Interview: Chinonye Chukwu on 'Clemency' and Alfre Woodard's astounding close-ups

by Murtada Elfadl

Anchored by a staggering performance from Alfre Woodard, Clemency is a powerful, precise and scorching indictment of capital punishment. We follow Woodard as prison warden Bernadine Williams, as she prepares to execute another inmate (Aldis Hodge), and deal with the toll, years of carrying out death row executions have taken on her life and relationships. 

Director Chinonye Chukwu won the Grand Jury Prize at the Sundance Film Festival last January. She started working on the film after Troy Davis was executed in a Georgia State prison in 2011, when “the sounds of the hundreds of  thousands who protested against his execution kept ringing in my ears, and I couldn’t help but wonder: if so many of us struggled with what had happened to Mr. Davis, what about the people who actually had to carry out his execution? What if some of them were also grappling with having to kill this man?”

We recently met with Chukwu in New York. [This interview has been edited and condensed for clarity.] 

Murtada Elfadl: Congratulations on the film. You start your movie with an execution, you end it with an execution. So it's these two bookends. That was a bold, strong choice. Can you talk about why you made that choice?

Chinonye Chukwu: I did that for a couple of reasons. One, to show Bernadine's arc and that she's not in the same place at the end as she was at the beginning of the story. Also, I wanted to get at the cyclicalness of the space of a prison that with or without her, this cycle of capital punishment is going to go on.

This film is very performance driven. Did you write it with Alfre Woodard in mind?

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Team Experience: Globe Reactions -- Surprises, Joys, and Omissions.

As ever we’ve polled members of Team Experience about the latest big awards announcements. We’ve had 24 hours to think about the Globe nominations so we asked a few questions. 

1. What was your favourite Golden Globe nomination?

 2. What was the biggest surprise for you?

 3. Which omission made you saddest and how will you mourn?

Team Experience answers are after the jump and yours should add yours too in the comments section. Ready? Let’s go…

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Gotham Award 2019 Nominations: big boosts for Waves, Uncut Gems, Clemency and more...

by Nathaniel R

There’s no true frontrunner at the Gotham Awards this year with Marriage Story, Uncut Gems, and The Farewell each receiving 3 nominations overall within the 6 (narrative film) categories of the Gotham Awards. Let’s take a look at the nominations shall we? It’s a big year for A24 who always has a few wonderful films up their sleeves each year. They’ve dominated the feature and screenplay and breakthrough actor categories with 60% of the nominees in each. No other company was as dominant though there are lots of honors for Netflix, too.

Best Feature

• The Farewell (A24)

• Hustlers (STXfilms)

• Marriage Story (Netflix)

• Uncut Gems (A24)

• Waves (A24)

The surprise here is surely Hustlers though we’re not complaining. Still one has to feel a bit sorry for The Last Black Man in San Francisco or Diane which were earlier acclaimed indie releases that had to step down for newer ones...

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Another Look at 'Clemency'

by Murtada Elfadl

Hodge and Chukwu at ND/NF

Chinonye Chukwu’s Clemency opened the New Directors/New Films fest in New York last night. I got the chance to see it again and any reservations I had about it went away. This is a new version that is tighter than the one I saw at Sundance. While the changes are miniscule, they really pull the film together and focus its story. At Sundance I praised the central performance of Alfre Woodard as a prison warden managing a prison that includes a death row. However I thought the film meandered and was repetitive.

Not anymore!

Now it centers Woodard’s dealing with the processing of one death row inmate (Aldis Hodge) and the forces both against him and defending him. The focus is still on the toll all this takes on the psyche of Woodard’s Bernadine; so she is still front and center and owns the film. What is around her now flows easier and the film’s message about capital punishment remains potent. Chukwu won Sundance grand jury prize making history as the first black woman to do so. Clemency announces her as an exciting new director.

Oscar Chances: Obviously Woodard is its biggest and perhaps only chance at Oscar. The performance is there and so are the critical plaudits, however she needs a patient release plan to allow the film to reach its audience (The Wife playbook if you will). Other than that I see this as a film that Gothams/Indie Spirits will fall in love with - with possible nominations for film, director and supporting actor (Aldis Hodge).

Podcast: Oscar's Self Destruction, Guild Prizes, and Sundance Winners

with Nathaniel R and Murtada Elfadl 

 In this episode Murtada and Nathaniel sound off on Sundance buzz, and the current madness of the awards race and Oscar's late-life identity crisis and one shockingly ill-thought-out decision after the next, ad infinitum.

Index (58 minutes)
00:01 Sundance buzz: The Farewell, Clemency, One Child Nation, Them That Follow , and The Report
17:25 Recent guild prizes: Bryan Singer & Rami Malek's Bohemian Rhapsody and how everything keeps going wrong this awards season.
22:34 Bo Burnham's Eighth Grade's surprise DGA win
26:00 Oscar's identity crisis and its increasingly terrible decisions. Murtada tries to talk Nathaniel off the ledge.
36:00 Spike Lee and Bradley Cooper at the DGAs and guilds confusion about Best Picture
45:40 Trying to survive Oscar's dwindling sense of self and we're back to Sundance to talk about next year's Oscar possibilities, especially in regards to Clemency
56:00 Annie Awards and wrap-up

Referenced in the Podcast
• Nathaniel's "Awards Season is Killing Me" Rant
• DGA winners
• Murtada's Sundance Coverage

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Sundance Glory / Oscar Doom