The Oscar Race Plot Keeps Thickening... or is it Thinning?

by Nathaniel R

For those of you who are wondering why the Oscar charts are still not updated, here's a simple fact. Every time I go to work on them, something huge changes and I have to start over. I'm fully aware that other pundits keep making breathless pronouncements of what will actually WIN the Oscars but I just can't do that. We STILL have no real sense of what will actually open since Hollywood keeps clearing and resetting the chess board. The latest upheaval is that West Side Story, Steven Spielberg's remake of the Oscar-winning classic that didn't need to be remade, has moved back an entire year to December 2021. So now both of the big latinx musicals that were originally intended for 2020 have just essentially scrawled a one over the final zero on their original calendars with The Heights in summer 2021 and West Side Story for Christmas 2021...

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Doc Corner: 'The Way I See It'

By Glenn Dunks

If 2020 has taught us anything, it is that the grand ideal of America is a lie. It may then seem like the right time for a film such as The Way I See It, which appeals to the country’s more idealised image of itself through the (figurative and literal) lens of the man who was there to witness first hand one of its most historic moments. And yet watching Dawn Porter’s film is a bit like watching a fantasy film. All the money in the world may be able to create the most realistic dragons and wizardry, but it’s a total lie. This film is a fallacy of American idealism invented in the daylight among the most vile and hateful bigotry. Do I sound pessimistic? Well, I am.

If Porter’s film, as subtle as a sledgehammer, attempts to immortalize this myth of democratic optimism and goodness then she needn’t have bothered...

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New Fest Lineup!

by Nathaniel R

 Paul Bettany is "Uncle Frank" in a road trip film from Alan Ball
New York City's leading queer film festival is now in its 32nd year. And this year you don't even need to be in NYC to attend since they've gone virtual...

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The Furniture: The frozen escape of "Doctor Zhivago"

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

Ten movies were nominated for Best Production Design at the 1965 Oscars, one of the last years before the Academy retired separate categories for color and black & white. There are some striking examples on the list, from the bloated (The Agony & the Ecstasy, Ship of Fools) to the bizarre (Inside Daisy Clover). But when you come down to it, there’s really no looking past Doctor Zhivago.

This was David Lean’s second consecutive film to win the category, after Lawrence of Arabia three years earlier. While their visual scope is similar, the two films actually have very different preoccupations. Lawrence of Arabia is about a man determined to shape history. Doctor Zhivago is about a man trying to escape it. Understanding the difference helps us understand the design.

We begin on the eve of the Russian Revolution, a moment of great social contrasts...

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Introducing the Smackdown Panel for '65

Are you ready for the the penultimate episode of this super-sized Supporting Actress Smackdown season? Up next 1965. The Nominees Were: Ruth Gordon (Inside Daisy Clover),  Joyce Redman AND Maggie Smith (Othello), Shelley Winters (A Patch of Blue) and Peggy Wood (The Sound of Music).  Once you've watched that quartet of films, send in your ballots with "1965" in the subject line and a 1 (poor) to 5 (perfection) rating for each of the five performances. You're the collective final vote. Let's meet your fellow panelists, shall we?

PLEASE WELCOME...   

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