Monday, October 24, 2016 at 9:31AM Manuel here catching us up with some casting news about an upcoming Disney tentpole film we should all be getting more and more excited about. Earlier this year it was announced that Ava DuVernay would direct the big screen adaptation of A Wrinkle in Time. That the beloved children's book would be a Disney film surprised no one but DuVernay's involvement piqued our interests...
Tuesday, October 18, 2016 at 11:11AM 
Sometimes to be a film-lover is to question why we indulge in certain films. It’s a question we have no doubt all asked ourselves at one point or another after a particularly gruelling film. It would have been so much easier to just let it slip passed us and be content within our bubble. It would be easy to see 13th, for instance, the new documentary from Selma and Middle of Nowhere director Ava DuVernay, on our Netflix screens and think that it is not for us – that because we already see the world through a lens of equality without racism that it is not necessary viewing, that it is just preaching to the converted. Why spend 100 minutes feeling as if the weight of misery is bearing down on us?
But 13th is an essential viewing for everybody. It is essential for you and for myself. Essential for Americans and those outside its borders. Essential most of all for white people and black people and everybody else. That its subject and themes still bear immediate relevance make it so. But DuVernay’s best achievement with the thorough and the soulfully searching 13th isn’t that it is just a wake-up call for race relations in America right at this very moment, but that her film will no doubt prove to be invaluable in the understanding of America’s history of racism for years to come.
Tuesday, September 27, 2016 at 9:30AM NYFF is about to officially kick off this Friday, and one of the festival's biggest question marks is Ava DuVernay's documentary The 13th. The opening night selection explores our current prison-for-profit system's exploitation of African Americans and its ties to the 13th Amendment, which abolished slavery except under terms of punishment for crimes. The festival was something of a surprise opener for the fest (and rare doc to do so) and here is our first glimpse of what DuVernay has in store for us:
Expect an expansive and passionate timely critique from one of out most vital filmmakers. What's more is that you won't have to wait much time past its debut to see it if you're not lucky enough to attend - Netflix will make the film available to stream October 7 as well as giving it a limited theatrical run. Netflix has had some luck breaking through in the Documentary Feature race at the Oscars, so we'll also be waiting to see if DuVernay's added cache could make it a contender this year.
Ava DuVernay, NYFF, Netflix, The 13th, documentaries Friday, September 16, 2016 at 12:12PM 
The televised family drama, free of a truly high concept seem to be dying. The party line would be that watching the inner workings of a family unit—the relational politics and generational issues therein—devoid of something else for the show to be “about” don’t’ capture audiences as easily as those same stories with the overlaid veneer of meth production, mafia ties or a shady family-owned record company. Over the past decade or so we’ve had several shows that have nakedly been about the dynamics of adult siblings in a family unit and very little else, “Brothers and Sisters” and “Parenthood” being two notable examples. Going back even further, even a show like “Six Feet Under” which had the high-concept premise of a family-owned funeral parlor wasn’t explicitly about that as much as it was the lives of the three siblings and the matriarch. We’ve certainly never seen a show of this nature about a non-white family, as it would seem that “black” shows especially need a hook. The shows with black or any non-white characters that get greenlit and see success tend to suggest the perpetuation of the false myth that audiences need to be given a reason for non-white characters in human drama.
Dawn-Lyen Gardener and Rutina Wesley
This long preface serves to highlight how truly rare—both in concept and in beautiful, artful execution—Ava DuVernay’s “Queen Sugar” feels...
Thursday, July 28, 2016 at 8:00PM Kieran, here. It was recently announced that Ava DuVernay would direct an adaptation of the classic children’s fantasy novel A Wrinkle in Time for Disney starring Oprah Winfrey. The script is to be penned by Frozen scribe and co-director Jennifer Lee and will also star Amy Adams and Kevin Hart. Winfrey is also collaborating with DuVernay (off screen) in the capacity of executive producer for the upcoming OWN series “Queen Sugar” staring Rutina Wesley (“True Blood”).
While A Wrinkle in Time may seem like an odd career zag on paper for nearly everyone involved, pairing Ava DuVernay and Oprah Winfrey together again after 2014’s justifiably lauded Selma should have movie-watchers willing to follow this director-actor duo to the ends of the Earth...
