Linkin' on Heaven's Door

Los Angeles Times Lily Tomlin's classic one woman show The Search for Signs of Intelligent Life in the Universe is being relaunched in LA as a 12 person play (!)
/Film Rogue One releases its final trailer. I'm personally not watching(I like to save something for the movie theater) but it's here if you want it
Variety JK Rowling will never leave us alone. Five films are planned in the Fantastic Beasts and Where to Find Them franchise.
Tracking Board here's interesting news. Mark Rylance will team with Embrace of the Serpent director Ciro Guerra for a movie based on a 1980 Nobel prize winning book called Waiting for the Barbarians
Deadline Netflix in the lead to get The Helicopter Heist starring Jake Gyllenhaal

The New Yorker on Bob Dylan's Nobel Prize in literature
Interview talks to rising star Ben Schetzer (Pride, Goat, Warcraft)
The New Republic Miriam Bale on both of the new films about Christine Chubbuck, Christine (starring Rebecca Hall) and the experimental documentary Kate Plays Christine.
EW It's come to this. We know have "power lists" in magazines not of actors or producers but of superheroes. Wonder Woman is currently #1 
In Contention supporting/lead options open w/ Viola in Fences & The Bening in 20th Century
Awards Daily Annette Bening will be honored at AFI 
Towleroad Kristen Stewart talking up her current relationship with Alicia Cargile
Boy Culture Miley Cyrus on her pansexuality
Playbill There will be a live audience for Hairspray Live on NBC- website coming soon with how to apply! 

Just 4 Fun
Jezebel "I wore a tail for 1 week and learned nothing" 
AV Club Documentary Now has done a full Talking Heads parody album! 

Has the Whole World Gone Insane?
Film Comment are film critics losing sight of film in the rush for content / social media?
IndieWire interviews the man behind the satire twitter account "Arthouse Donald Trump" which was hilarious and prismatically accurate of loudmouth cinephiles and Trump
Daily Beast Billy Bush is now attempting to drag NBC down with him into the mud after his "Pussygate" suspension - classy!
Gothamist a Talking Trump Zoltar machine appears in Brooklyn spewing prophesies
THR the whole Devin Faraci (Birth. Movies. Death editor) story that blew up this week when a former colleague accused him of touching her without her consent
Awards Daily ...airs a different perspective, mourning the loss of Faraci's voice against misogyny in the fanboy community, particularly during Gaming Gate. 

Exit Video
Harry Belafonte's company produces this PSA on police brutality. Actors Michael B Jordan and Danny Glover and other luminaries star

Against The Wall from Against The Wall on Vimeo.

Unsung Heroes: Jim James and Calexico in 'I'm Not There'

Michael C. from Serious Film here, eager to dive back into a film I’ve been meaning to revisit for ages: Todd Haynes’ whirlwind Dylan collage I’m Not There (2007). All this Mildred Pierce talk has given me Haynes on the brain.

I was the ideal audience member for Todd Haynes’ I’m Not There. I am a devoted Bob Dylan lover, a big admirer of Hayne’s work, and am literate in pop culture to the point that when Haynes paid simultaneous homage to Fellini’s 8½ and Pennebaker’s Don’t Look Back I had no trouble keeping up. And while I found lots to admire in this hugely ambitious project – and I was grateful Haynes didn’t attempt a traditional linear biopic – the film mostly left me cold. I was too conscious of the intellectual constructs at every turn. Dylan’s music can be pretty cerebral at times too, but I love it because he combines that obliqueness with the ability to absolutely destroy me emotionally on a consistent basis.

And yet –and yet - right at the heart of the Richard Gere section of the film, the section I found most problematic, there is this amazing scene that I haven’t been able to shake since I first viewed it four years ago.

If I’m Not There is a whole movie constructed of tangents then the scenes involving Gere playing a character named Billy the Kid riding a horse around a bizarre Old West town called Riddle may be a tangent too far. I get that it’s supposed to represent Dylan’s self-imposed exile in Woodstock in the late sixties, and that the sequence is wild grab bag of Dylan references, but these scenes still stop the movie cold with their randomness.

Or at least that's the case until all the townsfolk wander to the center of Riddle to hear Jim James of My Morning Jacket sing a hypnotic cover of Dylan’s "Going to Acapulco" backed by the band Calexico. 

Covering Dylan is almost a genre of music onto itself and this incredibly soulful take of a relatively obscure track deserves a place along side the all time greats. For a little over three minutes I don’t care about Haynes’s thesis statement. Nor do I care about making sense of the riot of costuming and set decoration I’m witnessing (love the random giraffe). For those three minutes I don’t care about anything but the fact that James, Calexico, and Haynes have managed to tap into that thing I love about Dylan. All those levels of meaning can take a back seat to the visceral experience of the music.

We all have are our favorites movies, the ones we know scene for scene, line for line. But equally valuable are the individual moments, those stand alone gems from those films that otherwise didn’t reach us. The “Going to Acapulco” scene from I’m Not There is such a moment for me. I doubt I’ll ever unravel the mystery of why it made such an impression on me, not that I have any interest in doing so.

Related posts:
all episodes of "Unsung Heroes. Also check out the new songs-in-movies series "Mix Tape"