Tuesday, July 7, 2020 at 4:13PM by Nathaniel R
Given the disarray of the 2020 movie calendar we definitely weren't expecting Sony Pictures Classics to begin promoting French Exit today. But they posted the photo above along with this cursive promise...
Tuesday, July 7, 2020 at 2:00PM 
The best genre parodies are so full of affection for their targets that they can’t help but make a superior example of the very thing they aim to satirize. It can be fun to throw tomatoes at a genre’s contrivances and cliches from the outside, but titles such as Young Frankenstein or Down With Love circumvent your ironic detachment to provide the far more satisfying experience of playing with these tropes from inside a story you care about.
This kind of rare pleasure is one of the reasons Shane Black’s crime caper comedy Kiss Kiss Bang Bang has amassed the following it has since it underperformed in theaters back in 2005. Black’s film actually does double satirical duty, lampooning both the world of Raymond Chandler-esque noir and the world of the hyper-masculine, wise-ass body cop action movies of the 80’s and 90’s, a subcategory Black helped to inflate to absurd levels as the big gun screenwriter behind films like Lethal Weapon and The Last Boy Scout...
Tuesday, July 7, 2020 at 10:30AM 
In 1957, the Italian actress Anna Magnani received her second and final Oscar nomination. She had won the Best Actress prize two years before thanks to her first Hollywood movie, the adaptation of Tennessee Williams' The Rose Tattoo, in which she gives a volcanic performance that's still considered, by many, as one of the best winners in the category's history. Still, despite such a glorious start, her career in American pictures was short-lived, encompassing only four films made between 1955 and 1969.
On one hand, Hollywood's mistreatment of a great actress is heartbreaking. On the other, Magnani's tenure in the American film industry feels right for her legacy, reflecting how one of a kind she was and how this acting titan resisted any and all attempts of assimilating her into the model of traditional stardom…
Tuesday, July 7, 2020 at 8:00AM by Nathaniel R
"Normal People" animation by Nadia Hazzahrah
Though I thought about sharing my personal Emmy ballot I realized I would have to abstain since I haven't seen some of the key series that many feel are deserving. This is not true of the limited series category where I have seen enough to have passionate favourites and others I do not care for (sorry Little Fires Everywhere and Hollywood). My ballot would read like so:
So for this week's Curio let's look at fan art for the two shows from that ballot that we're most worried about Emmy voters skipping...
Monday, July 6, 2020 at 8:00PM by Nathaniel R
Confession, dear reader. Two decades of writing about movies later I still feel ill-equipped to write about one of the largest tools in the filmmaking arsenal: scoring. Ennio Morricone once described music as "energy, space, and time" which is a broad and huge and cosmic enough description to explain away how overwhelming a task it is to write about... especially to those of us who are more visually attuned. As you've undoubtedly heard, Morricone, by all accounts of the all time great composers, has passed away at the age of 91 after a fall which hospitalized him. In the course of his spectacular career, which stretches across six decades of cinema, he helped defined an entire genre (the spaghetti western), and composed the scores for over three hundred movies as well as an alarming number of TV shows on the side.
His six Oscar nominations (Days of Heaven, The Mission, The Untouchables, Bugsy, Malena, The Hateful Eight) and two Oscars (one of them an Honorary) don't even begin to cover what he gave to the cinema. He was beloved by auteurs as is amply evident in his filmography. Some of his most famous films and scores outside of those Oscar-honored works include The Good The Bad and the Ugly, La Cage Aux Folles, Lady of the Camelias, Once Upon a Time in America, Inglorious Basterds, Wolf, Tie Me Up! Tie Me Down!, For a Few Dollars More, Investigation of a Citizen Above Suspicion, and Cinema Paradiso. Do you have a favourite score from that illustrious body of work?
Morricone is survived by his wife of 63 years, Maria Travia, and their four children. He will be missed but his legacy has long since been immortalized.
