Oscar Horrors: The Uninvited
Boo! It's "Oscar Horrors". Each evening we look back on a horror-connected nomination until Halloween. Here's Tim Brayton on a '40s ghost story...
The Uninvited (1944) is a rarity among 1940s horror films twice over. For one thing, it's one of the vanishingly tiny number of genre films from that decade to receive Oscar attention, nabbing a Best Cinematography nomination – which is why we're here now, of course. For the other, it's one of the almost-as-tiny number of American horror films of its generation that actually commits to the paranormal. For years, stretching back into the 1930s, almost any time you saw a Hollywood film set in a haunted house, it was an easy bet that by the end of the last reel, you'd find out it was just an elaborate ruse by jewel thieves or some other damn thing. Not so for The Uninvited! Its ghost is real, and presents a genuine danger.
The film's readiness to tell an old-fashioned ghost story without apology or restraint is undoubtedly connected to the recognition given to Charles Lang's deeply shadow-soaked cinematography.