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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Demme (RIP) and His Players

"Yes, Demme was special. So much energy, tension and subversive fun." - Edward

"Demme had great range I specially liked his comedies like Something Wild" - Jaragon

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Entries in Westworld (9)

Monday
Mar062017

Saturn Award Nominations: Rogue One... and Hidden Figures?

The Saturn Awards were created over 40 years go to honor the then generally dishonored genres of sci-fi fantasy and horror. Whether they're still needed in a pop culture climate that veritably worships these things is up for debate. But even if they are -- and its certainly true that genre shows and films are still considered poor cousins to more respectable "drama" and "biopics" when it comes to mainstream awards --  are the Saturn Awards the ones to do it?

Now in their 43rd year, they seem to have lost the thread a little. They have so many categories it feels like they're eager to displace the Grammys, Satellites, or BFCA for "MOST!" and in addition to the ridiculous amounts of categories, they have 6 to 8 nominees per category which negates the need to have much in the way of discernment as to what constitutes "best". The problem in a nutshell: It's great to have an awards group that can say "Captain America: Civil War is superb" with a straight face, but when they also hold up Batman v Superman for the same honor, it kind of kills the impact.

Rogue One leads the nominees with 11 nominations. All 41 categories and more commentary after the jump... 

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Monday
Feb202017

Guilds-a-palooza: More honors for La La Land, Moonlight, Arrival, and... Suicide Squad

Barry Jenkins (Moonlight) and Eric Heisserer (Arrival) each won a WGA last night. But they're in the same category at the Oscars.

Last night's Writers Guild Awards were a good sign that Moonlight will take Adapted Screenplay. Competing in Original with WGA (Oscar's writing branch put it in adapted) it blocked La La Land or Manchester from taking that prize. With less fearsome competition at the Oscars it should be able to win... although to do that it will have to fend off the surging Lion and the well regarded Arrival which took home the WGA prize for Adapted and is up for the same prize at the Oscars.

Extensive writing and makeup guild honors after the jump...

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Sunday
Jan292017

Producers Guild and ACE Eddie Awards Crown "La La Land"

La La Land may officially be unbeatable, 28 days from now when the envelopes are opened on Hollywood's High Holy Night. It's currently the top grossing Best Picture nominee this year (though Hidden Figures is right on its tail) and last night it took the Producers Guild prize for feature film. That award doesn't always correlate to the Best Picture prize but it does more often than not. The musical also won the ACE Eddie Award. The momentum is there for La La Land to at least do a mini-sweep of the Oscars. The question is "how many trophies can it win?"

Full list of prizes from the Editors and Producers Guild as well as pretty gowns from the attending actresses after the jump...

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Wednesday
Dec142016

SAG Nomination Surprises: Emily Blunt, Captain Fantastic, and More

As we've noted several times in the past, SAG nominations are often among the most surprising for two reasons. First, the nominating committee changes each year, drawn randomly from the Screen Actor's Guild enormous body of dues paying members. Second, because the members are randomly selected and (presumably) spread out more geographically than the easier to target Academy and Globe members, their nominations can often feel like they were voted on earlier and that's the case this year with more summer films nominated than other awards bodies went with. 

The nominees with commentary are after the jump...

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Monday
Dec122016

Team Experience: Favorite Globe Nods  

We bitched and moaned about WTF snubs and inclusions earlier so now it's time to turn those frowns upside down. We polled Team Experience about their favorite Globe nominations in movies and tv and we hope you'll answer the same questions in the comments! Ready? Here we go...

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Sunday
Oct162016

A Conversation About "Westworld" - Part 2

A conversation between Lynn Lee and Kieran Scarlett. At the end of Part 1 of the discussion, Lynn left us to wonder just how long "Westworld" can keep this story going. We pick up where we left off.

Warning: Spoilers Ahead

Kieran:  That’s an excellent point about Marsden and Wood’s performances that I hadn’t considered. I did think Wood was much more compelling in the second episode than she was in the pilot. I found myself adjusting to the tonal rhythms of her performance, which are quite specific. I appreciate that there isn’t a rigid uniformity to how the actors portray AIs. Each has their own texture and we’re not just watching actors play mindless automatons, which would have been so boring. That we get insight into their creators and programmers based on how each AI behaves is also an intriguing facet to the performances that I suspect will be explored more fully as the series progresses.

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Saturday
Oct152016

A Conversation About "Westworld" - Part 1

This week, Team Experience members Lynn Lee and Kieran Scarlett have tackled the first two episodes of new HBO sci-fi drama, "Westworld," which has captured the interest, fascination (or ire, depending on who you talk to) of audiences. Here's Part 1 of the 2 part discussion...

Warning: Spoilers Ahead


KIERAN: Watching the “Westworld” pilot and then the second episode, my immediate reaction—even in thinking that the pilot was relatively strong and an intriguing opening statement to the show—was that these two episodes should be reversed.   I might even go so far as to say that the pilot, with all of its beautifully creepy, world-establishing glory (more on this later) is missable when held up against the power (both narratively and stylistically) of the second episode...

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