Golden Horse Awards 2020: Gay dramas abound but a romantic comedy takes it.

by Nathaniel R

Oops. We missed sharing Taipei's Golden Horse Awards this year as they happened right before Thanksgiving and we were otherwise occupied! Past lineups have had films from Singapore, Taiwan, China, Hong Kong, Malaysia and more competing for the top prize. For the past two years, however, due to political tension and a boycott from China we're seeing less of that and it's becoming more centered on Taiwanese movies. This year three gay dramas well (one of them arrives on Netflix soon) but it was a romantic comedy that won...

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New International Submissions: Georgia, Luxembourg, and Taiwan

by Nathaniel R

Beginning

We have three more official submissions for Best International Feature Film at the forthcoming Oscars, bringing the number up to nine, and one of them is streaming on Netflix for your pleasure or cathartic misery as the case may be... 

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NYFF: the queer slow cinema of Tsai Ming-liang's "Days"

by Sean Donovan

Taiwanese auteur Tsai Ming-liang’s brand has reached a point where any objections to his style seem of limited use or value. At this point in his career, Tsai is going to do what Tsai is always wont to do- which is make films composed of far less shots overall than most filmmakers working today, some stretching as long as 10 minutes, studies in slow repetition and urbane melancholy, sometimes touching on queer themes but just grazing them (Tsai himself is gay). When a filmmaker’s brand is so immediately recognizable it’s sometimes met with impatience and boredom by audiences, as if wondering ‘when are they gonna just get over this already?’ ‘How many lengthy shots of people doing housework is too many?’ Matías Piñeiro’s latest entry in the New York Film Festival, Isabella, received notices of exactly this kind from many critics, wondering what the balance is between honing a brand vs. refusing to develop creatively (I reviewed the film here for TFE to a similarly lukewarm shrug). 

Yet with Tsai Ming-liang I find myself not caring whatsoever about any criteria of versatility or artistic variance in his work...

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