Review: "Ma Rainey's Black Bottom" does August Wilson proud

by Nathaniel R

"Deep Moanin' Blues" - Ma's introduction

We see black suffering so often in films that the slightest purposeful subversion of that expectation can stun. You could easily mistake the first shot of Ma Rainey's Black Bottom, for instance, for a slave drama. It's a wide shot of a dark quiet forest, crickets chirping, that's punctuated by two men running breathlessly through it, and then the sound of dogs barking as if in pursuit. Two lit torches at the end of the shot, however, don't spell doom but joy. The only escape these men are currently after is communal experience. They're headed for a tent concert where folks are already lined up to pay their coins (a sharp detail) before the camera swoops up to see "Ma" Rainey (Viola Davis) humming those "Deep Moanin' Blues" before a joyful crowd.

Not, mind you, that Ma Rainey's Black Bottom replaces suffering with joy. It just nods to their connection before announcing everything else it has on its mind. Which is quite a lot...

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Review: The Twentieth Century

By: Patrick Gratton

Canadian history remembers William Lyon Mackenzie King as one of our most defining statesmen. King was the longest running Prime Minister to hold office in Ottawa, and a central ally to both Winston Churchill and FDR, in mobilizing Canada in World War II. Historians commend Mackenzie King as a central rallying cry for a divided country, whose skill set helped him reach across the aisle, mending multiple differences and helping grow Canada’s Independence even as it remained a British colony.

In his feature film debut The Twentieth Century, Winnipeg-born Matthew Rankin subverts this story. Set in 1899 and told in ten chapters, the film omits all of the soon-to-be Prime Minister’s triumphs, focusing instead on Mackenzie King’s (Dan Bierne) candidacy to be the country’s leader. Rankins shows a steady hand, confidently orchestrating a film that’s equal parts  German expressionism, 1920s melodrama and absurdist satire. The film unapologetically ransacks the mythos of the Canadian identity.

The future prime minister is depicted as a precious man-child, with an overbearing mother (Louis Negin, in drag)...

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The 2020 Christmas Movie Catalogue

by Tony Ruggio

It wasn’t so long ago that Christmas movies were dead and buried, outside of Hallmark’s copious output anyway. They were no longer of much interest to major Hollywood studios and inherently verboten for indie distributors. Thanks to Netflix, Hulu, and the streaming wars, the genre is back and more prolific than ever. And in a year like 2020, we might need them more than ever...

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Review: Israel’s Oscar Submission "Asia"

By Abe Friedtanzer

It's been quite the year for Shira Haas. Known previously to American audiences for her work in Shtisel on Netflix and the Jessica Chastain film The Zookeeper's Wife, she arrived in a big way in 2020 as the star of Unorthodox, which premiered on Netflix in March. Just a few weeks later, she was named Best International Actress at the Tribeca Film Festival, where her film Asia was slated to have its world premiere. After popping up at a number of festivals over the past few months and winning nine of its twelve Ophir (Israel’s Oscar) nominations, Asia is now opening the Israel Film Festival in Los Angeles, which begins today…

In her past few roles, Haas, who turned twenty-five in May, has been playing younger than her age. Esty in Unorthodox was nineteen, and in Esau, which debuted on digital and VOD a few weeks ago, she portrays a particularly young teenage love interest...

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Review: "Let Them All Talk"

by Christopher James

Imagine a cruise ship movie starring Meryl Streep, Candice Bergen, Dianne Wiest and Lucas Hedges. With five Oscars, 26 Oscar nominations and 10 Emmy wins between them, Let Them All Talk was poised for greatness just on its logline alone. The new HBO Max film may sound like the perfect fluff while at home, but that would ignore the film’s not-so-secret ingredient. With director Steven Soderbergh at the helm, he steers the film away from madcap and into more contemplative, but far less calm, waters. Let Them All Talk may move more glacially than expected. Yet, what we’re left with is a thornier and more interesting look at a decades long friendship filled with fractures.

A renowned author, Alice (Meryl Streep) learns that she is receiving a prestigious award in England (“it’s not even given out every year,” she reminds everyone she encounters). Ever the diva, Alice wants to travel by style and not by plane...

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