Doc Corner: Crime and (in)Justice in America at DOC NYC

By Glenn Dunks

In our final report from this year’s virtual DOC NYC festival, we’re looking at films about crime and (in)justice. Make sure to check out our reviews of three festival titles that are also competing for Best International Feature as well as The Day After making of doc, Television Event, all of which are highly recommended.

A Cops and Robbers Story

I don’t know if you’ve noticed, but themes of crime and (often in)justice have been popular in documentary lately. Maybe we can consider it an artform’s attempt to counteract the many, many years of not just racial discrimination by the police, the law, and American society more broadly, but the silence and misinformation that has come with it...

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One Score and Five Years Ago: Revisiting "The American President" at 25

by Josh Bierman

As we are only 62 days away from a new, brighter era in the White House, now is the perfect time to revisit the Rob Reiner/Aaron Sorkin classic, The American President which is celebrating its 25th birthday this week. Back when it was released, Joe Biden was still a senator from Delaware and Tronald Dump had declared a loss of $915.7 million on his tax returns. I don’t want to make this piece a reflection on the Dump years through the lens of The American President, but as we’ve found in the years since Dump took that fateful ride down a golden escalator, it’s hard to avoid him when watching something overtly political. Or is that just me?

Let’s take it back a little bit. If you haven’t seen The American President since Hillary was just a First Lady, allow me to give a refresher. President Andrew Shepherd (Michael Douglas) is in his first term with high approval ratings, poised to cruise to a reelection victory. Enter Sydney Ellen Wade (Annette Bening), an environmental lobbyist, who catches the widowed president’s eye. But the president’s popularity and reelection chances begin to wane due to their courtship...

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The Furniture: "À Nous la Liberté" and Freedom from Industrial Design

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

Once upon a time, the Oscars were in November! Well, thrice upon a time. The 3rd, 4th and 5th Academy Awards were held in the fall - the last of them on November 18th, 1932. Nathaniel covreed the biggest piece of trivia from that night earlier this morning. But there were also a few firsts, including the debut of the short film categories and the first-ever foreign-language nominee. René Clair’s À nous la liberté was nominated for Best Art Direction, an award it lost to a cruise ship comedy called Transatlantic.

But it’s Clair and art director Lazare Meerson who have the last laugh, as their losing film is now largely regarded as a classic and Transatlantic barely has a Wikipedia page. A nous la liberte is a charming little oddity, a musical comedy about the alienation inherent in modern industry. It opens in a prison, where cellmates Émile (Henri Marchand) and Louis (Raymond Cordy) are at work hand-carving toy horses. The cavernous space evokes the ominous architecture of the modern prison, its high balconies a reminder of constant surveillance...

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Showbiz History: Grand Hotel's win, Robert Pattinson's Debut, Delroy Lindo's first Spike Lee joint

7 random things that happened on this day, November 18th, in showbiz history...

1932 The fifth annual Academy Awards are held at the Ambassador hotel honoring the films released between August 1931 and July 1932. Grand Hotel wins Best Picture. It's the only Best Picture ever to win the top prize that was only nominated for that one Oscar and won of only three top winners to win only one statue (the others were Broadway Melody at the 2nd annual Oscars and Mutiny on the Bounty at the 8th Oscars). As we've said multiple times, it's too bad there weren't supporting Oscars back then because Joan Crawford sure was more than worthy in the all star ensemble. The only film to win multiple Oscars that night was the pre-code relationship drama Bad Girl which took Best Director and Best Adapted Screenplay. (The next ceremony would have a long eligibility period because Oscar wanted to move to the full January to December calendar year system)...

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HollyShorts 3. The 2020 Oscar-Qualifying Winners

by Nathaniel R

This is the first year The Film Experience has covered the HollyShorts Film Festival. We intended to do more but you know how it is with time. It flies! For the final piece, I thought I'd review a few of the winners. The Complete Winners List from the festival is presented in alphabetical order with capsule reviews of three Oscar qualifiers and a few more for good measure...

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