TIFF ’23: In “Monster,” we’re all alone and that’s beautiful

by Cláudio Alves

Part of being alive is coming to grips with some harsh truths intrinsic to the human condition. For instance, we’ll never know the other, not entirely, no matter how hard we try. Even mothers can’t hope to fully grasp their children’s interiority, each human being a galaxy unto themselves. You can either fight against that notion in fruitless despair or accept it. We’re all alone, trapped in the mystery of ourselves, but so is everyone else. Reach out, and you’ll come close to the infinite unknown. Look at it right, and you’ll see beauty beyond belief.

The cinema of Japanese master Hirokazu Kore-eda has long reflected on such ideas, but Monster is still a high mark of cinematic compassion in his filmography. Penned by Cannes Best Screenplay-winner Yuji Sakamoto and set to the sound of Ryuichi Sakamoto’s last score, this film broke my heart…

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"A Man" leads the Japan Academy Film Nominations

by Nathaniel R

"A Man" received 13 nominations from the Japanese Academy.

Last year the Japan Academy Film prizes were had a slightly higher profile on this side of the pond due to the international success of Drive My Car (which was also popular with Oscar voters). This year, there's no Japanese breakout film unless you count popular anime titles but it's still worth sharing what the Japan Academy is loving. With 13 nominations Kei Ishiwaka's A Man (which premiered at Venice) is the film to beat and it's worth noting that it came out after the deadline for the Oscar submissions this year [updated] and also wasn't submitted by Japan in the new Oscar season. The Japanese ceremony was two days before the Oscars this year on March 10th. Here are the nominees and UPDATED TO INCLUDE THE WINNERS AFTER THE JUMP...

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"Shoplifters" wins big in Japan

by Nathaniel R

Sakura Ando and Kirin Kiki in "Shoplifters"

Awards season never truly ends. Someone somewhere in the world is always handing out a prize. The latest are the Japanese Academy film prizes, where Hirokazu Kore-eda thoroughly dominated with the exquisite and also Oscar-nominated Shoplifters. It was nominated in every category it was eligible for. It won 8 awards, including both of the female acting prizes for Sakura Ando and Kirin Kiki. Sadly, Kirin Kiki's prize was posthumous as she died a few months after the movie won the Palme d'Or at Cannes.

A list of winners, including (sigh) their choice for foreign film, is after the jump...

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NYFF: Five Favorite Performances at the Festival

As the New York Film Festival winds down, here's Murtada Elfadl with some of his favorite performances from the movies he's screened.

Sakura Ando in Shoplifters
Shoplifters, Japan's Oscar submission, is about familial bonds that unite with love and real connection rather than blood. Ando plays Nobuyo, the matriarchal figure in this family of outsiders. Her character is the wisest, always knows more than the other characters in any situation. She’s in charge emotionally and that needs an actor who's restrained yet immediate and easy with feelings. She always has the emotional truth in the scene whether her character is having a tender moment with a lover, or facing up to ignorant authority.

Ando shines everytime she’s on screen, yet there’s one moment that is forever marked in my memory...

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