Peyton Place.... Never Forget!

by Nathaniel R

Three afterthoughts about the 1957 Smackdown.

1. The reader ballots were quite interestingly divided though they were sparser than usual  - are we doing too many Smackdowns or is it just that the films were harder to find this time?  I was shocked to see that TFE readers who had seen The Bachelor Party weren't particularly fond of Carolyn Jones who, in my estimation, was the best of the nominees. Overall it was the lowest rated field of nominees I've ever seen for reader polling.

2. My own ballot for '57 would go like so...

• Marlene Dietrich, Witness for the Prosecution
• Carolyn Jones, The Bachelor Party
• Elsa Lanchester, Witness for the Prosecution
• Kay Thompson, Funny Face
• Isuzu Yamada, Throne of Blood

Though I reserve the right to ditch Lanchester and/or Thompson should I see something better. The speed of this summer's Smackdown schedule has made catching up or revisiting 'extra' films impossible. I definitely need to see Ruby Dee in Edge of the City as Nick suggested we all do. If you missed the 1957 podcast, it's right here at the bottom of this post for you listening pleasure or you can head to iTunes.

3. What was your 1957 takeaway? Mine was that I could probably watch Peyton Place again right this minute. It's not, maybe "good", but it's sooo watchable. And that ad campaign is a particular kitsch pleasure that I can't stop staring at.

Smackdown '57

Emmy FYC: "Mrs. America" for Best Period Costume Design

by Cláudio Alves

The voting period for the Emmy nominations is coming to an end. It's true that, now, a FYC may feel a bit late, but I can't let go of the opportunity to shine a light on one of the most impressive achievements in recent television. While I love to explore the marvels of acting, costume design will forever be my main passion when talking about the performing arts. The Emmys are particularly interesting when it comes to the honoring of costume excellence since, unlike the Oscars, they have categories separating Period, Contemporary and Fantasy designs, not to mention separate prizes for live specials. In theory, that makes it somewhat easier for great costuming to be honored but that's not always the case, especially when the clothes being considered are more subtle than showy. Sometimes, sheer flashiness can blind people, and subtler creations are left unrewarded. 

Hopefully, such an unjust fate won't happen to the wondrous Mrs. America…

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Sessue Hayakawa: From sex symbol to Oscar nominee

We've been celebrating 1957 for a couple of weeks. Here's one more from Cláudio Alves

In 1957, Miyoshi Umeki became the first and only Asian woman to win an acting Oscar. However, the Best Supporting Actress champion wasn't the only Japanese performer to score an Academy Award nomination that year. Sessue Hayakawa, who played the ruthless Colonel Saito in the Best Picture winner The Bridge on the River Kwai, became the first male actor of Japanese descent to be nominated by the Academy. Unlike Umeki, who had less than a decade of experience in show business by the time she achieved Oscar glory, Hayakawa had a long history with Tinsel Town. Many decades before his nomination, when the American film industry was creating itself and Silent Cinema was entertainment for the masses, Sessue Hayakawa had been one of the first sex symbols… 

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Yul Brynner Centennial: "The Ten Commandments"

by Eric Blume

Back in the day, Cecil B. DeMille’s epic The Ten Commandments received an annual Easter airing in network prime-time, much the way The Wizard of Oz and other family classics would be broadcast annually with much fanfare, delivering consistently high ratings each year (remember:  only three network options!).  I feel like I saw The10Cs multiple times when I was a little kid, each year mesmerized by its massive sweep, colossal size, and amazing special effects.

Revisiting the film for the first time as an adult, in honor of Yul Brynner’s Centennial, wowza is it a howler...

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Smackdown '57: Sayonara, Peyton Place, and Witness for the Prosecution

In the Supporting Actress Smackdown series we take a particular Oscar vintage and explore it with a panel of artists and journalists. This time we're talking 1957

THE ACTRESSES & CHARACTERS
In 1957 Oscar voters were in the mood for fresh faces. Four rising stars (Hope Lange, Carolyn Jones, Miyoshi Umeki, and Diane Varsi) were honored along with one Old Hollywood mainstay, the Bride of Frankenstein herself (Elsa Lanchester). The shortlisted characters were a counter culture partygoer, an exasperated nurse, a Japanese newlywed, and two 18 year-old besties in a small town with both love and grief on their minds.

THE PANELISTS
Here to talk about these performances and movies are filmmaker Q Allan Brocka, theater and film critic Kenji Fujishima, Be Kind Reward's Izzy, film critic Kimberly Pierce, writer/ director/ archivist Brett Wood and your host Nathaniel R. Let's begin...

1957
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

 

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