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Entries in African Cinema (29)

Friday
Oct152021

International Feature: Indonesia, Malawi, Malta, and Slovakia submit

More entries announced!

INDONESIA
Indonesia will send Kamila Andini's Yuni a drama about a teenage girl who rejects a marriage proposal. But the proposals keep coming and culturally she's supposed to accept...

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Thursday
Oct072021

Seven new Oscar submissions, French finalists, and a potential Israel/Palestine conflict

by Nathaniel R

LET IT BE MORNING

The announcements of Oscar submissions from various countries are rolling in fast now. If you've missed previous posts we've already covered the submissions from Cambodia, Ecuador, Morocco, Poland, Serbia, Switzerland,  Albania, Ireland, Kyrgzstan, Slovenia, UkraineArmenia, Canada, Colombia, Peru, Germany, and Spain and have reviewed three of the films. In today's huge update we have finalists lists from Chile, France, and Sweden as well as official submissions from Greece, Hungary, The Netherlands, Somalia, South Korea, and Taiwan. But let's start with Israel as we foresee complications.

ISRAEL
Each year Israel's own Oscar style prize "The Ophir" is held around this time and whichever film wins becomes the automatic submission. They've only run into trouble with this system twice in the past (once for a film that had too much English and the other time with a tie so they had to vote again for Oscar purposes). But this year might be another. Let It Be Morning, with a largely Palestinian cast from source material by a Palestinian author, was the big winner at the Ophirs so it became the Israeli submission. While the director Erin Kolirin (of The Band's Visit fame) is Israeli, the film is about Palestinians and earlier this summer, the cast refused to attend the Cannes premiere because the festival labelled the film as an Israeli film. One imagines they'll object to this film representing Israel at the Oscars, for the same reason. Potentially complicating matters further is that Palestine also submits to the Oscars...

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Saturday
Jul242021

The Honoraries: Danny Glover as Producer 

by Cláudio Alves

Danny Glover's cameo in BAMAKO

Despite his fantastic career as an actor, Danny Glover isn't receiving an Honorary Oscar to recognize that work. Instead, AMPAS is honoring him with the Jean Hersholt Humanitarian Award as a way of celebrating his lifelong actions as a community activist, fighting for worldwide justice, and other such efforts. If anything, those values are more imminently evident in Glover's filmography as a producer rather than as an actor. Since the early 90s, after becoming a box-office star, the American thespian started leveraging his success to try and make specific projects happen. Charles Burnett's To Sleep with Anger marked Glover's first experience as a producer, and the funding was mainly secured through his participation in Lethal Weapon 2. From then on, Danny Glover has been a strong supporter of underrepresented filmmakers, helping them make their cinematic dreams come true… 

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Friday
Jul162021

Cannes at Home: Day 10

by Cláudio Alves

The 2021 Cannes Film Festival is on its last days, and almost all Competition titles have premiered. The latest were new films by Apichatpong Weerasethakul Bruno Dumont and Nabil Ayouch. The Thai director's Memoria has already been met with raves by fans, though, as ever, his work continues to be unfit for all tastes. Some audiences aren't into slow-cinema. Dumont's France, however, got full-on boos, while Ayouch's Casablanca Beats was deemed a possible contender for the Palme d'Or. We'll know the jury's choices on Saturday. For now, let's indulge in cinematic reminiscence as we look back at these artist's previous triumphs. They include a poetic reverie complete with an interspecies sex scene, a funny serial killer movie, and a film that drove irate people to attack its cast…

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Friday
Apr092021

Best International Feature: The Man Who Sold His Skin

by Cláudio Alves

For the past few months, I've been trying to watch as many Best International Feature submissions as I possibly can. For The Film Experience, I reviewed 33 of those titles, including nine of the 15 shortlisted films, with most of the remaining finalists being taken care of by other writers. Still, one feature remained unreviewed on Oscar nomination morning, and, as luck would have it, that very same production nabbed a somewhat surprising nod. I wish I could say I was happy about The Man Who Sold His Skin's triumph, but Tunisia's seventh ever submission and first nominee proved to be a disappointment…

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