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TWO OPINIONS ON MAPS TO THE STARS
Nathaniel's Julianne Spazzing & Glenn's Cronenberg Finger Wagging 

"There is a great movie in Maps of the Stars and that is the one Moore stars in, not the one the screenplay insists in bringing to the front." - Mr Goodbar

"If I had to guess why Cronenberg went with a largely "invisible" or even non-style style, I'd say it has to do with his approach to the narrative, which is kind of a bait and switch, setting us up for a hollywood satire and then giving us a final act that plays more like a myth or a fairy tale." -Roark

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Entries in Derek Luke (1)

Monday
Aug202012

Review: "Sparkle"

This review was originally published in my column at Towleroad.

Leaving for the theater to see Sparkle, the boyfriend wrinkled up his nose. "Is that that Dreamgirls remake?" he asked rhetorically. He doesn't care about movies (...I know!) so I just said "yes" rather than getting into it. Sparkle, like Dreamgirls before it, does pair an "American Idol" alum in her big screen debut (Jordin Sparks / Jennifer Hudson) with a genuine legend (Whitney / Beyoncé) to tell the story of a troubled female pop trio in 1960s Detroit attempting to make it big as Motown explodes. But the similarities are cosmetic. (Which is not, unfortunately, to Sparkle's benefit. If you're going to load up your screenplay with familiar clichés, rob from superior work!)

The immediate jarring difference between the two films is first noticeable in the Jennifer/Jordin continuum. In both films the biggest talent of the trio has to play second fiddle to "the hot one" but only in the earlier property does the Major Talent bristle mesmerizingly against her runner-up status; Jordin's "Sparkle" is a willing wallflower, happy to let her sister (the crazy gorgeous Carmen Ejogo) sing all of her songs whilst shimmering in the warmth of the spotlight. Sparkle's sister's name is "Sister" and their group is called "Sister and Her Sisters" and the men competing dramatically for their hands (that's a euphemism for vaginas) are named "Stix" (Derek Luke) and "Satin" (Mike Epps). So any moviegoer with a sybilant "S" should avoid all discussions of the movie

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