Review: Vanessa Kirby is a tour de force in "Pieces of a Woman"

by Matt St Clair

British thespian Vanessa Kirby has been on a steady rise, having earned an Emmy nomination for playing Princess Margaret on The Crown while kicking action ass in both Mission Impossible: Fallout and Hobbs & Shaw. With Pieces of a Woman, Kirby is finally given a project where she takes center stage and she emerges as the shining star of a picture that’s drenched in darkness due to its distressing subject matter.

The first major sequence in Pieces of a Woman involving Martha's (Kirby) home birth will be a deal-breaker for some viewers...

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Review: Wonder Woman 1984

By Lynn Lee

Heading into this strange winter holiday season, Wonder Woman 1984 faces a daunting double challenge even for one of the world’s most iconic superheroes.  First, as a movie, does it live up to the widely acclaimed first Wonder Woman?  Second, will its performance – by whatever metrics apply in COVID times – justify Warner Bros’ decision to release the movie simultaneously in theaters and on its newly controversial streaming platform HBOMax?

The jury’s still out on the second question, but the answer to the first, alas, is no.  Wonder Woman 1984 is a mess.  Despite that fact, it’s also surprisingly enjoyable, due to the charisma of its cast and residual goodwill from its 2017 predecessor.  But as the movie that may shape the future not only of the Wonder Woman franchise but of movies as we know them, it’s a worryingly slender reed to bear such pressure...

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Review: The Midnight Sky

by Tony Ruggio

The Midnight Sky is a mild return to form for director George Cloonney. It’s simultaneously a greatest-hits album of science fiction filmmaking of the last ten years and a beautiful, melancholic story about regret. In the midst of a global pandemic, with more proof arriving every year of what danger might await us in our planet’s future (or even right now), we’re all more aware than ever of what terrible things are possible in this world. Somehow, decades of apocalyptic cinema did not prepare us.

Clooney is Augustine Lofthouse, a scientist who has spent his life finding habitable planets at the expense of his personal life, pushing away those closest to him to devote his life to saving our future...

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Review: Sylvie's Love

by Matt St Clair

We're happily beginning to see a broader variety of black-centered period dramas. Although Sylvie’s Love does touch upon the racism of the 1950s, it's more concerned with showcasing romance than trauma. This light holiday viewing serves up an old-fashioned “one that got away” story that thrives on the simplicity of the romance genre. 

During the first act of Sylvie’s Love, the song “Fools Falls in Love” by The Drifters sets the tone for the entire picture. A song about the problem with falling in love too fast perfectly captures the conflict that Sylvie (Tessa Thompson), an aspiring TV producer, and saxophonist Robert (Nnamdi Asomugha) face after an encounter at a record store owned by Sylvie's father where she works...

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Review: Monster Hunter

by Tony Ruggio

2020 has been a prolific year for monster movies, be they funny and romantic (Love & Monsters), purely for kids (A Babysitter’s Guide to Monster Hunting), or in the case of Monster Hunter, mindless action. Paul W.S. Anderson (Mortal Kombat, Resident Evil) returns to the other genre that made him, the genre he never really left: video game adaptations. He and wife Milla Jovovich are the king and queen of them, if there can be such a thing for the seemingly accursed genre.

Folks, including myself, keep saying they’re the next big thing in Hollywood after superhero movies, and while valiant attempts have been made, even when talented people are aboard (Jake Gyllenhaal in Prince of Persia, Justin Kurzel and Fassy/Cotillard in Assassin’s Creed), they don't pan out. Like all the rest, Monster Hunter ain’t exactly the ticket to Hollywood genre royalty...

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