SXSW: Kiersey Clemons captivates in ‘The Young Wife’

by Abe Friedtanzer

Kiersey Clemons is a superb talent who has proven her ability in films like Hearts Beat Loud and Asking for It. She is once again magnetic in writer-director Tayarisha Poe’s follow-up to Selah and the Spades as a bride that no one seems to truly notice or care about being happy. The Young Wife isn’t nearly as depressing or foreboding as another miserable wedding movie, Melancholia, but there’s still a sense something could go seriously wrong at any moment, and only its title character would notice.

Onscreen text invites audiences to the party - it’s not a wedding - of Celestina (Clemons) and River (Leon Bridges). A horde of people descend on Celestina’s home, each arriving with their own energy and distinctly ignoring the vibe she’d like to have on her big day...

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Streaming: Keira Knightley in "The Boston Strangler"

by Matt St Clair

Dynamic of an actress as she may be, Keira Knightley remains quite stuck in the past. As she brilliantly makes each role she plays her own, she consistently transports us into different time periods whether it’s WWII (Atonement, The Aftermath), 5th century AD (King Arthur), or 18th century England (The Duchess). This time around, Knightley is taken to the early 1960s in Boston Strangler, the new journalism crime drama written and directed by Matt Ruskin (Crown Heights)... 

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SXSW: Probing Identity in "Bloody Hell"

by Abe Friedtanzer

From the sound of its title, you might think that Bloody Hell is a violent horror film. But in fact it’s a mostly (and significantly) blood-free exploration of what it’s like to be a teenager that doesn’t quite fit in. It’s described as a “traumedy” about a sixteen-year-old girl shaken by the news of a reproductive condition that will play heavily into both her sex life and her potential to become a future mother... 

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SXSW: The High Cost of Insulin in ‘Pay or Die’

By Abe Friedtanzer

It should surprise virtually no one that there are tremendous issues with the healthcare system in the United States today, and that pharmaceutical and insurance companies are a big part of those problems. The award-winning limited series Dopesick showed just how detrimental the prescription of excessively powerful drugs can be. A new documentary premiering at SXSW, Pay or Die, looks at another side of the coin: the exorbitant cost of medication necessary to a person’s survival and the dire consequences of falling short…

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Review: "80 For Brady" is a winning comedy

by Matt St Clair

Good timing! 80 For Brady is opening the week before the Super Bowl but it's also opening in the thick of Oscar season, the Super Bowl for movie lovers.  Making it feel yet more timely is the fact that its main quartet consists entirely of actresses with Oscar pedigree. As unlikely as it is that this’ll make any dent next year at this time, 80 For Brady is still a winning comedy...

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