/Director Travis Mathews

Craig for The Film Experience:  I Want Your Love is great. A splendid addition to not just gay cinema, but invigorating filmmaking in general; and early word is hugely positive. You must be very proud.

TRAVIS MATHEWS: Aw, that's really nice of you to say. I'm proud to have just survived it, let alone come out with a movie that I'm excited to share with people. Making features - I'm learning - is like running a small business...

[porn alternatives and terrifying Q&As after the jump...]

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Psyched Over "Making of 'Psycho'"?

Jose here. Biopics are always a controversial topic. People get riled over the casting choices, the director, the time period they cover etc. (Anyone still remember when Julia Roberts was interested in playing Kate Hepburn?)

One of the biggest upcoming biopics officially begins production tomorrow. It's none other than Hitchcock (based on Stephen Robello's Alfred Hitchcock and the Making of Psycho) which will chronicle the making of one of the greatest movies of all time.  The movie will be directed by Sacha Gervasi (of Anvil! The Story of Anvil semi-fame) and as of now has one of the most fascinating casts assembled in recent history to pay tribute to this legendary movie,

Anthony Hopkins headlines as Hitch and Helen Mirren will play his wife Alma Reville. Scarlett Johansson and James D'arcy are set to play Janet Leigh and Anthony Perkins respectively (although the other way around would've been interesting too, where's Todd Haynes when you need him?)

Why don't we just take a look at them with their real life counterparts?

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Django Unchained, Poster Teased.

It's a pity that there are 257 days left until Christmas. Am I right?

Isn't it wonderful when a movie can be sold on the name of their auteur alone? 

Wouldn't it be wonderful if final movie posters were ever as graphically bold as teaser posters?

Madonna from "Truth or Dare" to "MDNA"

It's hard to believe that the be all and end all of celebrity documentaries, Truth or Dare (1991) is already over 20 years old. Actual age aside, Truth or Dare is timeless not just because it captured one of the most famous women who has ever lived at the peak of her popularity, but because of how daringly it performed that capture. I'm sure it's impossible for anyone under 25 to imagine how shocking Madonna's behavior in the early 90s was. Believe it or not there was a time when the demistification of Celebrity was anathema to Hollywood.

You can argue that some of the magic went out of the movies the more access we had to the magicians on and behind the screen, but there was no stopping the intrusiveness of the information age. Madonna's acclaimed film and --  to a lesser extent though no one wants to give it credit -- her often reviled "Sex" book predicted all of it by revealing more and More and MORE (and then some more) of herself. Madonna has never been a great actress but she has given a genius film performance and this was it. (Her performances in Evita and the short film Star! are a distant second.)

If you're interested in influential landmarks in pop culture I urge you to read Rich Juzwiak's exhilarating piece on Truth of Dare (it's out on Blu-Ray for the first time) over at Gawker 

Madonna has rarely had her finger directly on the pulse—it took her years to dabble in electronica and new jack swing and French house—but over 20 years after its release,Truth or Dare is relevant as ever. (It's out on Blu-ray for the first time today.) It's as close to a memoir as Madonna has ever gotten, and it's brilliantly fitting that the music video master stuck with the trusted audio-visual format that catapulted her to success. Why write when you can be? Madonna's life banged the dust out of vérité entertainment, suggesting the documentary didn't have to be stuffy, that it could be wildly entertaining and overwhelmingly trashy... 

 But while we're on the topic of the Queen a few notes on MDNA after the jump...

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