2000: The Top Ten Best Lines From "Erin Brockovich"

In preparation for the next Smackdown Team Experience is traveling back to 2000.

This is a place for legends only - (from left to right) Conchata Farrell, Julia Roberts, Albert Finney.

by Christopher James

The old saying “They don’t make them like they used to” is both tired and true. You won’t find another movie as quotable and inspiring as Erin Brockovich. Steven Soderbergh’s 2000 drama was the truest definition of a four-quadrant hit if there ever was one. Julia Roberts starred in the titular role as a blue-collar single mother who ends up taking on PG&E for poisoning the town of HInkley, California. Roberts deservedly won the Best Actress Oscar for her work in the movie, which perfectly uses her gifts as a movie star, rom-com Queen and dramatic actor.

Even more miraculous than the central performance is Susannah Grant’s incredible screenplay. It was nominated for Best Original Screenplay, losing to Almost Famous. Not only does she make a two hour plus procedural about water contamination feel riveting at every turn, she also makes it funny. Erin Brockovich is loaded with one liners that are guaranteed to make you laugh, cheer or cry. The movie works every one of your emotions, without every feeling manipulating or tonally inconsistent.  Relive the 10 best lines from the classic film after the jump...

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Linkpool

• Coming Soon Mrs Harris Goes to Paris, starring Lesley Manville will be opening March 2022
• NME the first images of Lily James & Sebastian Stan as Pam & Tommy in a new limited series about the romance of rocker Tommy Lee and actress/model Pamela Anderson
• Vulture an oral history of Madonna's groundbreaking Truth or Dare, thirty years later

More after the jump including The Mitchells vs Machine popularity, new projects for Lewis Tan, Jamie Bell, Hilary Swank, and a book about uber depressing animated classic Grave of the Fireflies...

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On the Globes cancellation

You probably heard the news today that NBC has cancelled the Golden Globes for January 2022. The past couple of days have been a flurry of stars and distributors and PR firms condemning the Globes and boycotting them. Or 'stepping back from' to use Scarlett Johansson's gentler euphemism. But we find the timing of this sudden wave of condemnation to be suspicious and more than a little hypocritical of the industry given their own ethics problems and systemic racism and sexism. First and foremost, it's all happening three whole months after the Golden Globes exposé in the Los Angeles Times which touched a nerve with its revelation that the organization, which is made up of 87 people, had no black members. (Exacerbating that particular problem -- though nobody likes to try to understand structural problems as it's easier to simply condemn and move on -- is that they only allow one member to represent each "foreign" country and many aren't as diverse as the US; that 'per country' rule, at least, will have to go.)

Did Hollywood rise up against the Globes after that expose? Nope. They went right on courting their favor until awards season had entirely played itself out! There were awards to be won and films and tv shows to promote. No stars boycotted the ceremony and neither did any studios. But now, everyone is in the clear for another year. Distributors don't have to think about campaigning for awards or promoting their films and television shows in that particular way for a while now...

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King McQueen On Every Screen

by Jason Adams

Steve McQueen, the man who directed five, count 'em, five of last year's best films with his Small Axe series, is about to confound everybody fixated on old-fashioned definitions of Art all over again with a new three-part thingamajig for the BBC called Uprising.  THR is calling it a "docuseries" and this one, on paper, does admittedly sound more like a proper old-fashioned series than the Small Axe anthology ended up seeming (to me). We'll  wait and see how McQueen confounds our expectations, since he does always love to do that, and to stunning effect. And hey if awards voting bodies can't keep up with where and how the art is happening that's their fault, not the artists.

Uprising will focus in closer on the 1981 events that formed the backdrop of Axe's fourth chapter "Alex Wheatle" -- namely the New Cross Fire which killed 13 young people, and the Black People's Day of Action and then the Brixton Riots which followed right on its heels. It's not entirely clear if this will be entirely a documentary -- McQueen's quoted as saying it will be drawn from "testimonials" of the people involved -- or if there will be a hybrid project with a fictionalized mix of recreations. Not that McQueen needs help but I'm hoping he draws some inspiration from Raoul Peck's recent HBO series Exterminate All the Brutes, which threw absolutely everything at us all at once and blew my socks straight off in the process.

2000: "The Contender" and Three Varying Oscar Journeys

In preparation for the next Smackdown Team Experience is traveling back to 2000.

By Ben Miller

Revisiting Rod Lurie’s The Contender, the three primary performances of Joan Allen, Jeff Bridges and Gary Oldman still pop off the screen.  All three had been critically lauded before the political drama and earned rave reviews for their performances.  Oddly, the film serves as the unintentional catalyst for the Oscar trajectory of all three actors.  In the next 20 years, two would win Oscars, while the other has yet to be nominated again...

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