Take Three: Christopher Walken

Craig from Dark Eye Socket here with Take Three. This week: Christopher Walken

Take One: True Romance (1993)
One of Tony Scott’s best loved films was True Romance, based on Quentin Tarantino’s script. And one of its most fondly remembered supporting performances was Walken’s psychotic criminal Vincenzo Coccotti. His sole scene – the ‘Sicilian scene’ as it became dubbed – is often quoted for its spiky dialogue and playful yet intense interaction. In the scene Walken pays a visit to Clifford Worley (Dennis Hopper) for information on the whereabouts of the latter’s son Clarence (Christian Slater). Worley knows that he’s going to die regardless of what he tells Coccotti, so he relates an offending story hoping to insult him as a last FU. For the most part Walken does seemingly very little; Hopper does most of the talking. But his responses, his turning to his henchmen for reactions and hardy yuck-yuck laugh add an amusingly unsettling tension. Walken’s screen persona in scenes of violence has often relied on his characters’ ability to suddenly snap and violently “disagree” with other characters (see A View to a Kill and King of New York particularly). Walken waits out the bulk of the scene, letting Coccotti’s rage simmer as Worley offends him. Coccotti never rises to the verbal bait; Walken doesn’t overplay it. (Apparently, only the words ‘eggplant’ and ‘cantaloupe’ were adlibbed to the script as written.) He sits listening, stewing in his carefully guarded anger. It’s obvious he’ll boil over at some point but we don’t know when. Though he embeds himself in your mind quickly, he generously lets Hopper shine for the scene's duration before shrewdly asserting himself, switching into psycho mode for the finish.

I haven’t killed anyone since 1984"

Walken's savvy waiting game here is testament to how he regularly imbues a film with sly style through his uniquely scary persona. The scene is barely five minutes long, and Walken has only a handful of words, but he does some of his best supporting work within the timeframe.

Two more takes after the jump

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It Won't Bring Her Back.

Robert Wagner and Natalie Wood on "Splendour"For those of you wondering why I haven't written about the reopening of the Natalie Wood drowning case from 1981 there are three reasons. First, recalling a childhood trauma is unpleasant (Natalie was my first experience with the death of a loved one. An abstract "loved one", sure, but still... Traumatic!). Second, it won't bring her back and I'd rather remember the actress than the death. In fact, I have West Side Story 50th anniversary prizes to give out soon. Third and finally, I've been swamped time-wise. But if you'd like the latest updates, The Wrap has been steadily updating the information. It's all still very inconsequential so one wonders why exactly they reopened the case. There were only four people aboard: Natalie, the captain (who claims to have been drunk and has changed his story), her husband RJ (who is supposedly not a suspect), and her then co-star Christopher Walken (who has now hired a lawyer). Natalie and Walken were making Brainstorm at the time which was released two years after her death.

Christopher Walken was 38 (and a recent Oscar winner) and Natalie was 43 when they made "Brainstorm"

CBS 48 Hours Mystery is airing a new special on the 30 year old tragedy tonight. (The boat they were on was long since sold but it's now docked in Honolulu.) I probably shouldn't watch it but I suspect I will.