Judy by the Numbers: "Embraceable You"

Anne Marie is tracking Judy Garland's career through musical numbers...

Throughout the 1930s, Mickey and Judy had been one of America's favorite musical duos. With Mickey in the lead and Judy providing musical support, the two young teenagers - with the help of the Freed Unit - dominated the box office, regularly grossing $1 million even during the Depression. However, by the beginning of the 1940s, both 21-year-old Judy and 23-year-old Mickey had grown past the simple comedies in which they'd made their names. While both continued to pull in the same amount at the box office, Mickey was moving into more serious roles - though he still had a few more Andy Hardy movies in his contract - and Judy was dropping her hems and trading in her hair ribbons for hats. So, at the end of 1943, Mickey and Judy starred in their last musical together.

The Movie: Girl Crazy (1943)
The Songwriters: George Gershwin (music) & Ira Gershwin (lyrics)
The Players: Judy Garland, Mickey Rooney, June Allyson, directed by Busby Berkeley and Norman Taurog

The Story:  This transition affected their partnership in Girl Crazy as well. While before, Judy had been Mickey's sidekick, now she was her own force to be reckoned with. Director Busby Berkeley gave 3 musical numbers to Judy alone, while Mickey appeared with her in 2 more (and also was dubbed on piano for one number). While the plot still mostly fell on Mickey's shoulders, the musical was entirely Judy's. In fact, she got two more iconic hits from it: "Embraceable You," and "But Not For Me."

Though Mickey and Judy would continue to be friends (and perform together - once more in a movie and again later on her TV show), their onscreen partnership had run its course. And though Judy couldn't have anticipated it, right around the corner was another movie that would change her life forever.

Previous Related Highlights:
"Our Love Affair," "Good Morning," "Got a New Pair of Shoes"

Judy by the Numbers: "For Me And My Gal"

Anne Marie is tracking Judy Garland's career through musical numbers...

 In 1942, Judy Garland met a man who would come to be one of her biggest onscreen costars and supporters at MGM. When he was cast in For Me and My Gal opposite Garland, Gene Kelly was as upstart Broadway star, hot off Pal Joey and trying to make the transition to Hollywood stardom. According to Kelly, Judy Garland eased that transition; she was gracious, she was giving, and she was a consummate professional. Gene Kelly, stage dancer, learned how to perform for the camera by watching Judy Garland.

The Movie: For Me And My Gal (1942)
The Songwriters: Edgar Leslie & E. Ray Goetz (lyrics) and George W. Meyer (music)
The Players: Judy Garland, Gene Kelly, George Murphy directed by Busby Berkeley

The Story: The title number of For Me And My Gal shows off the unique partnership Garland and Kelly shared. The two costars sing at the piano, a staging familiar to Garland fans who'd watched her share a similar scene with Mickey Rooney many times in the past. But Kelly is no Rooney. Where Mickey would mug, Gene floats. Where Mickey would riff, Gene croons. This isn't to say that Kelly can't be funny, but his relationship to Garland is different. Mickey and Judy were a couple of firecracker kids; he gave her zing and she gave him class. Judy and Gene are two contrasting talents; his dancing complements her songs. Each provides where the other is weak, creating a harmonious musical union. It's no wonder than Judy and Gene would go on to share another three movies together.

Judy by the Numbers: "Chin Up! Cheerio! Carry On!"

Anne Marie is tracking Judy Garland's career through musical numbers...

1941 was a year of beginnings and endings for Judy Garland. It was the year of Judy's last Andy Hardy film (Life Begins for Andy Hardy, wherein nobody sang). And she wasn't just growing up on film - 1941 was also the year of Judy's first marriage: to David Rose, the musical director of the Tony Martin Radio Show. At only 19, Judy Garland was transitioning from child sensation to full fledged star.

The Movie: Babes on Broadway (1941)
The Songwriters: E.Y. Harburg (lyrics) and Burton Lane (music)
The Players: Judy Garland, Mickey Rooney, Virginia Weidler, Fay Bainter, Margaret O'Sullivan, directed by Busby Berkeley.

The Story: As the country entered World War II, the Freed Unit was lining up a series of nostalgia-inflected new hits starring Judy Garland for MGM. While Babes on Broadway looks at first glance like the typical "let's put on a show" backyard musical of 30's Mickey and Judy, some palpable differences manifest. First, there's the emphasis on Americana and patriotism, from Judy urging young British youths on in "Chin Up Cheerio!" to the (racist blackface) closing number, "Robert E Lee." This was the influence of World War II. Though Pearl Harbor happened mere days before Babes on Broadway was released, national sentiment was already turning towards the patriotic messages that would define wartime Hollywood. However, the movie's bigger hit was a more conventional Judy Garland number "How About You?"

In many ways, Babes on Broadway looks and sounds like the old Judy and Mickey - the two doe-eyed lovebirds sing to each other at a piano or on a stage while Mickey pulls faces. However, there are two marked differences: First, Mickey is no longer the focus of the movie - the two actors share camera equally. Second, Garland has graduated from the giant lace sleeves and tulle-lined skirts of "in-between" childish Judy, instead dressed fashionably in the latest style. Ziegfeld Girl and Little Nellie Kelly had proven Judy's talent was mature. Now it was time for her star image to reflect that transition, too.

Ryan Gosling as Busby Berkeley? We're In.

We can breathe easy now. Ryan Gosling isn't actually going to retire from acting. His next project is of course behind the camera (How To Catch a Monster starring Christina Hendricks) but sometime after that we could well see him choreographing up a virtual storm of beautiful shapes made from shapely beauties. He's (possibly) attached to a Busby Berkeley biopic. The film will be based on Buzz: The Life and Art of Busby Berkeley by Jeffrey Spivak

Gosling & Busby

It's not the type of project we imagined him for him as musicals went. In fact it's easier to picture him as one of those handsome singing hosts in tuxes in the musical numbers who present the parade of beautiful girls, but this isn't actually all that far off. Busby Berkeley was a driven visionary, always out to top himself, and messing with the boundary of the stage and the possibility of the camera long before Rob Marshall kept throwing his hands up and just filming dance numbers on a stage. Though Berkeley is best remembered for this massive dance numbers with relatively anonymous legions of chorus girls, he frequently worked with big stars like Judy Garland, Mickey Rooney, Eleanor Powell  and Gene Kelly (good luck finding people to play them!) and was married six times so there's lots of temperamental drama possibilities here.  

I'm always surprised when Hollywood greenlights movies about themselves. Though Oscar is often drawn to movies about movies they are rarely anything more than modest hits with the public if they're that.

And yet, if his reminds Hollywood of the virtues of choreography that you can actually see (stop with the constant closeups during dance numbers, already!) and of the virtues of Ryan Gosling gifts outside of strong and silent anti-heroes, than we all win.

Curio: Trevor Gutherie's Charcoal Drawings

Alexa here to bring a bit of contemporary art to your Monday evening. Trevor Gutherie is a Zurich-based artist who is well-known for his large-scale, photorealistic charcoal drawings that appropriate art history, found photographs, and imagery from contemporary culture with an often mordant wit.  “Appropriation for me is a subtle business,” he explains.

"Musterknabe", 2011, charcoal on paper, 110 x 80 cm

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