Sakamoto on Criterion

by Cláudio Alves

Ryuichi Sakamoto is a master of music that needs no introduction. Thanks to his work with the Yellow Magic Orchestra and solo experiments, Sakamoto has helped shape the evolution of electronic music like few other artists in the past decades. His avant-garde sound is difficult to confuse with that of other composers, but he's not an artist predisposed to repetition or stagnation. Since the 1970s, has never stopped composing, never stopped challenging himself, or dazzling his audience with music whose beauty transcends comprehension. Sakamoto's also an avid cinephile and had been writing film scores since the 80s when Nagisa Oshima cast him in Merry Christmas, Mr. Lawrence. Across the years, he's built an eclectic filmography that's rich in artistic brio and lacking in mediocre efforts. He even won an Oscar.

Because of such excellence, the Criterion Channel has curated a selection of 10 Ryuichi Sakamoto scored pictures. Here are some highlights…

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Hara by Ozu

by Cláudio Alves

100 years ago in 1920, Setsuko Hara was born in the city of Yokohama, Japan. Thanks to the powers of nepotism and the influence of her brother-in-law, she got a job at the Nikkatsu Studios at the age of 15. In the next few years, she rose to prominence. By the 1940s, Hara became somewhat of a symbol of new Japanese womanhood. Curiously enough, that's not how she's best remembered today, in part thanks to her most famous directors being ones that cast her in roles typifying the conservative values of a traditional Japan. Despite multiple collaborations with such legendary filmmakers as the master of melodrama Mikio Naruse and Japan's superstar director Akira Kurosawa, it's her work in the films of Yasujiro Ozu that now most define her legacy… 

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OUTStream Film Festival - It's Happening Right Now

by Nathaniel R

Last night we told you about the Cannes selection. While that's glitzy information it's not particularly useful since none of the films are available and Cannes isn't actually happening. But there is a festival happening right now. It's called OUTStream and 2020 is its inaugural outing. The queer festival runs through this weekend (Sunday, June 7th) if you wanna have a mini queer film adventure over the next few days. You purchase virtual "tickets" to the movies and watch (if you want to see the Q&As though you have to watch at the alotted times, otherwise it functions like a normal rental). 

HERE ARE SOME OF THE HOT TICKETS

Song Lang is a Vietnamese drama from debut filmmaker Leon Le. It's about the romance between an opera performer and a debt collector in 1980s Saigon. We've heard nothing but good things about this one on the festival circuit but we haven't seen it yet. Leon Le won Best New Director at the Beijing Film Festival for this. There's a livestream Q&A on Friday June 5th...

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A few notes on the Cannes "lineup" that won't make it to Cannes

by Nathaniel R

Steve McQueen would have had TWO films at Cannes this yearCannes won’t be held this year due to the Coronavirus pandemic but the powers that be at Cannes have announced that 56 films that would have filled out various programs will bear the Cannes label as in "we selected them!". i.e. they would have played there. This will give the films a leg up moving forward should any of the fall festivals actually take place. This does not however tell us anything about what would have “competed” this year at Cannes since they generally only have 20 or so films in the main competition. Spike Lee was meant to preside over the competition jury this year but instead he'll do the honors next summer instead.

It will forever be lost to an alternate history what might have been this year and what film might have held the difficult task of following in Parasite’s footsteps to the Palme d’Or...

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Mizoguchi's women

by Cláudio Alves

Last time we talked about Japanese cinema, we were looking at the history of the Best Costume Design Oscar. Among the five pictures from Japan nominated for that awards, we find Ugetsu, the only Kenji Mizoguchi film to ever receive any sort of recognition by the Academy. Considering some of the director's best films are currently available online thanks to platforms like the Criterion Channel, Kanopy, and HBO Max, it seems like a good time to highlight more of his cinematic mastery. After all, there's much greatness in Mizoguchi's exquisite cinema beyond the sartorial splendor of Ugetsu…

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