Sundance: A Futuristic Parenting Comedy in ‘The Pod Generation’

By Abe Friedtanzer

Just how far are we from being able to manufacture babies without a woman actually having to be pregnant? According to Sophie Barthes, the writer and director of The Pod Generation, she conceived her film as science fiction but it should now be considered closer to documentary, given medical and technological advances that make its events feel not nearly as distant as they once did. The way in which she presents a couple deciding to have a baby leans decidedly towards the humorous, sending up the way society portrays pregnancy, motherhood, attachment, and much more.

In the near future, Rachel (Emilia Clarke) is a successful employee at a major tech company, and learns that, along with a promotion, she’s also eligible for a large subsidy for the Womb Project, which enables parents to grow a baby in a pod...

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Sundance: Family Drama ‘A Little Prayer’ Features a Standout Jane Levy

By Abe Friedtanzer

 

It’s common for films to explore parent-child relationships, but not as often are they about the dynamic between a parent and his child’s spouse, particularly if said child is still alive and around. In that way, A Little Prayer is an odd specimen, since its primary characters are Bill (David Stathairn), a veteran who runs a business with his son David (Will Pullen), and his daughter-in-law, David’s wife Tammy (Jane Levy), who may just be the most selfless, accommodating person in the world…

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Sundance: A24’s Very Hyped ‘All Dirt Roads Taste of Salt’

By Abe Friedtanzer

A24 is known for taking leaps of faith on many of their projects. Their films aren't necessarily for everyone, but there’s something unique about most of them. That’s most definitely the case with All Dirt Roads Taste of Salt, a drama that makes no effort to present its events in chronological order. In between any given screening at Sundance, all anyone is talking about is how incredible this film is. Whether or not future audiences have a similar response \will be dependent on their ability to appreciate its glacial pace and its unconventional approach to storytelling, one that reminds very much of Terrence Malick, which is not a light statement…

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Sundance: ‘Fremont’ is an endearing immigrant journey

By Abe Friedtanzer

 

There are many stories about the immigrant experience and people struggling to fit into a new life. Fremont, which makes its debut in the NEXT category spotlighting innovative cinema at Sundance, comes as a refreshing spin on that familiar genre. It manages to be both funny and worthwhile as it empowers its protagonist to express herself and attempt to take charge of her situation when she’s not set up to be able to do so. 

Anaita Wali Zada makes her film debut as Donya, a Kabul native who, after working as a translator for the U.S. Army, flees Afghanistan to settle in Fremont, California. In Fremont she works at a fortune cookie company...

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Sundance: 'Talk to Me' is a handshake with Hell itself

by Jason Adams

See one horror movie about grief and you've seen every horror movie, or so it feels sometimes. Dead children, siblings, parents, spouses -- the genre is littered with beloved corpses winking back at us from the other side of oblivion. I'm writing this on day one of virtual Sundance and I've already seen three movies of this sort! But we keep coming back to the Babadook Special because it works. It's what we fear the most. Death for ourselves is one thing, but seeing the people we love the most slip away is something tangible; something that we'll all experience and then be expected to exist on the other side of. When I was little it was losing my parents that I feared the most of all.

For teenager Mia (newcomer Sophie Wilde), the lead in the Philippou brothers' unsettling new horror flick Talk To Me (playing Sundance 2023's Midnight program), it is her Mom that she's grieving...

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