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Entries in American Fiction (11)

Sunday
Dec172023

Oscar Volley - Adapted Screenplay

For today's Oscar Volley, Lynn and Elisa discuss the Oscar race for Adapted Screenplay.

LYNN LEE: Let’s start with the elephant giant doll not in the room: Barbie is out!  Assuming, that is, the Academy agrees it’s properly competing for Original rather than Adapted Screenplay.  Personally, I think Barbie does belong in Original even if it is technically based on an existing “property.”  And whatever the calculus behind the decision to compete in that category, I’m not convinced it has an easier path to victory than if it had opted for Adapted.  Be that as it may, its absence means that in stark contrast to last year, this year’s Adapted Screenplay slate may be composed entirely of adaptations of books, glorious books!

But which ones?  Oppenheimer and Killers of the Flower Moon are the two obvious frontrunners, and I’m bullish on American Fiction getting a nod based on how enthusiastically it’s been received by early audiences.  Poor Things is probably also in, even if the film proves too outré for the more conservative segment of the Academy. The last slot is hard to predict, but it’s still most likely to be something derived from a book – whether it’s The Zone of Interest, All of Us Strangers, or Priscilla. (Though I feel like Priscilla has faded from the conversation.)  Or The Color Purple, which is adapted from the musical but still derived from the Alice Walker novel...

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Wednesday
Dec132023

Critics Choice Awards: "Barbie" Scores the Most Nominations EVER!

by Cláudio Alves

The Critics Choice Association, formerly the Broadcast Film Critics Association, has announced its nominees for 2023. As always, rather than reflecting the critical consensus, they're little more than an attempt at predicting the Oscars. One wonders how an organization like this can feel so divorced from what critics are actually celebrating. In any case, it's time to analyze their choices as precursors in the race for gold and point to whatever idiosyncrasy can be found amid the boredom. Barbie is the big champion here, having scored 18 nominations, the most of any film in the organization's history...

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Sunday
Dec102023

Boston loves "The Holdovers" but "American Fiction" takes Washington DC

by Cláudio Alves

Are we underestimating Dominic Sessa in Best Supporting Actor?

With some big wins right off the gate, Killers of the Flower Moon seemed to emerge as the consensus pick for Best Picture among critics. As much as I love Scorsese's latest, watching it sweep would have been boring beyond belief and a discredit to the tremendous cinematic year. Thankfully, an onslaught of awards this weekend changed the tide. No single title is rising above the rest as an absolute favorite, with multiple pictures nabbing top honors. Indeed, while the LAFCA voted for The Zone of Interest, other organizations announced their winners. The BSFC fell head over heels for The Holdovers, while WAFCA went for American Fiction. Apart from some categories, it seems "spreading the wealth" is the season's unofficial motto…

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Thursday
Nov022023

AFI Roundtable - All of Us Strangers, American Fiction, Freud's Last Session

By: Chris James, Eurocheese and Abe Friedtanzer

Reunions happen in the most unlikely of places. In this case, three The Film Experience writers ran into each other at the World Premiere of Matt Brown’s film Freud’s Last Session at the AFI Film Festival.

The fun of festivals is always to find out what are the similarities in everyone’s schedules and the differences. Since Chris, Abe and Eurocheese were all seeing Freud’s Last Session, All of Us Strangers and American Fiction during the festival, we thought it would be fun to have a round table to compare and contrast their opinions on the films. What did they love and what did they hate?

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Friday
Oct272023

Middleburg 2023: Mainstream Oscar Bait is back, baby!

by Lynn Lee

Previously in part one of the Middleburg recap we discussed Cannes triumphs The Zone of Interest and Anatomy of a Fall (now in theaters!), and Sofia Coppola's Priscilla. Now the jam-packed Oscar promise second half of the festival.

Day Three
If you’ve been wondering whether American Fiction – the audience favorite at Toronto – really has Oscar potential, I’m here to tell you yes, it absolutely does.  Cord Jefferson’s debut feature took home the audience award at Middleburg, too, and both my husband and I thoroughly enjoyed it.  It’s a rollicking satire of the literary establishment and the politics of racial representation, based on a novel that was written over 20 years ago but is, if anything, even more current today.  Jeffrey Wright stars as Thelonious “Monk” Ellison, a bougie buttoned-up middle-aged black writer who, appalled at the success of novels and entertainment he sees as pandering to white stereotypes of black life, writes his own gangsta/ghetto porn novel as a bitter drunken joke... only to see it meet with an effusive response far beyond his wildest imagination... 

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