Bunheads: They Dreamed A Dream

SusanP here, with thoughts on the season (series?) finale of Bunheads. A lot is at stake in the episode, but as in real life, not much is fully resolved. I’ll be disappointed if this turns out to be the last episode. Not because it was a bad, but it was anticlimactic for a finale. I’m anxious to spend more time in this world with these characters. I’d hate for this to be the last hour I get.

This Week on Bunheads…
A couple of weeks ago, TFE commenter Denny noted  that Bunheads is in many ways a show about what happens when an extremely talented person doesn’t catch a break and make it big. Denny wrote:

I like to think of Michelle as an alternate universe version of Sutton Foster - one in which she's almost exactly the same (except for focusing on dancing more than singing) but somehow always manages to be in the wrong place at the wrong time to make it the way Sutton has. And this feels very true to me. Growing up in the theater world, I cannot tell you how many supremely talented people I know who have just never made it, and not through lack of trying. This thread of "what does a talented person do when they just don't make the big time?" is one of my favorite parts of the show.

Potential can only get a performer (or a person) so far in life. The show tackles this idea head-on in “Next!” [more after the jump]

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A Musical Diversion

Composer Adam GuettelKnowing that the next 48 hours for most of us (well, the next 96 for me) would be filled with nothing but Oscar Mania, last night I went totally off-cinema to a night of cabaret with brilliant and unprolific composer Adam Guettel (Floyd Collins, The Light in the Piazza). [Tonight is the finale, the 8:30 is sold out but there's one more available at 11:00 pm]  Although I wasn't thinking it through properly exactly. The night didn't turn out to be all that off-cinema since the material and the train of thought kept rushing there.

Guettel is, famously, the grandson of the legendary and prolific composer Richard Rodgers, the first person to ever EGOT. Rodgers practically defined the American musical with his first partner Lorenz Hart and his second Oscar Hammerstein II: Babes in Arms, Pal Joey, The Sound of Music, The King and I, Carousel, Oklahoma... the list goes on and on and on. Guettel is an engaging witty stage presence (and unlike many composers has a beautiful singing voice to boot) but his grandfather's long shadow was ever present and referenced in self-deprecating hilarious ways.  And yet after I was done laughing I felt totally sad. The world's resistance to the musical form, and Guettel's own personal creative struggles have combined in an truly unfortunate way and we're all missing out!

Floyd Collins (1996) and The Light in the Piazza (2003) Guettel's two most famous shows are nearly breath-stoppingly beautiful musical works. I personally think both would make utterly rich film musicals if done correctly (The Light in the Piazza was already a movie, albeit a non-musical one) and since they're also serious period pieces they could be Oscar hits, too. Not that that matters... but it's just something for movie producers who might be reading to think about *cough*. If Floyd Collins, a true story of a miner trapped in a cave, was approached with the conviction and delicacy of something like Once it could be a movie masterpiece. And I've long felt that if Piazza went back to screen, there'd be a potential Best Actress winning role for the 40something/50something actress who got the plum lead role. 

In the years before/between/after? Guettel has written unfinished works and three musicals that are based on movies...

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20 Musicals From Warner Bros

It would be incorrect to say that musicals were made to lift one's spirits since plenty of great musicals are as grim as any ruthless drama. But the genre lifts mine even through tears. So I was instantly in love with the new box set that Warner Bros sent. It's called Best of Warner Bros: 20 Film Collection Musicals (on sale now) and it will serve me well in March once I have time to settle in with some older movies again. I wish I had a copy to give away but I'm keeping this one all to myself - mine! mine! mine!

The collection consists of the following films, packaged in chronological order: The Jazz Singer (1927), The Broadway Melody (1929), 42nd Street (1933), The Great Ziegfeld (1936), The Wizard of Oz (1939), Yankee Doodle Dandy (1942), An American in Paris (1951), Show Boat (1951), Singin' in the Rain (1952), Seven Brides for Seven Brothers (1954), A Star is Born (1954), The Music Man (1962), Viva Las Vegas (1964), Camelot (1967), Willy Wonka and the Chocolate Factory (1971), Cabaret (1972), That's Entertainment! (1974), Victor/Victoria (1982), Little Shop of Horrors (1986), and Hairspray (1988).

Wanna know which musical I watched the first time last night? Continue reading...

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Links of Future Past Right Now

IndieWire Lars von Trier's Nymphomaniac won't be ready for Cannes
E! the real life Navy SEAL who shot bin Laden gets all movie critic like, loving Jessica Chastain but taking some issues with Zero Dark Thirty
Erik Lundegaard has a neat interactive chart where you can rank the Best Picture winners from all Oscar years
Pajiba on Lena Dunham fat-shaming and the already famous new episode of Girls
Vulture power rankings of the Friday Night Lights cast post series finale 

In Contention Kris Tapley launches his well regarded annual top ten shots column
TMZ Vivienne Jolie-Pitt gets her first movie role. She'll play the toddler Sleeping Beauty in Maleficent opposite her scary mom
MNPP do dump or marry: Matthias Schoenaerts, Guillame Canet and Jean Dujardin
Broadway Blog fun multipart piece on Broadway's best love songs from Les Misérables through Avenue Q
Gawker loves Madonna's instagram account and so do I
AMPAS last year I did a piece for Slate on the hierarchy of thank-yous in Oscar acceptance speeches that I was super proud of. The research took me so long I made negative money an hour on the piece but now Oscar has gone and done the work for me, unfortunately after the fact, by archiving acceptance speeches. Can't wait to investigate this archive when I have more time.

one of my all time favorite comic book issues. I still remember buying this when it appearedEmpire RIP Oscar nominated editor Gerry Hambling who was 86.
Playbill Les Misérables will hit DVD on March 22nd. Tom Hooper will do commentary. 

Finally...
Cinema Blend Bryan Singer hasn't decided if Storm and Nightcrawler will be in X-Men: Days of Future Past. Alan Cumming told me he'd revisit the character if asked but can we please replace Storm? Since it's a time travel story why not give Angela Bassett the chance she deserved all along as a now older Storm? The cast list currently mixes X-Men First Class alums with previous X-Men franchise actors. Confirmed to appear: Ellen Page (Kitty Pryde), Patrick Stewart & James McAvoy (Professor Xavier), Ian McKellen & Michael Fassbender (Magneto), Hugh Jackman (Wolverine), Anna Paquin (Rogue), and Sean Ashmore (Iceman), Jennifer Lawrence (Mystique), Nicholas Hoult (The Beast), and Rose Byrne (Moira McTaggert)

Who do you hope joins this mashup X-Men team or are you done with that franchise?

Stage Door 'Cast This!' Edition: The Other Place

Ocassionally on Mondays or Tuesday's, we'll talk theater.

Do we have any fans of TV's historic sitcom "Roseanne" in the house? I ended up watching a couple of episodes the other day in syndication which happens to me probably once a year when I chance upon it -- it's hard to click away from. It was a double dose of Laurie Metcalf, Roseanne's sitcom sister Jackie, since I'd just seen her onstage anchoring the psychological drama "The Other Place" in which a brilliant neurologist's life begins to fall apart. Or... is it her life falling apart or (SLIGHT SPOILER) just her mind? That's the crux of the drama and it's a real actor's showcase of a play.

Metcalf won three Emmy Awards (and probably a lifetime supply of bank account) for her work on that famous sitcom but now she's aiming at a Tony. This is a juicy role -- the whole show would be a concave mess if the actress at its epienter couldn't keep it lively -- and I think she's definitely a threat come June for the statue. 

I enjoyed the play -- despite it feeling a bit small for the big stage --  but since I long for more intimate drama films that give actresses this much to work with, I already want to see it as a movie. So let's play...

"CAST THIS!" in the comments

Zoe Perry (Laurie Metcalf's daughter) & Laurie Metcalf in "The Other Place"

The Roles:
• Juliana Smithton, a neurologist who may or may not be lying to herself about all the drama in her life: her husband leaving her, her young daughter running away with her husband's colleague, and her own declining health. 
Who You Need: an actress in her 40s or 50s who can project real intelligence with weird snaps of emotional immaturity and possibly mental illness. 
• The Woman who is several characters including an angry daughter, put upon assistant, and lonely divorcee.
Who You Need: an actress in her 20s or 30s to shapeshift for multiple characters, some actual characters some possibly only projections of actual people. Bonus points if she could believably be your lead's daughter. 

Theater Links To Go
20at20 Off Broadways shows for only $20 for next 20 days only
Playbill Frank Wildhorn's Jekyll & Hyde musical might be getting the big screen treatment. Ugh of all the stage musicals to adapt?! One that's of a story that's already had a bajillion film versions? Oops, that describes Les Miz too but at least Les Miz has the Les Miz music! This sounds more like a potential Phantom of the Opera problem.