Emmy FYC: The directing of “The Handmaid’s Tale”

by Juan Carlos Ojano

It’s probably an odd thing to say that I love The Handmaid’s Tale so much, given how challenging it can be for its audience. I even wonder why I love it sometimes. There is never an episode of the show that can be considered easy. And yet, there is also something deeply cathartic about watching its main character June (Elisabeth Moss) as well as the other characters survive, persevere, and even fight the institutionalized misogyny in the Republic of Gilead.

One thing that I always go back to is the top-notch filmmaking in the show...

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1946: Margaret Rutherford in "Blithe Spirit"

Each month before the Supporting Actress Smackdown, Nick Taylor suggests alternatives to the actual Oscar nomination ballot.

by Nick Taylor

For me, Dame Margaret Rutherford sits alongside the likes of Judi Dench and Edith Evans and (insert your favorite British actress/Mark Rylance here) as quintessential examples of British thespians transitioning to remarkably rewarding screen careers later in life, long after establishing their bonafides onstage. What’s recognizable about their screen presences is seemingly integral to every role, though they’re rangier in affect and character-building than one might give them credit for. They almost always deliver, and even when they don't, there's still enough happening in their work for a desperate viewer to latch onto. It takes talent for Rutherford to be compelling enough in The VIPs that you wonder if her performance deserves to be in a better film instead of scraped with the rest of the heap.

It’s also worth noting for the context of Blithe Spirit that Noël Coward wrote the role of Madame Arcati specifically with Rutherford in mind...

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Juneteenth is finally an official US holiday. Will we get more movies about it?

Following recent voting in Congress, Juneteenth is finally a federal holiday. It's been too long in coming. And speaking of since this is a film site ... Have you caught up with last year's Miss Juneteenth yet? It's so good and Nicole Beharie is just perfect in the leading role, as a former beauty queen who has to learn to let go of trying to strictly mold her daughter into a new version of herself. She won the Gotham Award and was a medalist here at TFE as well. For our money she was better than the bulk of Oscar's acting nominees last season...

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Tweetweek Tussauds

In an effort to love Twitter again, despite its toxicity, we must savor Tweets that are enjoyable and share them. After the jump Mandy Patinkin, Liza Minnelli, In the Heights, Mare of Easttown, and more... 

jean smart played her own wax replica in hacks? emmy NOW pic.twitter.com/C6bpg35ca3

— character actress georgie rae (@georgie_rae_) June 15, 2021

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Why I love Bo Burnham's "Inside"

by Cláudio Alves

In 2016, Bo Burnham announced he was quitting live comedy. The artist, whose career started on Youtube, attributed the decision to a series of panic attacks he'd had while on stage during the tour of his latest show. When transforming said show, Make Happy, into a Netflix special, Burnham built the ending to resonate with a sense of finality that went beyond the end of the stand-up act. The smirking meta-performance reaches its zenith with a parody of a Kanye West rant, interrupted midway through by unexpected sincerity, a confession of the comedian's anxieties. After saying he hopes the audience is happy, he leaves, and the camera follows. Not backstage, but into Burnham's home, a nondescript white room with a lonely keyboard. The special ends with the instrument left behind after one last song, the funny man exiting through the door on the corner. He goes out of the shot, out of the show, out of his life as a comedian.

Five years later, after redirecting his attention to cinema both as a writer, director, and actor, Bo Burnham is back in that room. He's alone, performing once more. Like most of us, for the better part of 2020, he's Inside…

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