More International Oscar News: Several "Finalist" Lists Announced

by Nathaniel R

The Man Standing Next ...has the difficult task of following in Parasite's footsteps!

The submission charts for Oscar's Best International Feature Film race have been updated to reflect more new entries like Croatia's Extracurricular, Palestine's Gaza Mon Amour, Panama's war drama Causa Justa , Romania's documentary Collective, and South Korea's The Man Standing Next.

But the big news at the moment is six finalist lists so keep your eye out for any of these pictures to rise up...

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New International Submissions: Georgia, Luxembourg, and Taiwan

by Nathaniel R

Beginning

We have three more official submissions for Best International Feature Film at the forthcoming Oscars, bringing the number up to nine, and one of them is streaming on Netflix for your pleasure or cathartic misery as the case may be... 

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NYFF: the queer slow cinema of Tsai Ming-liang's "Days"

by Sean Donovan

Taiwanese auteur Tsai Ming-liang’s brand has reached a point where any objections to his style seem of limited use or value. At this point in his career, Tsai is going to do what Tsai is always wont to do- which is make films composed of far less shots overall than most filmmakers working today, some stretching as long as 10 minutes, studies in slow repetition and urbane melancholy, sometimes touching on queer themes but just grazing them (Tsai himself is gay). When a filmmaker’s brand is so immediately recognizable it’s sometimes met with impatience and boredom by audiences, as if wondering ‘when are they gonna just get over this already?’ ‘How many lengthy shots of people doing housework is too many?’ Matías Piñeiro’s latest entry in the New York Film Festival, Isabella, received notices of exactly this kind from many critics, wondering what the balance is between honing a brand vs. refusing to develop creatively (I reviewed the film here for TFE to a similarly lukewarm shrug). 

Yet with Tsai Ming-liang I find myself not caring whatsoever about any criteria of versatility or artistic variance in his work...

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International Oscar: A Yak in the Classroom

by Nathaniel R

We've already told you about submissions from Ivory Coast, Poland, and Switzerland. Now we have a fourth contender for the Best International Feature Oscar. We suspect in the end that there won't be as many entries as usual (the list usually reaches about 90 films) due to the chaos of the pandemic but you never know. 

Bhutan will be sending Lunana A Yak in the Classroom by 37 year-old photographer turned first time director Pawo Choyniing Dorji. It's about a young man who is assigned to teach school children in a remote village in the Himalayas but doesn't want to be there (at first). This is only the second submission from the small landlocked country which is located on the southern border of Tibet. Their film industry only began in the 1990s but produces multiple films per year and is reportedly growing quickly. Given their output, we expect they'll start submitting more frequently since the neighboring countries that influence their cinema (Nepal, Bangladesh, China, Tibet, and especially India) all submit regularly. Their first submission was the feel-good film The Cup (1999) about soccer-obsessed monks in the Himalayas.

Gong Li: Goddess of the Silver Screen

by Cláudio Alves

Earlier this month, Sean Donovan wrote a beautiful piece about Tilda Swinton's 2005 Hollywood adventure. The movies mentioned in that text mean a great deal to me since they represent the first time I ever came across the alien allure of that British thespian. Even as an eleven-year-old, I was hooked on this beguiling creature of the screen. Surprisingly enough, Swinton wasn't the only performer whose 2005 forays into mainstream American movies served as a gateway for my love of auteur cinema and über-glamourous deities of the big screen. 

For that was also the year when Chinese superstar Gong Li blessed Rob Marshall's unfortunate Memoirs of a Geisha with her electrifying presence…

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