"Klaus" is (half) a masterpiece...

Our resident animation expert will be looking at several of the movies vying for a nomination in Best Animated Feature. First up, a Christmas movie.

by Tim Brayton

The new animated feature Klaus is being pulled in a lot of directions. It's the directorial debut of Sergio Pablos, a former Disney animator who splits time between Hollywood projects (as screenwriter, he created the Despicable Me franchise) and nurturing his own company, SPA Studios, based in his hometown of Madrid. It's also the first animated feature produced by Netflix, which has been making sure to emphasize that fact in all of its marketing efforts. And it's not just any old Netflix production: this is part of the streaming service's increasingly deep bench of Christmas-themed movies.

It's hard not to think about this while one is watching the movie. Depending on how you approach it, Klaus is either a masterpiece, or a frankly irritating collection of tin-eared dialogue, odd casting choices, and dated clichés of kids' movie screenwriting...

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The Little Mermaid - She's gotta have it!

For the 30th anniversary of The Little Mermaid I wanted to reshare this piece I wrote about the movie ages ago. Still one of my favourite essays - Nathaniel R

The Little Mermaid (1989)  | Directed by Ron Clements and John Musker Screenplay by Roger Allers, Ron Clements, and John Musker (very loosely based on the Hans Christian Andersen fairy tale) | Music by Alan Menken Lyrics by Howard Ashman | Starring the Voices of: Jodie Benson, Pat Carroll, Kenneth Mars and Samuel E Wright | Production Company Walt Disney | Released 11/17/1989

American members of Generation Y or Z and beyond may have a good deal of trouble imagining this but it's true: once upon a time, animated movies were considered highly uncool. They were strictly for babies. Teenagers disdained them. Adults took their children under duress. They barely caused a ripple at the box office. The Academy of Motion Pictures Arts and Sciences ignored them. CGI was not part of the national vernacular. Strange but true.

In a very short window of time, from November 1989 through February 1992, three major events changed modern perceptions of the animated film in a gargantuan way. Let's take them in reverse order: The third big-bang was the moment when Beauty & the Beast (1991) was nominated for six Oscars including Best Picture, the first time that a cartoon had received that pinnacle mainstream honor. The middle part of the three-part revolution was when hipster American audiences began to discover that there was more to the form than Walt Disney. Katsuhiro Ôtomo's Japanese sci-fi spellbinder Akira was the key that opened the door for anime, now very big and influential business in America. But the first key event in animation's rebirth (stateside at least) was the release of Disney's "28th animated classic" The Little Mermaid; an orgasmic reawakening of the most flexible and fantastical of film mediums...

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100th Anniversary: Felix the Cat

by Tim

This weekend marks the 100th birthday of cinema's first cartoon superstar. On November 9, 1919, Paramount released Feline Follies, produced by Pat Sullivan and animated by Otto Mesmer, a short gag-driven cartoon starring a black cat named Master Tom; the character was an immediate hit and by the time the third cartoon featuring the character came out five weeks later (they worked fast back in those days), he'd been renamed Felix. The rest is history: Felix the Cat was a bonafide phenomenon, igniting a craze for funny, mutable animals that hasn't let up at any point in the last century. Even Walt Disney's Mickey Mouse, the cinematic icon to end all icons, was initially conceived as a blatant Felix knock-off swapping out the cat's pointy ears for circles that were easier to draw.

You might not guess that to watch Feline Follies, which feels like an artifact from a lost civilization. This is what cartoons looked like in the 1910s: empty white voids full of characters who move in straight lines with few distinct movements, speaking in speech bubbles imported directly from newspaper comic strips...

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32 films competing for nominations in Best Animated Feature

by Nathaniel R

Frozen 2 is clearly hoping to be the first animated franchise to win the Animated Feature category twice.

The Oscar race is officially on for Best Animated Feature. 32 films are planning to compete, which is easily a record as there are usually closer to 22 or so, so we'll definitely have 5 nominees again this year. But the question is which. We've divvied the 32 films up into types to make this easier to process...

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Review: The Lion King (2019)

by Tim Brayton

The refrain echoing through many of the negative reviews of Disney's new remake of The Lion King – and even a few of the not-as-enthusiastic positive reviews – has been that the film is "pointless." Which, yeah, it is: a scene-by-scene, line-by-line, and frequently shot-by-shot remake of the 1994 classic that is weaker on essentially every possible point of comparison. The only reason to watch the new film while the 1994 film exists is because the new one is in theaters and thus is bigger.

So let's not belabor that. Instead, let's try, as much as possible, to take the film on its on terms. Let's pretend, if we possibly can, that this is a brand new story told using cutting-edge technology, and freed from the shackles of memory and nostalgia. Sad to say, even if that might mean that The Lion King isn't pointless, it's still not very good...

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