Final Predictions: Supporting Actress, Foreign Film, and Sound Categories

by Nathaniel R

Expecting a high nomination count for "First Man" even if it misses Best PictureRunning out of time we are! So here are the final predictions for six more categories!

SUPPORTING ACTRESS
We've been over and over this one in our brains, trying to figure out that fifth spot (we don't believe, as some panicky folks do, that Regina King is in any danger of missing for Beale Street). In the end we're defaulting to Claire Foy in First Man who's been there all along. Primarily because she's been there all along and these things have a way of sticking if you're considered solidly in for months, even if you start losing steam toward the end of the season. We expect First Man to have a high nomination count despite predicting it to miss Best Picture and Claire Foy has remained visible all season. Sorry, Margot Robbie...

Click to read more ...

43 Days 'til Oscar

The countdown is progressing. Members of the Academy of Motion Picture Arts and Sciences only have 3 more days to turn in their nomination ballots. We're getting worried about a really uninspiring Supporting Actress race made up of mostly leading roles. Voters, there are so many great women that are not leads to choose from, you know? You never ever ever need to cheat and shove leading roles in there. If you love a leading lady you're supposed to vote for her in Best Actress, not Supporting.

Since 43 is the number of the day, our minds are thrown back to the Smackdown of 1943. That was so much fun and yours truly fell so hard for Paulette Godard. Your favourite series will return next month. We begin with the 2018 Smackdown in February (we're just waiting to find out who the nominees are!) and then the new season kicks off with the long delayed 1972 episode. Dates TBA. 

Months of Meryl: Kramer vs. Kramer (1979)

Hi, we’re John and Matt and, icymi, we are watching every single live-action film starring Streep. Previously Julia, The Deer Hunter, Manhattan and The Seduction of Joe Tynan

 #5 — Joanna Kramer, a mother and divorcée embroiled in a messy custody battle.

It’s 1980. Kramer vs. Kramer is a critical and commercial smash (the top-grossing film released in 1979). The dawn of a new era approaches and one actress is anointed as its icon...

“The face is beautiful but anguished, haunted by sorrow, despair, determination and love. Can one face express all these warring emotions, with a grave dignity that adds a deeper beauty to the physical structure? Meryl's face can and does in the extraordinary first image of "Kramer vs. Kramer". This first shot of a superbly crafted film prints indelibly upon the eyes and consciousness of the audience the face of a young actress who, at 30, may become the strongest performer of her generation, first American woman since Jane Fonda to rival the power, versatility and impact of such male stars as Dustin Hoffman, Robert De Niro and Al Pacino...

Click to read more ...

FYC: Tiffany Haddish for "Girls Trip"

by Chris Feil

Tonight Tiffany Haddish will be hosting Saturday Night Live in what some are hoping will be the beginning of a Best Supporting Actress campaign for her breakthrough role in Girls Trip. While it’s been unclear if the studio would be campaigning her, Haddish deserves the kind of groundswell effort that makes awards groups take notice.

How likely are her chances? Melissa McCarthy’s Bridesmaids nomination has been the obvious comparison, at least in terms of recent Oscar history - summer hit, female ensemble comedy, a presumptive “unlikely” narrative. But in her performance I see much more than that. To this viewer, she recalls the hilariously warped pathos of Madeline Kahn, the lovability of Octavia Spencer, and the imposing confidence of Rita Moreno. That’s high praise for sure, but gets at the full spectrum of her work that I’d wager hasn’t been fully explored...

Click to read more ...

Emmy FYC: Judith Light, "Transparent"

by Chris Feil

Most of the awards talk over Transparent’s three seasons has orbited around Jeffrey Tambor’s genius work at its center. This past season was its best acted among the entire ensemble, with emotionally raw complexity from Jay Duplass and Amy Landecker that also deserves Emmy’s attention. But the most rewarding powerhouse performance this time was Judith Light as fraught matriarch Shelly. Many months ago, she became my favorite performance of the TV year and remained so ever since.

The third season brought Shelly closer to the forefront, detailing further the abuse she suffered as a child and her quickly developing romance with the increasingly suspect Buzzy (Richard Masur). When Buzzy’s manipulations come to light and her family continually shrugs off her abrasive attempts at connection, we see not only her mounting disappointments but a growing ability to stand on her own two feet. It’s how Light makes her knees wobble as she does so that makes the season arc so moving. She's a brand!

Click to read more ...