DGA Winners: Jane Campion, Maggie Gyllenhaal and more...

by Nathaniel R

As expected Jane Campion took Best Director at the Directors Guild Awards, their third female winner after Kathryn Bigelow (The Hurt Locker) and Chloe Zhao (Nomadland). The DGA win has long been the most predictive precursor prize for future Oscar glory. Their winner almost always repeats at the Oscar. Splits are rare but the most recent was very recent indeed during the Parasite vs 1917 war; Sam Mendes took the DGA but Bong Joon-ho won the Oscar.

Maggie Gyllenhaal took the coveted First Time Feature award making this the first year were both of those prizes went to women.  All the prizes and more comments after the jump...

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Oscar Volley: Sobbing and Fuming at the "Best Animated Feature" nominees

Team Experience will be covering the various Oscar categories in the lead up to Oscar night. Here's Tim Brayton, Cláudio Alves, and Nathaniel R...

TIM BRAYTON: Hello Nathaniel and Cláudio! I'm thrilled to have the chance to discuss this year's slate of nominees for Best Animated Feature at the Oscars with you - animation is, I think it's fair to say, the most important form of filmmaking to me, and it's always fun to share it. Whether these exact five films represent animation at its peak, well, we'll just have to get into that as we go.

A quick recap for all of us and those of you reading, here are the five nominees: Encanto, a CGI feature produced by Walt Disney Animation; Raya and the Last Dragon, a CGI feature produced by Walt Disney Animation; Luca, a CGI feature produced by Pixar Animation Studios and distributed by their corporate owners, the Walt Disney Company; The Mitchells vs the Machines, a CGI feature produced by Sony Animation, who sold it off to Netflix. And then literally on the other side of the world, Flee, a Danish documentary about politics and identity, largely consisting of interviews that were animated in a cartoony 2D style by Sun Creature Studio. So my point, obviously, is that this isn't exactly the most stylistically or industrially diverse set of nominees this category has ever produced...

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SXSW: Patton Oswalt Stars in ‘I Love My Dad’

By Abe Friedtanzer

 

One of the best ways for an up-and-coming filmmaker to make their mark is to cast a well-known actor in their projects. I’ll admit that I’m always intrigued to find a performer I know and like taking on a role in a small independent film, since it’s evidently not the prospect of a big paycheck that drew them to it. Patton Oswalt is someone I think I would watch in anything, and it turns out he’s also the star who could make a dad catfishing his own son seem somehow endearing…

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Tweetweek

Kathy Bates does have a point.

pic.twitter.com/xIYebJsMFo

— Kathy Bates (@MsKathyBates) March 10, 2022

More curated tweets after the jump including Ariana DeBose, Kodi Smit-McPhee, The Batman, Benedetta, vintage Stanley Tucci  and more...

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It's a clean sweep for "Drive My Car" at the Japan Academy Awards

by Nathaniel R

Hidetoshi Nishijima accepting BEST ACTOR for "Drive My Car" 

The 45th annual Japan Academy Awards were held last night (aka hours ago -- time differences are confusing!) in Tokyo. 濱口 竜介's Oscar-nominated Drive My Car was honored in all of its categories. The winners are after the jump... 

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