20 Underrated Actresses as Emmy Contenders

By Abe Fried-Tanzer

There are over 1,200 actresses on the Emmy ballots across all of the various categories. More contenders mean more deserving potential nominees, and I want to spotlight some of the best female performances I saw this past season. We’ll assume that, though a nomination isn’t by any means guaranteed for any of them, moderately high-profile names like Shira Haas (Unorthodox), Rhea Seehorn (Better Call Saul), and Gugu Mbatha-Raw (The Morning Show) don’t need the boost even though they should certainly have their work honored. Here are 20 performances you may not have noticed (and where to watch them) that are absolutely worthy of thinking about while filling out those Emmy ballots...

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What's on your cinematic (or streaming) mind?

Without an ongoing movie culture these days to keep us busy we imagine everyone's thoughts are all over the place. So what movies or television shows are YOU thinking of today? My mind was hopping around between You Can Count on Me (2000), Where is Kyra (2018), Whatever Happened to Baby Jane? (1962) and Never Have I Ever (2020) today. 

Hepburn, Givenchy and "Funny Face": A Match Made in Heaven

by Cláudio Alves

Throughout the histories of cinema and fashion, there has seldom existed a more glorious collaboration than that of Audrey Hepburn and Hubert de Givenchy. The English actress and the French couturier first worked together in the 1954 movie Sabrina, a costuming masterpiece whose iconic fashions and contentious crediting have been previously written about at The Film Experience by abstew. After his uncredited contribution to that Billy Wilder classic, Givenchy would go on to dress Hepburn on and off-screen many more times, though he always got the credit he deserved after the Sabrina kerfuffle.

That was wise of him since, in 1957, he received an Academy-Award nomination for what is one of Audrey Hepburn's most stylish screen adventures, the indelible Funny Face… 

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The Furniture: Yul Brynner Blows Up a Bridge

Daniel Walber's series on Production Design. Click on the images to see them in magnified detail.

Yul Brynner, who were celebrating this week for his centennial, was in a lot of very expensive movies. His biggest year was 1956, with The King & I, Anastasia and The Ten Commandments - a combined budget of over $20 million. But there were plenty to follow. Studios saw Brynner as a generic racial and ethnic “other,” which got him cast in all sorts of bloated historical, international, orientalist pictures. Which also means, of course, that many of his movies are entirely worthy of consignment to the dustbin of Hollywood history.

Intriguingly, though, he did occasionally work beyond Hollywood. In the late 1960s he joined Orson Welles, Sergei Bondarchuk, Franco Nero and Curd Jürgens in Yugoslavia for The Battle of Neretva. A World War Two Partisan film directed by Veljko Bulajić, a Partisan veteran himself, it ranks as the most expensive production in the history of Yugoslavia - and potentially in Brynner’s career, as some estimates push it into Ten Commandments territory...

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Horror Actressing: Eva Green in "Dark Shadows"

by Jason Adams

I don't think before today that I've written of a terrific performance trapped inside a truly terrible movie for our "Great Moments in Horror Actressing" series. (No Frankenhooker is actually a terrific movie, don't you dare.) But we do what we have to in order to bow down to a stellar queen like Eva Green here on the occasion of her 40th birthday, and unfortunately for me that meant suffering through for a second time Tim Burton's 2012 big-screen flop of a reboot of the Dark Shadows television soap opera. Oh the exquisite agony, but she really is that good...

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