Zoinks! Nicole + Cate, Holly + Anna

Aussie actresses Nicole and Cate are fans of each others. We shouldn't be surprised and perhaps we already knew but have forgotten. The March issue of In Style asked four Oscar winning actresses Nicole Kidman, Anna Paquin, Hilary Swank and Susan Sarandon to name their "Oscar Inspiration" and they chose Cate Blanchett, Holly Hunter, Jessica Lange, and Vanessa Redgrave respectively.

This photo has a certain imaginary Film Experience spark as it's an actress (Kidman) that readers tend to think I'm rather too scarily devoted to combined with an actress (Blanchett) that I tend to think readers are rather too scarily devoted to. ;) Not that they both aren't great actresses, mind you.

The article may well have been titled "Airbrushed Inspirations" because all of the photos are way way glossy. But it's a fun concept. Here's what Cate said about her Oscar win for The Aviator.

I was frankly relieved when I won -- relieved I wouldn't have to answer all the questions about what it feels like to lose, and relieved because, playing Katharine Hepburn, you can't but disappoint some people. You have to throw caution to the wind when you take on those real-people roles; you can't think of the outcome.

I don't see this info at In Style's official site but here is a photo-set. The Hilary Swank/Jessica Lange photos are fun but the one that just thrilled me, for the sheer nostalgia, was seeing The Piano's mother and daughter Holly Hunter and Anna Paquin reunited.

The Piano (1993) is among my all time favorite movies and who wouldn't want such a reminder. Anna is apparently now taller than Holly! Although one reason I object to the super processed/airbrushed photo shoots that are the norm these days is that in the age of Photoshop when a photo looks too plastic, I just assume no one was in the room together. Let me see an errant hair or a wrinkle or a weird pucker of cloth, or some PROOF that these are flesh and blood people in a room together.

The other thing I think of when I look at this photo is: DOES HOLLY HUNTER WATCH TRUE BLOOD? Heh. I do. I wonder.

The Short Films: Part III

Michael C from Serious Film here to wrap up our look at the short film categories with a tour of the Documentary shorts.

In this field we have that rarest of specimens: the genuine five-way race. I'd go so far as to put it right up there with Lead Actress as the most quality stacked category of the night. Since they are such uniformly strong contenders I'll skip the for/against format I've been using thus far and instead try to pinpoint what edge each film might have to push it ahead of the competition.

the nominees are...

KILLING IN THE NAME - USA, 39 Minutes, Dir: Jed Rothstein

Issue: Terrorism, specifically the killing of Muslims by Muslims

In 2005 Alshraf al-Khaled's wedding was interrupted by a suicide bomber who killed 27 guests including the fathers of both the bride and groom. Since then al-Khaled has devoted himself to confronting the sources of such terrorism and breaking the Muslim world's code of silence concerning Muslim on Muslim violence.

Killing in the Name makes for a powerful viewing experience. The astonishing footage it compiles includes a wrenching meeting with the father of a man responsible for one of the deadliest suicide attacks ever, an interview with an al-Queada recruiter, and, most disturbingly, al-Khaled's confrontation with a classroom full of young people indoctrinated to view these mass-murderers as heroes. Killing might be too impressive a feat of documentary filmmaking to refuse the prize.

Secret Weapon: In Alshraf al-Khaled the filmmakers have found a bona fide hero. His mission, at no small risk to himself, is equal parts inspiring and horrifying. He is the answer to every TV blowhard who seeks to paint the whole Muslim world with a single brush.

SUN COMES UP - USA, Papa New Guinea, 38 Minutes, Dir: Jennifer Redfearn

Issue: Global Warming 

Rising sea levels are slowly but surely sinking the Pacific Island paradise of Carteret. The village sends out a group of young people to the nearby war-torn island of Bougainville to see if they can find a new home for the hundreds of soon-to-be-displaced families.

Carteret Island is portrayed as a place just short of the Garden of Eden and it is heartbreaking to watch the Islanders as their worst-case scenario gradually becomes a reality. The filmmakers choose their moments well to convey the complex series of obstacles the Islanders face in their diaspora. The film is not without a few glimmers of hope at the end, but they are hard-earned and bittersweet. 

Secret Weapon: Even though all the shorts are extremely emotional (watching them back-to-back was a bit overwhelming) Sun Comes Up might just be the most touching of the lot. It is impossible not to be moved watching its inhabitants' sadness and bravery in the face of their loss. Who would have the heart to deny them the Oscar win?

THE WARRIORS OF QIUGANG - USA, 39 Minutes, Dir: Ruby Yang

Issue: Pollution, Government Corruption

The most conventional of the documentary short subjects, Warriors is the portrait of a village of simple Chinese farmers whose community is decimated by the pollution from a new factory. Their fight for change comes up against such obstacles as government corruption and threats of violence. The central figure emerges as one villager with a middle school education who becomes the reluctant leader of the cause. Teaching himself the intricacies of the law, he finds - to his own surprise as much as anyone else - that he is a formidable foe for the forces who seek to crush dissent. There are echoes of the Oscar-winning The Cove in the fight against a government aggressively trying to ignore a problem.

Secret Weapon: Scope. The familiarity of the subject matter shouldn't detract from the achievement of the filmmakers here. Not content to just point the cameras at ruined crops and hulking gray factories, they stuck with this story for years getting the full picture of the story and the society that produced it.

POSTER GIRL - USA, 38 Minutes, Dir: Sara Nesson

Issue: Post Traumatic Stress Disorder, the Iraq War, The Treatment of Veterans

Poster Girl looks at all its big issues through the portrait of Iraq War veteran Robynn Murray who at the age of 19 went from all-American cheerleader to hard boiled machine gunner roaming the streets of Baghdad. Now, years later, she suffers from crippling anxiety attacks, has trouble coping the memories of war time, and has to navigate a labyrinth of red tape in order to claim her disability checks.

More than any of the other entries of this field Poster Girl leaps off the screen with a burn through intensity, largely due to the riveting presence of Sgt. Robynn Murray. You seriously can't take your eyes off her as she boils with anger, crumbles in pain, and rages articulately with feelings of betrayal at the institutions she trusted. Poster Girl is a tough film to shake.

Secret Weapon:  As much as Academy members can sympathize with the plights facing poor foreigners Poster Girl is going to hit closer to home. For British and American Academy it is going to reopen a lot of wounds.

STRANGERS NO MORE - USA, 40 Minutes, Dir: Karen Goodman, Kirk Simon

Issue: Prejudice

Although the horrors of war exist constantly around the edges of Strangers No More, this is the most hopeful of the documentary shorts. Strangers tells the story of the Bailik-Rogozin school in the heart of Tel-Aviv bringing together displaced children from dozens of countries around the world many who have arrived in Israel fleeing for the lives.

Strangers is perhaps the least impressive nominee from a filmmaking standpoint. Its straight forward account of one school year unfolds pretty much how you would expect. At feature length I would say this doc needed to dig deeper into how this school came to be, but at forty minutes I think they were correct to focus on the children and their harrowing stories. It is a simple film, well executed.

Secret Weapon: All those great kids! It's difficult to overstate the emotional impact of watch a kid go in the space of a year from a wide-eyed refugee completely lost in his surroundings to a student speaking fluent Hebrew and cracking jokes with his friends. I have no doubt that will be enough to get a lot of voters to mark their ballots right then and there. 

Marking Your Oscar Pool: Since all the films can lay claim to social significance - and since there is no World War II focused doc to break the tie - the usual Oscar method of choosing the most important-seeming film won't work here. I could easily see any of the five shorts taking the prize, but forced to predict I'm going to go with the film that would be getting my vote and say Poster Girl is going to barely edge out Strangers No More and Killing in the Name and take the Oscar. All the shorts make an impression but Poster Girl is the one that really gets your heart pumping. 

Part I - Animation

Part II - Live Action

Editing. This Word. It Doesn't Mean What You Think It Means.

Though I've read a truly great book on the topic "The Conversations",  know a few editors, and have experimented with this completely fascinating craft in college, this morning when I woke up, I learned that I must have literally no idea what it means. The American Cinema Editor's Guild pulled the rug out by naming Tim Burton's Eyesore in Wonderland the best edited of all comedies in 2010. I realize that my hatred for the movie is self-feeding, ever-growing and thus deeply irrational but still... I watched it in full and all I saw was interminable rhythmless agonizing ugly incoherence.

The ACE Awards

Best Editing, Drama The Social Network's (INTERVIEW)
Best Editing, Comedy or Musical Alice in Wonderland
Best Editing, Animated Toy Story 3
Best Editing, Documentary Exit Through The Gift Shop ("UNSUNG HEROES")
Best Editing, TV Half Hour Modern Family "Family Portrait"
Best Editing, TV Hour The Walking Dead "Days Gone Bye"
Best Editing, TV (Non Commercial) Treme "Do You Know What It Means?"
Best Editing, TV Miniseries Temple Grandin
Best Editing, Reality If You Really Knew Me "Colusa High"

Perhaps the editors know something we don't? Perhaps Burton's footage from Alice was even more ghastly than what we saw in the final cut and Chris Lebenzon is being rewarded for true sorcery or merely for surviving it? Lebenzon has done fine work in the past -- even on other Burton films! -- so we don't begrudge him his kudos but this year??? When you stop to consider the other nominated efforts (The Kids Are All Right, Easy A, Made in Dagenham, Scott Pilgrim vs. the World) and how well those movies flowed and/or maximized their laughs with exceptional comic timing and/or carved out a magical performance or two, it's enough to make you straight up weep and reach for the booze.

The decision is even stranger when you look at the other winners and find that they are all relatively easy to comprehend as noteworthy work. (For instance, I'm not the world's biggest fan of The Walking Dead but that pilot episode was a master class in cumulative thrills, scary but not cheap-scary cutting, and overall pace.)  The same people voted for those achievements. Temporary insanity?

IN OTHER NEWS: Final Oscar Predictions in Craft Categories

Berlinale Pt. 2: Red Carpet, Movies To Watch For

One of the best things about A-list festivals is that you get red carpet ogling inbetween all the big ticket movies. Oh sure, you get that at medium sized festivals too but the celebrities and movies are more regional and less Klieg lit. So who was at Berlinale? Hailee Steinfeld was despite also showing up at US events and London events in the same week (I didn't include her in the lineup because she's been featured so much lately). That girl has probably logged more air miles in the past month than you have all year!

Here's a small sampling of stars.

From left to right: Dominic Cooper had a new film at the festival called The Devil's Double (more on that in a bit). He must weigh 120 lbs. He is always wearing the slimmest most form fitting suits that money can buy and constant cardio workouts can provide; Diane Kruger, still enjoying that post-Basterds boost, was there to push Unknown (#1 at the US box office this weekend); Gabourey Sidibe, who everyone griped would be hard to cast after Precious is doing pretty well for herself, don't you think? In addition to Showtime's The Big C she is in Yelling to the Sky (Zöe Kravitz has the lead role) which premiered in Berlin ; Diane Lane and Josh Brolin were there for the True Grit premiere (Bridges and Steinfeld also attended) looking more doubly attractive than ever, yes?

The other extra special thing about international red carpets is that the European stars get way more attention than they do at US events. And some of them are more than deserving of flashbulbs.

From left to right: Ludivine Sagnier and Sibel Kekilli, two TFE favorites from France and Germany respectively, were at the fest. Ludivine co-stars with Dominic Cooper in The Devil's Double.  Sibel attended the True Grit premiere but she didn't have a film of her own to push this time. However -- GEEKY FREAKOUT ALERT -- I didn't know this but she's playing "Shae", Tyrion's beloved prostitute in HBO's Game of Thrones. Yes; Diane Kruger gets featured twice because everyone knows she's a clotheshorse; German star August Diehl, who shares Inglourious Basterd's best chapter (the one in the cellar) with Kruger and Michael Fassbender, headlines the German film Wer Wenn Nicht Wir (If Not Us, Who) which won the Alfred Bauer, a prize that rewards innovation in films; And finally Spain's Carmen Maura, who we've loved since the late 80s on account of all of those delicious Pedro Almodóvar movies (she's still the reigning champ of his filmography, having starred in 8 to Penélope Cruz's 4.) is part of the star ensemble in Les femmes du 6ème étage.

A Few Movies To Be on the Lookout For
That film of Maura's translates to Women on the 6th Floor but according to Obsessed With Film, who call it "shamelessly enjoyable", it's being called Service Entrance for English markets.  It's about a rich Frenchman who becomes obsessed with Spanish maids living above him in the servants quarters. Maura's delightful Volver daughter Lola Dueñas is also in the cast.

The Cooper/Savignier movie mentioned earlier called The Devil's Double is about a man forced into being the body double for one of Saddam Hussein's sons. Cooper plays both roles, body double and the son of Hussein and he's reportedly great in it though the reviews of the film are not as kind, likening it to Scarface for its Big lurid violent sensationalism. But Ludivine & Dominic? I'm in.

Once I started investigating what played beyond the prize winners, there were too many movies thatsounded interesting, particularly the Bollywood drama about a black widow 7 Khoon Maaf starring Priyanka Chopra as a black widow and Naseerudin Shah (we love him) as the eldest of several of her usually doomed husbands. It turns out, it's playing in NYC right now. There's also a French animated film from the director of Kirikou and the Sorceress (2005) called Les Contes de la Nuit and a new Chen Kaige movie Sacrifice that Variety thinks is a return to form of sorts. So let's just end with an all star Shakespeare that we know you'll eventually have a chance to see.

Ralph Fiennes directs Vanessa Redgrave in Coriolanus

Ralph Fiennes modern dress Shakespearean adaptation Coriolanus, didn't win any prizes but reviews were interesting with Vanessa Redgrave being held up for significant praise. That's no surprise in terms of reviews. Can this film eventually wow Oscar voters? They tend to prefer their Shakespeare in period traditional form but Oscar winner Vanessa Redgrave hasn't been in the mix since (gulp) 1992, so it would sure be nice to see her on the red carpet again if the performance is as wonderful as we hope.

My sadness about this movie pre-viewing is that Linus Roache does not appear. When Fiennes was doing this on stage a decade ago, Linus Roache (Priest, Wings of the Dove, Batman Begins, etcetera) was his much raved about co-star.  I had just moved to New York when they were doing it at BAM and I was so poor I didn't even consider going. Sadness.

Roache belongs to that unfortunate club of Wonderful Actors Who Never Get High Profile Work (at least not since the 90s) and he's been replaced in the film version by Gerard Butler. First he has to settle for Law & Order and now he's dumped for Butler, King of Bad Movies? What a world. What a world.

See also: previous Berlinale post for the jury awarded films

This & That: Working Class Brits, Great Gatsby, Whoopi Goldberg

Advertising Age how Twitter made us care about stupid awards shows again.
Boston Wesley Morris on Oscar snubs and the problem of comedy. It's not serious enough for gold.
Orlando Sentinel really interesting piece about Matt Damon not wanting Steven Soderbegh to retire. Damon still wants to make Liberace with Michael Douglas.

“I’ve talked at length with Steven about it. He is going away for a while, I think. He genuinely wants to paint... But I see it as a waste of this incredible depth of knowledge of filmmaking. But his thing is ‘form. I’m only interested in what I can do with form. I’ve made almost every movie I want to,’ he says. ‘And if I see another over-the-shoulder shot, I’m going to kill myself.’"

Awards Tracker I hadn't read this but Anne Hathaway credits Penélope Cruz's filmography with helping her deal with doing nudity on film. Interesting... though if only she and Jake had lent those magnificent bods to a better movie than Love and Other Drugs.
LA Times Magnolia Pictures bought Lars von Trier's Melancholia. Yay. They did a great job pushing I Am Love last year. Hopefully this will fare better than Antichrist (which IFC bought) which got a ton of press but didn't even crack half a million at the US box office.

Boston Wesley Morris again (sorry, I've become obsessed. I blame Nick.) with a terrific piece on Whoopi Goldberg's reaction to the lack of black talent in the Oscar race and her career since The Color Purple.
BBC British actress Maxine Peake claims class snobbery is at work for Brit actresses. It's something I'd never considered but maybe this will be more clear to British readers? She says

I remember feeling, at drama school, that if you were male and working class you were a bit of a poet, a working class hero. But if you were female, you were just a bit gobby and a bit brassy and common.

Finally, The Hollywood Reporter let's us know that Baz Luhrmann's adaptation of F Scott Fitzgerald's The Great Gatsby will go before the cameras in August in Sydney. Be careful what you wish for people. I am always begging Baz to work again and he chooses an adaptation of my favorite novel that I don't think should be a movie AND he casts three people that I like but that I am not really excited for in these roles AND he shoots it in 3D. Sigh.