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Saturday
Apr092011

Sidney Lumet: 43 Feature Films, 5 Oscar Nominations, 1 Fine Career.

A goodbye with gratitude to prolific director and Honary Oscar winner Sidney Lumet who died this morning at the age of 86 from lymphoma. He was small in stature (5'5") but his legacy looms large as one of Hollywood's most prolific and beloved directors. 

He was a stage actor and a television director before moving into feature films. Actors always loved him and he returned that love guiding several of them through signature roles. He worked with some stars multiple times including, notably: Sean Connery, Timothy Hutton, James Mason, and Al Pacino. The stage-to-screen movie, the courtroom drama, the social conscience narrative, and the true crime story would never have been the same without him. He is survived by his wife of 31 years Mary Gimbel, and children and grandchildren (you'll remember that his daughter Jenny Lumet wrote the blissful Rachel Getting Married screenplay. Our thoughts go out to the family today.

After the jump, the posters for all 43 of his theatrical features with thanks to google, the IMDb and IMP!

How many have you seen?

Click to read more ...

Saturday
Apr092011

Review: Arthur (2011)

Since I very recently saw Arthur (1981) on Netflix Instant Watch, I had a bit of a trouble disconnecting myself from the original while watching the new version 30 years later.

Dudley & Liz vs. Russell & Greta

The more things change the more they stay the same? The comedy Arthur (1981) opened during a recession and high unemployment rates. Here we are again in 2011 when all but the richest are hurting and that drunken millionaire is rearing his head again. He's hoping you'll laugh with him or at him -- either will do as he has no shame. The first time around audiences did just that. They embraced Arthur's reckless entitlement and threw millions more into his seemingly bottomless coffer, turning the film into one of the biggest blockbusters of early 80s cinema.

The remake, also named ARTHUR (2011) is in some ways a recreation with virtually the same character in a nearly identical plot. The few changes are cosmetic. Even Arthur's net worth hasn't changed all that much...

READ THE REST @ Towleroad

What do you make of this Arthur or the earlier one?

Saturday
Apr092011

Mix Tape: "Porque Te Vas" in Cría Cuervos

Andreas from Pussy Goes Grrr here, to talk about one of my absolute favorite uses of popular music in film.

It's from Carlos Saura's Cría Cuervos, an underseen but beautiful film about three orphaned sisters being raised by their aunt in the twilight years of Franco's Spain. The whole film is seen from the (often distorted) perspective of the sensitive 8-year-old Ana, played by Spirit of the Beehive's precocious Ana Torrent, as she reckons with the loss of her adultering Fascist father and her sick, emotionally fragile mother, whose ghost is played by Geraldine Chaplin.

As she retreats into her inner world of memory and fantasy, away from the mundane realities of school and her strait-laced aunt, Ana has one major ally: the song "Porque Te Vas" ("Because You're Leaving") recorded by the British-Spanish musician Jeanette in 1974. It's a surprisingly downbeat pop song, but still fairly generic, and that suits Saura's purposes perfectly. After all, a song doesn't need to be perfect to be the cultural centerpiece of a small child's world.

For Ana, "Porque Te Vas" is special. It speaks to her. It's not profound, but it boasts a catchy beat and unapologetically emotive lyrics, including a refrain that roughly translates to, "All the promises of my love will go with you...", and that's more than enough.

Click to read more ...

Friday
Apr082011

April Showers: "Single White Female"

waterworks each weeknight at 11 in April

Have you ever had a flatmate you just didn't trust? Bridget Fonda as "Allie" thought she'd found a good one in Jennifer Jason Leigh "Hedy" after placing an ad in Single White Female (1992). But once JJL moved in, things got so weird. Any of us could've told Bridget that'd happen since JJL is rarely "right" in the head onscreen, yknow? So Hedy gets weirdly needy and steals Allie's whole look, complete with ginger helmet bob! So Bridget, who is pretty damn stupid even as thriller heroines still has enough functioning brain cells to know a good snooping opportunity when she hears one.

I'm going to take a shower."

Now's your chance, Fonda. 3...2...1... SNOOP, BRIDGET, SNOOP!!!

Oh, don't pretend like you haven't snooped on a roommate before! The Film Experience is a safe space. You can say. Show of hands? I thought so. And, besides, all ethical bets are off once someone starts stealing your identity, right?

At first Allie seems like she understands the danger she's in as she does a little stealth jog to JJL's room where she discovers a box of personal things in the closet. All people, crazy or otherwise, keep shoeboxes filled with secrets in their closets. Known Fact. What she finds in this shoebox is those very secrets as well as proof that Hedy has been intercepting her boyfriend's mail. That Bitch!

Single White Female was shot by Italian cinematographer Luciano Tovoli. It's beautiful.

Oh and Allie, get the hell out of there. That bitch who steals your mail also takes really short showers.

More after the jump. NSFW

Click to read more ...

Friday
Apr082011

Unsung Heroes: The Technical Advisor on 'The Hustler'

Willie MosconiSerious Film's Michael C. here. 2011 will mark the 50th anniversary of Robert Rossen's classic The Hustler, so in this episode of Unsung Heroes I thought it a great opportunity to tip my hat to a man who is a large part of why the film is still watched and loved five decades later.

There is a vibe you get from certain films, a vibe that tells you “this movie knows what it’s talking about. This is how it really is.” The film's subject may be totally unfamiliar, space travel or gourmet cooking, but you can still sense when a film has done its homework and when it’s faking it. It’s the difference between the poker movie which simply gives the hero a royal flush, and the poker movie that knows it is more impressive to watch the hero play an average hand brilliantly.

Robert Rossen’s The Hustler is a movie you can feel knows its business cold from its first seconds. The Hustler had as technical advisor pool playing great Willie Mosconi, a man whose impact on the game of pool is comparable to Wayne Gretzky’s on hockey. His mastery seeps into every frame of this movie.

From the way the players screw their cues together to the way they call their shots this film has every detail in place. The Hustler is especially skilled at showing what happens when two competitors at the top of the game come up against each other.  A lesser movie would simply have billiard balls spinning and hopping all over the table but The Hustler is wiser than that. Thanks to Mosconi’s know-how, and the great script by Rossen, it makes clear that the game is won or loss on stamina and concentration, not on show-off displays and trick shots.

Rather than bogging it down with technical info this level of detail opens the story as a battle of personalities. The Hustler understands not only how pool is played, but how different characters types manifest themselves on the table. In one memorable exchange George C. Scott informs Newman's Fast Eddie he has the talent to be the best. When Newman asks why it was he lost anyway, Scott smirks that it was a lack of character. It's a testaments to the depth of the film's portrait of the game that we know exactly what he’s talking about.

Beyond creating a fully realized battlefield for the characters to clash, the technical know-how achieves something even more crucial to the film’s lasting success: It makes the movie incredibly cool. This is what I responded to most strongly when I first found this film as a teenager. These guys weren’t just hotshots. They were religiously devoted to the game. The question of the best was as weighty in the pool hall as it was in the world of chess or dance. With the aide of Mosconi, Rossen was able to show, for the first time to most of the public, that the pool hall was a worthy arena for this level of drama.