Happy 99th to Judy Garland

by Nathaniel R

Next year is Judy Garland's Centennial and if The Film Experience is still running next summer *crosses fingers -- hey why not subscribe to the sidebar on your right ✒︎ * you can bet that we'll do it up big like we did for Bergman and Clift and Winters on their centennials.

In the meantime have you seen any of Judy's pictures outside the holy trinity -- The Wizard of Oz, Meet Me in St Louis, and A Star is Born?

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Almost There: Myrna Loy in "The Best Years of Our Lives"

by Cláudio Alves

The 19th Academy Awards were, in some regard, a celebration of the war's end, a reckoning with its immediate consequences. We can see it in the embrace of European cinema, an industry rising from the ashes, with nods for films like the Italian Neorealist Rome, Open City, and the French poetry of Children of Paradise. American cinema, America itself, was also still reeling from its hard-won victory. The scars were fresh and bloody when William Wyler's The Best Years of Our Lives won the Best Picture Oscar. The production portrays the lives of three military men returning home after the war's end, traumatized and still recovering, adapting back to civilian life. It was the perfect champion for these postwar Oscars.

Nevertheless, not even the picture's awards success could spell away some of its performers' chronic bad luck when it came to movie awards. After decades as one of Hollywood's greatest stars, Myrna Loy still couldn't get herself an Oscar nomination…

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Review: "Infinite" on Paramount+

By Abe Friedtanzer

There are those who believe in reincarnation, the idea that, when people die, they return eventually in another life. If, somehow, those who had lived before were able to recall what they had been through, they might be able to take lessons from it and create a better world. Yet it’s just as likely that, given the opportunity to dwell on centuries or millennia of knowledge about how society functions, many would attempt to exploit or destroy it for their own aims. That’s the setup of Infinite, a film with a bold concept that relies very little on logic to play out its all-too-familiar story.

To explain the premise of this film shouldn’t be all that difficult, but I’m not sure I can offer a coherent breakdown of how it’s all supposed to work. Basically, people called Infinites are able to recall their past lives, but they have to be reminded of everything they’ve experienced before...

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Where has the time gone? "Super 8" is 10 today.

by Nathaniel R

the cast of Super 8

Remember Super 8? The sci-fi adventure was released ten years ago today. It was supposed to be a big Spielberg-size event (he produced it) and establish JJ Abrams as a successor. Things didn't quite work out that way, even though it was a decent-sized hit. Abrams retreated back into other people's franchises (Star Wars) where he'd begun as a film director (Mission Impossible and Star Trek). Super 8 grossed $127 million domestically (and another $100 million plus overseas) making it a success but probably not what Paramount was expecting stateside. Alvin and the Chipmunks: Chipwrecked and The Smurfs both outgrossed it, keeping it outside the top 20 of its year. Still the sci-fi adventure had its fans and people by and large loved the young cast. And who knows. Perhaps it reengineered pop culture's DNA enough that five years later audiences turned Stranger Things into a phenomenon. Both are about a quartet of nerdy young boys, and the girl they're in awe of / a bit scared by, dealing with otherwordly forces in the Midwest. They're even set just four years apart Super 8 in 1979 and Stranger Things begins in 1983. 

Super 8 is streaming on Paramount+ at the moment. We didn't have time to rewatch the whole movie though we skimmed to refresh the memory. Elle's "acting" debut in the movie within the movie is still a terrifically explosive scene. Anyway, we thought it might be interesting to see how the cast is faring today in their mid-twenties. Let's take them in billing order...

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Doc Corner: 'Summer of Soul' opens Sheffield DocFest

Sheffield DocFest runs from June 3-14. There are virtual selections available at their website. This is their opening night film.

by Glenn Dunks

“The Black Woodstock” goes the elevator pitch for Summer of Soul (…Or When the Revolution Could Not Be Televised), a high-spirited documentary about the Harlem Cultural Festival of 1969. “The Black Woodstock” was also the last-ditch effort of a title given by Hal Tulchin to a film he had made about the festival as he attempted to sell it to distributors and networks that had repeatedly turned it down even in the wake of the Oscar-winning success of Woodstock. Nobody wanted Tulchin’s film, which is a ridiculous idea in hindsight. Of course, it is hardly a surprising one for all the reasons you would expect.

Tulchin passed away in 2017 at age 90 and so never got to see Summer of Soul, the final product that has been directed by Ahmir-Khalib Thompson (aka Questlove). That is a shame. I suspect he would have loved it...

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