Posterized: Lily Tomlin

with Paul Weitz. Photo via Getty Images

The great Lily Tomlin hits the road literally and figuratively this weekend in Paul Weitz's terrific Grandma, previously reviewed right here by both myself at Sundance and Joe Reid at Tribeca. The movie just opened in the major markets and more cities will follow soon. For my column at Towleroad published earlier today I ranked the ten movie roles that I think of as her best from her now 40 year old movie career. I hope you'll read it.

Consider this weekend the ignition of her Oscar campaign engine, too. It's Lily's first leading role in a feature since (gulp) 1988's Big Business so this doesn't happen very often at all and we must take notice! Go see it I'm so proud that The Film Experience is on the poster for this one.

Lily was Emmy-nominated last month for Grace & Frankie and if Grandma can continue building on this moment of newfound appreciation of a 75 year-old living legend, an Oscar nomination for Best Actress could well follow. You know how that goes sometimes when the culture rallies around an actor in a particular moment like "Oh, right. We've always loved you -- here you go, diva!" (see Diane Keaton's easy nomination rode for Somethings Gotta Give or Julianne Moore's win last seaon)

Let's take a trip through Lily Tomlin's spotty film career via movie posters (with a couple of excerpts from my Towleroad piece)! How many of her 24 features have you seen? 

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Thoughts I Had... Whilst Looking at Chris Hemsworth in "Ghostbusters" Uniform

In the order they arrived...

• This would not qualify as a 'Cool Rider' by Stephanie Zinone's standards. No hell in his eyes. No skintight leather.

•mmmmskintightleatheronaHemsworth

• When are jumpsuits coming back in style? They look so comfy.

• He's playing the Annie Potts receptionist role but this is the new Ghostbusters uniform so even when genders are reversed, male privilege guarantees a slice of the action!

• For his next trick: "Mary Jo" in the gender reversed Designing Women reboot. How is this not a new gay network sitcom already? Get me a pitch meeting.

SOURCE

• Hopefully this is a windblown rather than a hairsprayed look since he needs his bangs for Hair Acting (see: Thor, Blackhat, Rush) 

• Is this hunky guy still Chris's go-to stunt double?

• The Avengers all seem to be getting a little slaphappy lately what with press rounds and comic cameos and dubsmashes and what not. Chris is clearly in the mood for comic larks.

• <-- See also: Vacation Dong. Whose job is it to provide actors with fake cocks lately (see also: The Overnight) and exactly how profitable is this niche? 

• Whatever happens in this movie it is bound to make more sense than whatever was going on with Thor in Avengers: Age of Ultron. I just saw that for the third time -- it was my inflight movie over the weekend -- and everything Thor-related, yikes. Not his fault but cut his key scenes and the whole movie plays better. In Related Unpopular Note: I have also come to the opinion that it's a much better movie than people give it credit for... but it is ungainly and it's a miracle that Joss Whedon pulled it off, given the clear presence of a dozen plus agendas outside of Tell This Story.

• If we must have remakes then a Lady Ghostbusters is the best possible outcome on paper. But I hope not to be sick of the movie before it arrives 332 days from now which is always a threat when internet interest is high.

Yes No Maybe So: Judy Greer leads "Addicted to Fresno"

Here's David on a new comedy...

With Judy Greer being the current centre of the ever-increasing storm over the poor state of roles for women in Hollywood (Jurassic World and Ant-Man... they aren't exactly "Judy Greer movies"), a new trailer showcasing both Judy and Natasha Lyonne in a comedy is hopefully a defiant YES on our patented trailer- judgment scale.

But let's put it to the test anyway, after the jump...

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Titus Andromedon and the "GBF"

Please welcome new contributor Kyle Turner to the team, who has previously Smackdown'ed right here. In the wake of the Emmy nominations, he's here to talk about one very particular film & tv trope - Editor
 

In Tina Fey’s book of autobiographical essays Bossypants, she describes with delight and nostalgia her time growing up working at the Delaware County Summer Showtime program for the arts. And while her experiences about her background in theater are the surface, it’s her relationship to the queer community that serves as, perhaps, the thesis and thematic core of the essay. She writes carefully, balancing emotional reaction of the present juxtaposed against examining the events in hindsight. She talks about the lesbian best friends she had for several years, the way her hometown was like “Gay Wales” (“What Wales is to crooners, my hometown may be to homosexuals – meaning, there seems to be a disproportionate number of them and they are the best in the world!”), and, most important, the role of LGBT people in her personal narrative(s). She writes

I thought I knew everything after that first summer. ‘Being gay is not a choice. Gay people were made that way by God,’ I’d lectured Mr. Garth proudly. But it took me another whole year to figure out the second part: ’Gay people were made that way by God, but not solely for my entertainment.’ ”

In one quote, Fey pinpoints a problem that mainstream media often has when depicting queer (usually male) characters: they’re often asexual, thinly written, or designed with tropes built in as opposed to given the benefit of complexity that their straight counterparts more reflexively are given. They are, in a word, tokenized. [More...]

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Box Office: Amy and the Ant (Man)

It was a good week to be Amy Schumer. Thursday saw her among the Best Actress nominees at the Emmys from a very competitive field and the very next day her first star vehicle movie (which she also wrote) opened to great numbers, even slightly higher than those for the more established female comic headlining a summer movie, Melissa McCarthy in Spy (which has had solid staying power and recently topped $100 million)

It was also a decent week to be Marvel Studios executives, too. Despite low grosses (comparatively for Marvel) a $57 million opening for Ant-Man has to be considered a big success given a) the characters microscopic profile in pop culture, b) a non bankable star -- Paul Rudd is well-loved but he has never been a box office draw c) a troubled production history and d) a release date in the summer in which people are just starting to be critical of Marvel Studios after ten years of drooling all over anything they did. 

And of course it continued to be great summer to be Jurassic World which has amassed a simply spectacular fortune despite being merely an OK retread. Every other movie that's grossed over $500 million has had a lot more going for it in terms of newness or critical raves. I'm not trying to be mean -- it's hardly the worst movie in the top ten of all time (that honor belongs to Star Wars: Episode I The Phantom Menace or Shrek 2) -- but the distinct probability that it could threaten Titanic's (1997) domestic gross to become the second most popular movie of all time (if you don't adjust for inflation) is unthinkable and quite depressing. So let's not think about it and become depressed... 

Happy thoughts then: What was most wonderful about your weekend?

BOX OFFICE
Early Estimates. July 17th-19th Weekend
01 Ant-Man $57.5 NEW WIDE
02 Minions $47 (cum. $213.4) Tim on the Minions phenom
03 Trainwreck $30 NEW WIDE
04 Inside Out $11 (cum. $305) Inside Out Articles
05 Jurassic World $10.4 (cum. $610.1) Jurassic Articles 
06 Terminator Genisys $5 (cum. $80) Review 
07 Magic Mike XXL $4.4 (cum. $58.5) Review
08 The Gallows $3.8 (cum. $17.8) 
09 Ted 2 $2.3 (cum. $77)
10 Mr Holmes $2.2 NEW LIMITED