Best Picture, Black-and-White Edition

by Cláudio Alves

Ever since NEON released a black-and-white version of Parasite during the awards season's peak, we've begun a tradition here at The Film Experience of looking the Best Picture nominees each year, and trying to imagine what they'd look like devoid of color. Naturally, we'll never know that since making a black-and-white movie is much more complex than simply turning the saturation to zero. Matters of design and lighting are involved, as are other elements of pre and post-production. Still, it's fun to peruse movies in search of striking imagery. But of course, beyond personal amusement, there's another component to this exercise…

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William Hurt (1950-2022)

by Nathaniel R

Hurt as I remember him.

I read with total shock yesterday the news that William Hurt had passed away of cancer. There's something about growing up watching famous actors that ties your own ideas about time to their legacy, however loosely. When I heard the news I thought "Noooo he was so young!" before realizing that he was just shy of his 72nd birthday and not the handsome entirely fictional thin-haired 40something actor that I realized I pictured him as, a slightly aged version of his smoldering but callow young beauty, perhaps informed by the wearier sinister bald character actor of his later years. But William Hurt was actually 71 when cancer took him. So why had William Hurt become frozen in time for me? The answer lies not just in my own cinephilia but in the very distinct phases of his career...

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Red Carpet Lineup: Best of the BAFTAs & the CCAs

by Nathaniel R

Lady Gaga, Juliette Lewis, and Alana Haim all looking very glam over the weekend

Last night the stars had to choose between the BAFTAs and the Critics Choice Awards but the nominations did some of the choosing for them. For the Hollywood stars that were nominated in both locals, the choice was easy: BAFTA across the pond! When it comes to fashion, beauty is truly in the eye of the beholder so I can't begin to pretend that you'll agree with these selections as "best" or the roughly ascending order.  But consider this weekend's ceremonies a warm-up to Oscar fashions. Apologies to Jada Pinkett Smith and Melanie Lynskey -- couldn't find full length images but they looked elevated in their style but also exactly like themselves which is often the perfect choice for a  glamourous night out.

Okay, before the top nine, six looks to consider and share your opinion of, please...

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Capsule Review: Tech Triple Threat - "Super-Pumped," "The Dropout" and "WeCrashed"

by Christopher James

Which new show about the rise and fall of a major tech company prevails in the end?Do you ever get deja vu while watching a TV or movie? Trends always lag a year or two when it comes to pop culture. More so than ever, the minute a story or documentary takes off, production companies are working on the scripted version of the story. In the course of a month, there will be three separate miniseries dramatizing famous tech flameouts from the last decade. Showtime was the first out the gate with Super Pumped: The Battle for Uber, which has already been renewed for season two, centering around Facebook. Next up was Hulu with The Dropout, which cast Amanda Seyfriend as Theranos founder Elizabeth Holmes. By the end of the month, Apple TV+ will premiere WeCrashed, where Oscar winners Jared Leto and Anne Hathaway star as the charismatic couple behind WeWork, Adam and Rebekah Neumann.

It’s easy to make comparisons when so many similar series come out in quick succession. Between the three shows, there’s a clear winner and clear loser. Which is which? Read on to find out...

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Best Film Editing Oscar Volley

Team Experience is discussing the various Oscar categories. Here's a particularly volatile race given that BAFTA, CCA, and ACE Eddie Awards all chose different winners.

ERIC BLUME: Tim and Carlos, we're the lucky gang to discuss the Oscar nominees in the Best Film Editing category.  This year our five nominated films are: 

• Don't Look Up
• Dune
• King Richard
• The Power of the Dog
• tick, tick...Boom!

Last year's win for The Sound of Metal was uniquely exciting as it was an out-of-the-box winner in terms of its smallness (this award often goes to "big" movies). Maybe that means people are thinking a bit more carefully about this category?  I bring this up in hopes there might be some genuine support for my  favorite pick of this bunch, which is the editing duo for tick, tick...Boom...

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