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Entries in Barry Levinson (4)

Monday
Dec182017

The Furniture: Revisiting the Surreal Spaces of Toys

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Today marks the 25th anniversary of Barry Levinson’s Toys, a film you don’t hear about very much anymore. It wasn’t exactly beloved at the time, certainly, and wound up with a Razzie nomination for Worst Director. However, it also showed up at the Oscars, receiving nominations for Best Costume Design and Best Production Design. At the very least, it remains a pleasant reminder that sometimes even flops are given a fair shake by the Academy’s craft branches.

And now, in the dramatically different context of 2017, it deserves some renewed attention. Its critique of militarism and toxic masculinity has aged surprisingly well, as have the more committed of the performances. Joan Cusack’s absurd turn as the eternally childlike Alsatia is at the top of the list.

 

But the best elements are still those that were recognized at the time.The work of production designer Ferdinando Scarfiotti, art director Edward Richardson and set decorator Linna DeScenna is beyond...

Click to read more ...

Tuesday
Jun132017

So Link We All

EW reunites the cast of Battlestar Galactica for a panel
Variety Ava DuVernay to deliver the UCLA Commencement address
Awards Daily Jazz interviews RuPaul about the phenomenon of Drag Race 
Towleroad Colton Haynes dishes about his management team in Hollywood who tried to keep him in the closet 

Film School Rejects this needed to be written -- an article on the terrible but now familiar and horrifically disingenuous Hollywood excuse "we didn't make it for the critics but the fans!"
Criterion Closet Barry Levinson (Wizards of Lies, Rain Man) picks some classics from those famous shelves including Jules et Jim and Spartacus and also fantasizes about Orson Welles
MNPP sound advice for Tom Hardy on that Jafar in Aladdin rumor - DON'T DO IT. 
i09 the costumes for Black Panther could be a godsend for the black cosplay community
Variety releases a list of 10 comics to watch including John Early (yay), Bollywood star Vir Das, and The Daily Show's Hasan Minhaj 
Coming Soon Michelle Monaghan reprising her character for the sixth installment of Mission: Impossible 

Finally...
TFE remember when we shared our "best 25 list" because of that random NYT best of new century list. Everyone is doing it including...
The New Yorker with Richard Brody's list. I like Brody so much and the list is quite eclectic but I will never ever understand the mass fascination with Scorsese's Wolf of Wall Street. It's such an obnoxious self indulgent movie. Scorsese has made much better films... even within this new century! 

Wednesday
Oct032012

NYFF: "The Bay" An Eco-conscious 'Slither'

Michael C. here, returned from having my skin properly crawled at the NYFF’s Midnight Movie series.

Barry Levinson's The Bay is the type of movie you would get if Al Gore decided to forget the whole PowerPoint documentary thing and made a movie where global warming boils everyone’s brain and brings on a zombie apocalypse. Levinson says he was first approached to make a documentary about industrial pollution killing Chesapeake Bay, but opted to direct The Bay instead. The premise involves a breed of sea lice - which look like those bed bugs you always see magnified in pest control ads - mutating into a creepy crawly menace after they find their way into the toxic chemical soup that is currently the Chesapeake.

Levinson says he and screenwriter Michael Wallach worked hard to keep the story grounded in reality. “85% based on fact” is the figure he used. Considering the majority of the film concerns itself with mutated ocean parasites eating Marylanders from the inside out that is not a comforting figure. At one point during the film a CDC official is presented with the image of one of these isopods grown to the size of a Doberman Pinscher. The CDC official can’t believe his eyes. “Tell me that’s Photoshopped!” It was found “trying to chew its way through the side of a submarine,” he is informed.  

“That’s a real picture,” Levinson helpfully explained during the Q & A following the movie. The story about the sub? Also true. It was as if Danny Boyle came out on stage following a screening of 28 Days Later and said, “Oh, yeah. Scientists are totally working on a rage virus,” and then produced on stage an infected monkey, straining on its leash trying to bite audience members.

So, yeah. Disturbing.

Beyond its unsettling basis in fact, The Bay is a modest, well-crafted creature feature that breathes new life into the found footage device. Levinson describes his technique as “an archeological dig” which culls video from every available source to reconstruct the timeline of the outbreak. In classic disaster movie fashion we follow the stories of several characters over the course of the day, and Levinson and the cast of unknowns do a first-rate job simulating amateur footage without calling attention to the gimmick.

The Bay may disappoint casual viewers who wander in looking for the usual horror movie thrills. The trailer sells it as a sort of zombie movie, but the infected do little more than moan and beg for medical attention. The sea lice could potentially make for terrific movie monsters, but Levinson refuses to crank up the gross-out moments to Fangoria levels. By keeping it all on a more plausible scale The Bay prevents us retreating behind the comfort of familiar movie beats to avoid the story's implications. As a horror film The Bay is a solid entry. A scrappy low budget Contagion with sea lice instead of germs. As a piece of subversive environmental agitprop, on the other hand, it is scary effective. B

More NYFF
Lincoln's Noisy "Secret" Debut
The Paperboy & the Power of Nicole Kidman's Crotch 
Room 237 The Cult of The Shining's Overlook Hotel  
Bwakaw is a Film Festival's Best Friend
Frances Ha, Dazzling Brooklyn Snapshot
Barbara Cold War Slow Burn
Our Children's Death March 
Hyde Park on Hudson Historical Fluff 

Friday
May272011

Cinema de Gym: 'Bandits'

Kurt here from Your Movie Buddy. In my attempt to tone up and shed a few (as I feared, the life of a writer can be waistline-hazardous), I've found new inspiration. The gym I attend has a theater in the back where, instead of watching The View with headphones, you can do your cardio in the dark with a daily film that plays on a loop. It's surely not the place to go if you're looking to catch up on your Bergman or Powell & Pressburger, but, by god, at least it's something. Even with a trainer who kicks my ass and drafts a new routine each month, I'll take all the incentives I can get.

On that note, I've opted to use this extra motivator as a writing opportunity – a chance to chime in on the gym's staff picks and voice the opinions that brew while I'm huffing it on the elliptical. Fitness and film writing – it's my kind of win-win.

For the inaugural "Cinema de Gym" post, we have Barry Levinson's Bandits, a 2001 love-triangle crime comedy I'd never seen. In this setting, catching things for the first time is fun in that I'm forced to draw as much as I can from a 20-30 minute snippet (okay, sometimes it's 15). Besides, I dare say a lot of these flicks are not of the must-see-it-from-end-to-end sort. With Bandits, I entered during a barroom scene where a red-headed Cate Blanchett is consoling the bar's only other patron, a characteristically un-dashing Billy Bob Thornton, who's suffering from some fatiguing ailment. Rather than whiskey, Cate wants to get some warm milk for this milquetoast, who, it turns out, is lactose intolerant.

Bandits: Bruce, Billy Bob and Blanchett

Enter Bruce Willis, all smirks and hubris, who breaks up the excessive appropriateness of Grover Washington Jr.'s "Just the Two of Us" playing on the soundtrack (err, in the bar). From the interactions (and, hell, from the casting), it's clear Bruce is the leader of the Bruce-Billy Bob criminal duo, and that Cate is the third wheel whose affections they're fighting over. Cate and Billy Bob hit the dance floor, a brotherly brawl ensues, and Bruce and Billy Bob crash through a glass window onto the ground outside. "I can't do this anymore," a desperate Cate says, peering down at them. "Together, you're the perfect man."

Well, to each her own, Ms. Blanchett. 

Garity squares off with JonesCut to: January Jones? The soon-to-be X-villain plays some type of accomplice to our lead quarrelers, along with Troy Garity, Soldier's Girl star and son of Jane Fonda. The crew is gearing up for their One Last Job, which, naturally, still attracts Cate for some reluctant involvement.

Where the film goes from here is, well, to its end, and I'll spare you the spoilers even though I don't recommend. Let's just say there's a haphazard bank heist, but Dog Day Afternoon this is not.

Conclusions?

1. Seeing early Blanchett is fun.
2. Billy Bob really needs to get back to work.
3. Bruce Willis has never tired of playing Bruce Willis (shocker).
4. Barry Levinson is a hugely recognizable name, but hardly one that guarantees quality.
5. You've seen Bandits before, even if, you know, you haven't seen it before.

Have you seen it before?