Rose Byrne in "Spy"
Saturday, June 6, 2015 at 5:33PM Let's make this happen universe.

Or we'll all be as sad as Bulgarian clowns.
Oscars (15),
Rose Byrne,
Spy,
Supporting Actress,
comedy The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Saturday, June 6, 2015 at 5:33PM Let's make this happen universe.

Or we'll all be as sad as Bulgarian clowns.
Thursday, June 4, 2015 at 12:01PM Team Experience sharing their personal Emmy dream picks every day at Noon. Here's Manuel on Lisa Kudrow...
For anyone who watched the criminally underseen first season of Lisa Kudrow’s The Comeback, you know how the former Phoebe Buffay created a portrait of an actress so intent on controlling her image and reclaiming her sitcom career that the dark humor and awkwardness of it all was perhaps too much to bear. If the first season was an excruciating exercise in reality TV satire, the second season was an indictment of Hollywood sexism that used the show’s meta structure (Valerie gets cast as the thinly veiled version of herself in an HBO show about the very show she starred in The Comeback’s first season) to force us to yes, laugh at Valerie’s seeming cluelessness but also to examine why and how those laughs are being elicited. There’s humor in Valerie quite literally living out the demented humiliations that a former writer thrusts upon her as part of making his HBO show “edgy” but with every laugh at Valerie (in a trunk full of snakes, standing awkwardly next to two naked women, going down on Seth Rogen) there was a performance that asked you to empathize with this yes, self-deluded character.

Emmy,
FYC,
Lisa Kudrow,
The Comeback,
comedy
Tuesday, June 2, 2015 at 10:31AM We recapped the first half of Grace and Frankie and then abruptly quit talking about it, but since it's been renewed, we should tie this up in a neat bow. As with other Netflix shows in the past like OITNB and Daredevil it didn't quite engage people in the blogging model as weekly series coverage does despite the fact that it was clear that most readers were watching. The problem, as documented in ongoing media hand-wringing and cultural conversations about binge-watching, is that nobody's ever on the same page.
But on the other hand people do seem to have ended up on (mostly) the same page with Grace & Frankie in terms of its overall quality. More...
Wednesday, May 20, 2015 at 10:00PM For The Lusty Month of May, we're looking at sex scene each night. Here's Denny...
Our favorite little Parisian pixie, Amélie Poulain, lives a quiet life. She amuses herself by posing silly questions...such as: How many couples are having sex at this very moment?
Tuesday, May 12, 2015 at 10:00PM Put on your finest black Willie Nelson T-shirt, cause we're going to a funeral!

abstew here continuing our coverage of Jane & Lily Grace and Frankie. After being separated from their recently gay (well, to our leading ladies at least) and recently shacked-up husbands, the gals must come face-to-face with their estranged spouses for the first time since the first episode. And because they're of a certain age, the gathering naturally happens at a funeral (it's like clubbing for retirees). And nothing says comedy quite like a funeral setting (unless it stars Hugh Grant and is preceded by 4 weddings) and this episode proves it by carrying some pretty heavy dramatic moments and a breakdown from Martin Sheen that shouldn't have made me laugh as much as it did (since he was actually going for heartfelt drama).
The episode begins with Grace interrupting Frankie's art class with ex-cons so that the two can get to the funeral of their mutual friend Larry before Sol and Robert arrive for their "coming out party".